The Crone: the Old, the Wicked, and the Wise

The crone: a wicked witch, a voice of reason, a spiteful hag, a wise recluse. Discover the positive and negative depictions of the aging woman.

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A lush, mystical, green forest shimmering under the night sky with a cartoon old woman with a black dress, green shawl, and a cane. In the center are three fantasy and fiction book covers: Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk, The Bloody Chamber by Angela carter, and The Wizard of Oz by Frank L. Baum.

For a long time, the cardinal sin of any woman has been daring to age. Resident in almost all fairy tales, commonplace in literature, and still perpetuated in pop culture, are the three roles women are delegated to: maiden, mother, and crone — the life cycle of the written woman. In mythology, a crone is a wise elderly woman with a strong intuition often rooted in nature and or magic. However, the depiction of the crone is often disparaging and ripe with disapproval of the aging woman.

Witch, healer, or simply knowledgeable, the crones we’ll know best are the vilified, ugly, and bitter “hags” often willing to resort to evil to gain back their youth or to spite someone else’s. These depictions are many, but as are the depictions feminists have written to counter this overtly sexist and calculated representation of women’s aging. Let’s take a look at seven depictions of the crone in literature and pop culture: some as commentary, some positive, and some negative.

The Bloody Chamber by Angela Carter

The Bloody Chamber by Angela Carter, a fairy tale book cover. A black and white wolf door knocker. With a sinister look in its eyes and its fangs bared, the wolf head sits in the middle of the page with the texture of its hair spreading out over the cover.
IMAGE VIA BARNES AND NOBLE

If you haven’t read Carter’s feminist reconfigurations of classic fairy tales, do it. Carter dissects the damning sociological concepts regarding women deeply ingrained in the stories we’ve consumed since we were sentient and puts them on full display. Not always a happy ending, but always a revealing one. Some of the most prominent examples of commentary on the crone arcetypes are within her two reimaginings of Little Red Riding Hood, The Werewolf, and The Company of Wolves, where the crone is represented through the grandmother. The Werewolf comments on the disparaging connotations of old women and society’s treatment of them, and The Company of Wolves provides a more well-rounded view of the grandmother’s role. We also see depictions in the titular story, The Bloody Chamber, a reimagining of Bluebeard, and The Snow Child, a reconception of Snow White.

The Witch in Hansel and Gretel by The Grimm Brothers

Grimm's Fairy Tales by The Brothers Grimm, a fairy tale collection book cover. A pink cover with golden vines and white roses boarding the sides. In the center is an image of Little Red Riding Hood greeting the Wolf in the woods and underneath is a candy house in the woods.
IMAGE VIA BARNES AND NOBLE

One of the most iconic representations of the crone comes in the form of the wicked old witch from Hansel and Gretel. It is certainly a more disparaging representation of women in their old age: the witch lives deep in the woods in a candy house to lure children inside. The location of her home taps into the enchanting and mystical elements often associated with the crone and her motivation to kill and eat the unlucky children that stumble across her threshold certainly connects with the crone’s evil and spiteful connotations.

Gramma Tala from Moana

A still from the Disney movie Moana. On the left is Tala, Moan's Grandmother, wrapped in a strapless linen dress, her shoulder length grey hair half tied in a bun, holding herself up by a cane, and gazing at Moana mischeviously. Moana in a orange crop top and white linen skirt smiles with her hands behind her back and her curly hair cascading down. They stand on a sun-soaked tropical beach.
IMAGE VIA WALT DISNEY ANIMATION STUDIOS

Regarded as the village’s “crazy lady” and the keeper and connection to ancient Polynesian stories, Gramma Tala, from Disney’s Moana, has invaluable wisdom. Rather than instilling fear in the younger generation, as many crones are depicted to do, Tala is Moana’s closest confidant and the root of her love for the ocean. Tala is eccentric, free-spirited, and often belittled by other villagers for her steadfast belief in Polynesian folklore. However, without her guidance, the village and the world would be doomed. A crazy crone saves the day and the future; now that’s a representation of aging I can bite into.

The Wicked Witch of the West from The Wizard of Oz by Frank L. Baum

The Wizard of Oz by Frank L. Baum, a fantasy book cover. In an old-fashioned art style remeniscent of Old Hollywood, the title is displayed in a bright green over a green castle with a plume of yellow and red smoke above it and a yellow winding road a top a red field winding to it. Walking the road are the yellow outlines of the characters Toto, the Cowardly Lion, Dorothy, the Tin Man, and the Scarecrow
IMAGE VIA BARNES AND NOBLE

‘I’ll get you, my pretty, and your little dog too!’

The Wizard of Oz

What would the crone archetype be without the Wicked Witch of the West? Two aspects of it sit right in her name: wicked and witch. In her old age, she uses her power to spread evil and, as all The Wizard of Oz fans should know, seeks to destroy a young, beautiful girl. However, I’ll always defend the Wicked Witch to a certain extent (definitely in light of Wicked); we always seem to forget that Dorothy killed her sister with a flying house, literally took the shoes off her feet, and paraded around in them, but I’ll rest my case.

Janina from Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk

Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk, a fiction book cover. Drawn black and pink skinny trees layered over a blue background with the words of the title written within the tree trunks.
IMAGE VIA BARNES AND NOBLE

Tokarczuk’s Noble Prize winning novel follows the eccentric Janina living in a remote Polish village and independently investigating a series of murders she believes to be carried out by animals seeking vengeance against humans. Though the plot eventually reveals itself to be a straightforward murder mystery, the majority of the text reads like a dark fable with Janina as the crone heroine, specially tuned into the environment and the feelings of its animals. Though we eventually see a dark side to Janina, her narration imparts wisdom surrounding the relationships between humans and nature and the hierarchy we place on human lives in our society.

Pearl from X

Characters Pearl and Maxxine from Ti West's X, both played by Mia Goth. On the left an old, haggard woman with thinning white hair, a dirty white night dress, and a pitched forks stands with a distant look on her face. Next to her is a pretty, young girl with thick curly hair, blue eyeshadow, and a striped bandeau under overalls holding a gun to her chest.
IMAGE VIA A24

Ti West’s 2022 slasher X may not tap into the supernatural aspects of the crone, but it certainly relies on the archetype for one of the villains: Pearl. When the cast and crew of a pornographic film show up at a reclusive farm run by an elderly couple, the old, decrepit, and jealous Pearl takes a special interest in Maxxine’s youth and beauty as she is a reflection of a past self. Literally. Maxxine’s actress Mia Goth transformed into the elderly Pearl for the shoot and, in the prequel, plays her younger self. Maxxine and Pearl are meant to be parallels of one another and, ultimately, symbolize the birth and death of women in literature and entertainment: the wide-eyed, desirable maiden and the spiteful, shriveled crone.

Miss Marple from The Miss Marple Mystery Series by Agatha Christie

Another positive crone figure is the beloved Miss Marple. Though often teased by the surrounding characters for her peculiarities and old age, Miss Marple is hyper-observant, holds a powerful intuition that hardly ever steers her wrong, and can identify patterns in society that others often miss. She is unmarried and lives alone, and her age, rather than a hindrance, is intrinsically linked to her impeccable detective skills. Miss Marple may not be supernatural, but she holds the wisdom of a respected and all-knowing crone.

The crone has historically been misused as a disparaging stereotype of aging women. Meryl Streep had talked about this phenomenon openly before in her casting experience post-40, telling Graham Norton that “when I turned 40, I was offered three witches in one year and it was sending me a signal, I felt, about Hollywood and how they felt about women turning 40.” Too often, the crone is turned wicked, ugly, and conniving, however, the true crone is characterized through her wisdom and her unique understanding of the world around her and all its counterparts. Slowly but surely, more positive depictions of crones and aging women have been brought to life; here’s hoping the trend continues.


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FEATURE IMAGE BOOKSTR / SEAN LIDDY