Webtoon has become a platform that amplifies and fosters a diverse, vibrant, inclusive, and creative community, encouraging an expressive space for independent voices to shine through their unique worlds and stories, memorable characters, and remarkable artistic talent. The digital platform’s use of dynamic graphics and vertical scrolling makes reading more immersive and enjoyable, bringing stories to life in a fresh and modern way. These five authors demonstrate just how powerful visual storytelling can be, as successful Webtoon storytellers who charm a great number of readers each time, from dark fantasy to slice-of-life comedy. Their stories showcase the limitless potential of Webtoon Canvas.
The Authors
Sushiru-River
Sushiru (also known as River) is a freelance artist and comic creator currently residing in the US. She has a strong passion for storytelling and has been independently publishing on Webtoon since 2018, with her most recent story and passion project, Spontaneous World Shifting, updating twice a month and continuously growing for four years now. She hopes to continue to support herself on her art and writing indefinitely and make stories that connect with and inspire people to imagine and create their own tales. In her opinion, storytellers are an essential part of humanity’s soul.
Paige Critchlow
Paige Critchlow is the artist and author behind Tenacity, an action/drama/scifi comic series about how far a supernatural found family will go to save a former friend. A long-time comic reader and daydreamer, Paige began posting her comic online in 2020 before later launching a successful Kickstarter for the print version of Tenacity Volume 1 in 2024. She resides in the northeastern United States along with her partner, two cat children, and an adorable gecko.
Augusta Wickman
Augusta Wickman is the writer and illustrator of the dark fantasy comic Ilworld, which can be found on Webtoon Canvas. She loves metal and industrial music, goth fashion, fantasy, sci-fi, and horror stories.
T.A. Teufel
T.A. Teufel is a fan of all things Halloween and loves to collect cute blind box toys. She spent her youth traveling to conventions, selling her art, until a decade later, she finally decided to bring the stories swirling around in her head to life as an actual comic. Now she spends most of her free time creating comics or talking about comics. Her current projects include Fragmented Dreams (Creator and Artist), It’s Okay to Like Girls (Co-Creator), The Power Ups (Inker), and The Legend of the White Wolf (Inker).
Christine Han
Christine Han is the artist and creator of How to Live with Trouble and Graham Cracker on Webtoon Canvas and Tapas. She puts her degree in Painting and Drawing to use, making art whenever she can. When not shrimping over her drawing tablet, she enjoys crafting and climbing on plastic rocks.
The Questions
Webtoon has become a creative powerhouse. Walk us through your journey: when did you first join the platform, what was the initial appeal, and how has its transformation impacted your work?
Sushiru-River: I was introduced to Webtoon through a post about the comic Unordinary around 2017. When I explored the app and saw how many independent stories were being published, I fell in love with the concept of a comic app emphasizing passionate independent creators sharing their stories. Obviously, I wanted to share my own (I had two comics that I was posting on DeviantArt, but that website was dying fast at the time, so Webtoon seemed a better place to host). Over time, I must confess I have been disappointed with the direction Webtoon has taken, focusing less on independent stories and more on (sorry to say) super generic in-house productions. What I love about storytelling platforms is the variety of ideas, art styles, and quality available (I like seeing beginners on the platform just as much as I like seeing highly professional work. It’s incredible and encouraging to see new storytellers testing out comic-making and growing their skills). Thankfully, Canvas has remained relatively the same (with far less promotion from Webtoon itself), and I still appreciate seeing so many small creators share their stories and characters.
Paige: I’ve always been drawn to comics, so I joined the platform pretty early on as a reader before deciding to post my own comic, Tenacity, on there in 2020. Tenacity is a series I’ve been developing for most of my life, and as a result, I’ve grown very attached to and protective of the IP. I was hesitant to approach traditional publishers out of a fear of losing creative control, and also really liked how accessible Webtoon was at the time to solo artists. The idea of being able to connect directly with readers and potentially get paid for my work was also very alluring. Early on, the platform was quite addictive. I was fortunate enough to be promoted by the Canvas team a few times and was able to get into their creator reward and ad revenue programs, along with gaining a lot of new readers very quickly. A bit naively, I chased that high for a while, often working unreasonable hours in the hopes of one day doing my comic full-time through Webtoon. But as the platform mechanics and pay rates worsened over the years, I’ve had to learn to reel things back a bit and create a much-needed, healthier work relationship with my comic. By slowing my pace and taking the platform a bit less seriously than I had before, I’ve been able to rediscover my love for the craft and have shifted my main focus to other platforms like Patreon and Kickstarter. Personally, I still see Webtoon as a nice place to connect with readers and creators, though.
Augusta: I first joined Webtoon in 2018. I had been working on my comic for some time before that and had been looking into places to share it online. At that time, the consensus seemed to be that Webtoon and Tapas would be the best options. I started sharing my comic on both platforms. I noticed immediately that I was getting more page views and interaction on Webtoon vs Tapas. It was really cool to get comments from strangers on my comic. A problem I immediately ran into was that my initial files for my comic were set up to be a printed manga-type comic. It was in black & white at first. I was sharing full pages on both platforms without reformatting for Webtoon. This was a mistake. I got comments that my pages were difficult to read and that they would need to zoom in to read them. So I later ended up coloring the comic and reformatting it so that it was optimized to read on Webtoon. It started doing much better after that. I also stopped posting on Tapas due to a lack of interest in that site.
T.A: I first became aware of the platform through an onslaught of ads for Lore Olympus. I remembered the comic from Tumblr and wandered over to see what the website had to offer. While on Webtoons, I was immediately drawn to the use of vertical scrolling to tell a story. The use of blank space for timing and long flowing panels enraptured me. For years of my life, I have stopped and started so many comics because of my mental block with the traditional page format. This vertical format opened up a whole new world to me. I began reading as much as I could to study how it worked, eventually stumbling onto the canvas side of the site. Seeing other indie creators also embrace the format made me want to try. I decided to use the novel I had been writing for the better part of six years, Fragmented Dreams, as my first webcomic, ignoring all of the advice I read that said to NEVER start with your magnum opus. Five years into creating the Fragmented Dreams webcomic, I can understand the wisdom behind this advice, but I still love making my series.
Christine: I was one of those who began drawing comics during the lockdowns. I was still working at a school library part-time, walking my dog, and isolating with my partner. I had thought about starting a Webtoon before, but felt like I never had enough time to dedicate to it. It seemed like as good a time as any, and I began writing down silly things that happened in our lives, envisioning how they could become drawings. I had been reading a lot of slice-of-life comics, so it was easy to translate the day-to-day silliness to drawings. I guess I should say that I’ve been drawing and painting all my life, but I had not done any digital art before. It was fun and frustrating learning how to work a whole new medium, and I’ve met amazing and dedicated comic artists who I consider to be good friends. As far as how being on Webtoon specifically has impacted my work, I am thankful I have a place to share my work, and as always, am grateful for the dedicated base of readers whom I wouldn’t have had the opportunity to share with otherwise. Having consistent readers encourages me to draw every day, so I can also be consistent for them and not let them down. I haven’t really made any changes to my practice as the platform has grown. As long as I’m able to draw and share my stories with like-minded people, I will continue plugging away at my drawing tablet.
Collaboration is a huge part of the Webtoon Canvas experience. From your perspective, what are the key ingredients for a successful collaboration, and what makes these projects so integral to the creator community?
Sushiru-River: I have to be honest, collaboration did not play a very big role in my journey on Webtoon until more recently. I joined the app with a decent online following from DeviantArt and YouTube, and although it still took time to grow my main story, Webtoon itself started featuring my comic in their lists almost right away. However, as time went on, I joined the Webtoon Canvas creator discord server and have since started livestreaming my comic process beside other creators, which has helped to ease some of the tedium of comic-making and led to the discovery of some really awesome Canvas comics. I suppose it’s a type of collaboration to basically work together in the same “room.”
Paige: I personally find the collabs built through genuine connection with other creators to be the best, most enjoyable collaborations to both read and participate in. Good communication skills and a willingness to hear the ideas of others go a long way, obviously, but having genuine friendships helps create sincere projects that are more fun to work on and read. Making any comic (be it a vertical scroll webtoon or traditional print comic) is a grueling, time-consuming, and often lonely process. So, I think it’s important to make friends in this community who are going on this journey with you, as they will always be the first people to motivate you to keep going when the pitfalls of this industry get you down. Webtoon is a bit infamous for its discoverability problem (particularly so with the latest UI update), so collaborating with other comic artists is a great way to be seen by new readers. I’m a firm believer that a rising tide lifts all ships and that it’s important to help uplift and support other creatives, as it only helps to strengthen the community as a whole.
Augusta: One of the fun things about Webtoon Canvas is really the creator community. There are so many creators out there who want to lift each other and share each other’s comics. A popular way to do this is through themed collabs. Usually, someone will come up with a theme that could range from anything to holiday-themed to MerMay-themed to BL-themed, and then they reach out to other creators to join the collab. Usually, this involves everyone drawing a picture of their characters that fits the theme. Then everyone posts the update on the same day. The post will share everyone’s comics, and it’s one way that readers can find out about other comics. Other fun things that are done sometimes are that characters can appear in a crossover in each other’s comics, and sometimes a character can make a cameo in the background of another comic.
T.A: Collaboration is the lifeblood of everything I create. I first started by sharing my novel with my husband, who basically became my editor for the series. When I decided to do the comic, he was right there with me, helping with the art. In every corner of the webtoon canvas community, I see collaboration. I see people sharing and working together on scripts, fine-tuning panels, or just sharing general tips and tricks. It brings out some amazing stories. They say “A rising tide lifts all boats”, and I believe that is true with artistic collaboration. Direction, communication, and compromise are key when collaborating. You need someone to lead so the vision stays clear, but who will listen and communicate with everyone on the team. Some of the best ideas come from brainstorming and bouncing around scenarios! I made a nice group of friends through my comic creating, even finding an art/writing partner, Jehded Waffles, to work on a second series titled, It’s Okay to Like Girls. There is a give and take to pitching ideas, and though I know I stumble around, she is always willing to listen to my edits and changes with an open mind.
Christine: Collaboration is so important. I met the creators I’m closest to through collabs, and their input and encouragement played an integral part in why I was able to begin my second webtoon. Having an idea is easy, but putting it into action, making the script and storyboards, is a whole different animal. When you’re feeling stuck or unsure, having a trusted group of people who can give you constructive criticism and advice is essential. The collaborations that have been the most fun and, therefore, what I consider successful, are those with artists who are just as passionate about their work but also want to be helpful. We all want to have a chance to share, but it only works when we also prop each other up. Plus, having an experienced person managing the details and chasing down the stragglers makes life easier, haha. Collabs are really a fantastic way to meet people and create support for each other.
The direct access Webtoon provides to your audience is a game-changer, fostering a unique connection that traditional publishing often lacks. How has this constant feedback loop and immediate interaction with your fanbase influenced your storytelling and creative decisions?
Sushiru-River: This is the most impactful aspect of publishing online for me. A large part of my storytelling has become reading people’s reactions to recently published chapters and seeing what I may need to adjust or add in the chapters I’m working on. If people seem confused about an aspect of my world, a character’s decision, etc. I can try to explain that (as naturally as I can) in future chapters. Another aspect of this is beta readers who help me polish and critique yet unpublished chapters, so I can further adjust my pacing. Super helpful in the overall storytelling process.
Paige: While I do adore the feedback and seeing people engage with my work, I do try not to let it influence my creative decisions too much. I actually post Tenacity episodes on Patreon several months before they go up on Webtoon, so that I’m so far ahead, there’s no going back by the time it goes up to the general public. If my audience really enjoys a certain element, I may sprinkle in a little more of that from time to time, but generally speaking, I try to stick to telling the story my way, with the plot I already have meticulously outlined. A lot of moments in Tenacity will read one way on the first read through, but read very differently with the context of the later chapters. So what readers comment in the moment may not always be the same opinion they have later on. I do still really enjoy reading the theories people leave in the comments, though, as I often treat it as a good indicator of whether I’m foreshadowing story events well or not.
Augusta: It is really cool having that immediate feedback. It’s so valuable for multiple reasons. For one, it helps you to judge whether the current chapter in the story is engaging. It also helps you to know if readers understand what is happening or if they are getting lost. If you get multiple comments indicating confusion, that may be a signal to try to clear up some confusion in the next update (unless it’s intentional, of course.) It has been really helpful for me to receive feedback, getting to know that readers like the characters and are interested in learning about the world. It’s also been helpful for me to know that the feelings and themes I am trying to convey are being interpreted as intended. One of the ways it influenced my creative decisions was that I had a monster character appear early in the story, and I had comments from readers saying they hope the main character gets a chance to apologize one day. I had not planned on bringing that character back into the story, but then I found a way to fit them in, and they fit a narrative role I was needing to find a solution for. So it worked out well.
T.A: Most of my story has already been written in the form of a novel, but it was written in first-person form from the point of view of the main character, Diana. In comic form, I saw an opportunity to expand the point of view, and it was the feedback from people reading that gave me the push to do so. My readers were so interested in knowing what the other characters were thinking or doing, I began to brainstorm how to weave it into the story. I try not to change the story beats too much, but seeing the live reaction from commenters does let me know if I need to work on my word balloons or paneling to make something clearer. All of which have helped me in the long run of my comic.
Christine: I have a script and a general idea of where the story should go, but reading comments and hearing what someone might want to see in the future definitely makes it into my brain. It sparks something creative in my mind, and I have found myself adjusting a scenario so that I can meet those expectations. Of course, that’s not always the case, and I won’t derail the story on a whim, but I really love reading the comments and knowing that people I have never met are enjoying something I made. It makes me want to improve, to make the art and the story better with each chapter.
Webtoon Canvas offers a unique level of creative freedom. How do you balance that autonomy with the discipline it takes to maintain a consistent publishing schedule?
Sushiru-River: It is definitely a struggle for almost every artist (speaking from my own experience and every artist friend I have) to perfect time management. It does not come naturally, and it most definitely is a struggle. However, the key factors that have helped me improve my time management skills have been the positive reinforcement from reader feedback and the burning passion of needing to get this story out of my head. If I do not publish consistently, then this will take a few extra years for me to finish…and no one else is going to make this comic for me. At the end of the day, this project is mine and mine alone (I appreciate every bit of help I get, but I don’t have the resources or the organizational skills to hire help with the actual drawing process).
Paige: Webtoon Canvas allows you the freedom to post at whatever time intervals you want, which is nice, but I have observed that a certain level of consistency helps grow and maintain a reader base more successfully. It is understandably hard to get readers to come back if you ghost them for too long with no information. But my largest motivator, by far, is wanting to get the story done for myself. Tenacity is a pretty long series, and I’ll never finish it if I don’t force myself into SOME type of schedule. It’s taken me a bit of time to find a good balance between keeping at it so I can finish the print versions of the comic and not overwork myself to appease the Webtoon algorithm, but I think I’ve found a good compromise. I now do one 40-60 panel episode every month for Patreon, and then split that in half so I can post every other week on Webtoon.
Augusta: This is a difficult question, and I’m sure everyone has a unique answer. For me personally, I have been working on the same story off and on in one form or another for the last 20 years. Even when I had no readers, I was still working on it. I have an intense desire to share this story. Even so, it can be really difficult to make myself work on the comic sometimes when there is no outside force forcing me to work on it. Sometimes I’m feeling sick, tired, depressed, or burned out. It can be hard to motivate myself, and I won’t lie, my posting schedule has become very sporadic this past year. Something that helps motivate me when it’s difficult, though, is thinking about my readers. I feel bad if I don’t update for a long time. I don’t want them to be disappointed. I don’t want them to forget all about the comic. The algorithm is also not kind if your update schedule is sparse. I also motivate myself by telling myself I’m taking too long to tell this story. I still have a ton planned that I’m excited to get to. I mean, I am using my anxiety against myself in a way, but it does help keep me working on my comic at times.
T.A: There are some limitations to creative freedom. We still have to abide by censorship rules to keep a certain rating. My discipline to sit and make the comic comes from my joy at seeing my work finally take shape. I spent 20+ years of my life crafting these stories and never sharing them. So, the fact that each update lets me share another part of the story is just pure joy for me. And I won’t say it doesn’t get frustrating or hard sometimes. On Webtoons Canvas, we, the creators, become the writer, editor, layout artist, penciler, inker, colorist, background artist, letterer, and social media director. It can be a lot to focus on at once, especially while maintaining a consistent publishing schedule. This is why having such a good community or circle of creator friends can really help in your journey.
Christine: I try to draw something every single day. Drawing is a skill that improves with practice, and when I look back on my early chapters, it’s startling how much I’ve developed my own style. I wasn’t even sure I had a “style” when I began, but seeing it solidify has been rewarding. It has made me want to experiment and become a better artist. Because I obsess over becoming better and draw over and over, it turns out I can update without issues, haha. Of course, the real problem is the sore wrist, eye pain, and back pain.
Webtoon Canvas has become a powerful hub for diverse and inclusive storytelling, especially for LGBTQIA+ creators and their characters. In your opinion, what makes this platform such a fertile ground for these stories not only to exist, but to truly thrive and find their dedicated audience?
Sushiru-River: I believe this simply boils down to the inherent diversity of human beings. When a platform is made available to everyone, people are going to share/create stories that they personally relate to (a large aspect of storytelling is exploring your own experiences). These stories will inevitably find at least a few readers who share experiences with the author and thus relate to the story. Such a thing is important and necessary…just as necessary as being exposed to stories that you have absolutely no relation to/experience with. Imagine how bland the world would be if we were all the same. This applies to stories as well. I think people like having diversity in their stories…eventually we grow bored with the same characters, plotlines, conflicts…it’s refreshing to see an independent person just do what they like without minding what is comfortable for a general audience. People appreciate authenticity, and when a platform allows that, you will find it.
Paige: I think the rise of LGBTQIA+ comics/creators in online spaces mainly stems from many traditional comic publishers historically being hostile to pretty much all minority groups. Everyone deserves to tell their stories and feel represented in media, and online comic platforms in general have provided people with the ability to carve out their own spaces, luckily. That’s not to say that it’s been entirely easy for them either. Many LGBTQIA+ creators I know still face harassment and threats online, especially in today’s political climate. Even platforms like Webtoon have failed these creators at times throughout the years. I am very happy that they have spaces on the internet to share their stories, but there is also still some work that needs to be done. For example, despite having such a large LGBTQIA+ reader base, Webtoon still doesn’t have any genre tags for them, which is something I know a lot of those creators have been asking for for years. Many of them voluntarily add indicators to their series thumbnail or description, but it doesn’t improve their discoverability in the same way a legitimate genre tag would. So I would definitely be happy to see Webtoon address some more of their concerns.
Augusta: I think one of the best things about Webtoon is that anyone can post on Webtoon Canvas. There are of course policies but what I mean is you don’t have to worry about someone deciding if your comic is good enough, a good fit for the platform, if it appeals to the right demographic, etc… Since creators have the freedom to post any story they want with any types of characters they want it gives all different stories the ability to be shared with others and find their audience. Webtoon is fairly supportive of LGBTQIA+ comics, too. They do post a collection of comics for Pride Month every year, featuring LGBTQIA+ creators and/or characters and stories. Also, although they do not have LGBTQIA+ listed as its own genre on Canvas, a lot of creators have taken to labeling their comics with a GL or BL after the title, and sometimes put it in the thumbnail in order to appeal to readers looking for those types of stories. LGBTQIA+ comics are very popular on Webtoon.
T.A: I think Webtoon Canvas has created a pretty nice space for creators from all walks of life to share their stories and experiences. Webtoons offers free web space for your comic, a creator community to learn and grow from, and access to an audience that seems, for the most part, very hungry for stories featuring LGBTQIA+ characters (I was one of them!). I also personally love to see stories featuring plus-sized characters and have found more on Webtoons than anywhere else online.
Christine: For me, it has always been difficult to vocalize my personal thoughts to people without being worried that I could be judged or belittled in some way. It’s always been easier to keep it to myself, to write things down, and let my imagination do its thing. When I began to publish online, it was easier than letting people in my real life read my stories, solely because it was basically anonymous. Yelling into a void is easier than facing criticism from those you love. Making comics is a surprisingly personal and vulnerable experience. As I realized people were reading my comics and were enjoying them regardless of my insecurities, it became a way to connect. Being able to publish and knowing that every other week, there are real people in the world reading my work and interacting with me became a powerful motivator. I look forward to updating just so I can read the comments and reactions, see how I may have connected with my readers. I’ve been lucky with my readers. Everyone who leaves a comment has been encouraging, positive, and empathetic with my characters. Maybe this is because Webtoon Canvas has encouraged this kind of community.
Bonus Questions
Webtoon is a huge community of creators. What other Webtoon Canvas series do you admire, and what can you tell us about their work?
Sushiru-River: Honestly, I’m terrible at keeping up with the comics I’m reading. I have over 200 I’m subscribed to, and most of those were because I read the first few chapters and thought, “this is so cool, I’ll read this eventually.” Generally, the ones I find that I want to read are unique art styles or ways of telling their story. Inuu by dionne_ong has a super cool art style and a very interesting tone to their work. The Moon and Me by.ELIOLI. is another that I loved just based on vibes and artistic expression. I’ve been following I want to be a cute anime girl by Azul Crescent for a long time because it helped me grow more familiar with the trans experience (and is also just super wholesome). Then there are a couple of super fun ones like the famous Crow Time by Secondlina_Isa, and more recently Willowyrm by PomegranateParade. Both are so so fun and creative in their sense of humor.
Paige: Ohh my, how much time do you have? There are so many that come to mind! Ilworld, BloodWight Circus, Earthshine, Fragmented Dreams, Veil’s Edge, The Giant of Greywayer, Multo, How to Live With Trouble, Light Within Shadow, The Fantasy Book Club, I could go on and on! All of these comics I’ve mentioned are made by solo creators who are making incredibly vivid worlds filled with so many well-written characters and interesting story arcs! I truly admire their dedication to making authentic, unique stories that are filled with so much personality and charm! I highly recommend that others check them out! There are quite a lot of amazing stories to be found on Canvas!
Augusta: I really admire BloodWight Circus by OniReiv. This comic has been updating since 2020. I have been reading the comic for years. I’m always amazed and inspired by how much talent and effort are put into the artwork. A lot of creators on Webtoon Canvas are focused on trying to make updates quickly. So they make use of shortcuts and make less detailed art. BloodWight Circus may have longer gaps between updates, but each update keeps getting more and more gorgeous, and the world is so interesting and creative. Another comic I admire is Light Within Shadow by BluMouse. This comic is also really beautifully illustrated. There is so much thought and care put into this story. You can tell that the artist has had these characters for a long time and has thought about the characters’ backstories and how they shaped their present selves. They each have unique personalities and mannerisms. Also, the world is refreshing, and the monster designs are really unique and cool.
T.A: How much time do you have? Haha. But no, I will always have a recommendation if people ever need one. All of these series have amazing writing, art, and characters. Whenever I have a spare moment, I’ll be reading one of these comics. Some of my favorite action series are Tenacity, Light Within Shadow, and Owl Light Bridge. These are my go-to romance comics: The Pirate and the Princess (GL), Matters of the Heart, Ill Fame, The Legend of the White Wolf, Pink Sugar (GL), Lavender & Lilacs, How to Live with Trouble (BL), Soundtracked (BL), Stick N Poke, and Misguidance Counselor. A few of my favorite fantasy series are Oathbreaker, Giant of Greywater, and Sakuma. Can’t forget my favorite supernatural and horror series: Ilworld, Knucklejelly, Call the Timemender, Under the Eclipse, Raingirl, and the Fantasy Bookclub. And a few more must-reads, Sagacious Deific, Ronnie and Kyle (BL), Jelly Vs Julie, What the Luck (BL), Paradoxum Tricker, Stars in Roses, Thin Red Line, Veil’s Edge, and The Glass.
Christine: The first creator I collaborated with, who took the time to help a newbie creator without asking for anything in return, was Mannygart. They have several comics, but I especially love The Mind’s Eye with its awkward and incredibly sweet main characters. My current comic is about socially clumsy people trying to find their way in life, so Manny’s comic is relatable. Their comic touches on themes of mental disorders, loneliness, and the growing pains of LGBTQIA youth cushioned within a blossoming romance. I absolutely love reading Missmisery8’s comics, but I’m especially attached to Earthshine. Their art has improved by leaps and bounds, especially when it comes to setting the mood and atmosphere. Earthshine is set in a world where Lycans exist alongside regular humans in a tense, barely held together peace. Task forces exist to regulate the Lycans, supposedly to protect humans. The MC, a Lycan, goes undercover, hoping to find a way to live alongside humans…but so much is revealed as the story goes on! A goth/horror comic that caused me some emotional turmoil is Ilworld by Robots Ate My Baby. The MC wakes up in an unusual world filled with strange and terrifying creatures.
There are so many unique and varied monsters, and each one you meet is a delight, haha. You get invested in the side characters as you go along the MC’s journey to recover her memories and survive in the monster world. It’s such a long list of comics…I wish I could give them all the time they deserve. I really enjoy Tenacity by Paige Critchlow, a comic that is so apt for the time we’re living in. I love LazyFawnLexi’s sketchy and fluid drawing style in Veil’s Edge. Blood Sugar has really fun art as well.
If your Webtoon had a soundtrack, what three songs would represent it best?
Sushiru-River: This is super tough, but maybe… Float On by Modest Mouse (lyrics and vibe fit with the main character’s internal journey), Beings by Madeon (again, vibes fit but in more of a general way. I feel like the lyrics of “become who we’re meant to be” do a good job reflecting the character-focused story), and What You Know by Two Door Cinema Club (this one mainly because I’ve had an anime opening style animation in my head to this song with my characters for like years now).
Paige: These three probably speak best to the largest, overarching themes of Tenacity, like connection through found family and friends, healing after trauma, and redemption: A Letter to Everyone Who’s Hurt Me by Chandler Leighton; Glow in the Dark by Mothica; If it doesn’t hurt by Nothing More. It’s extremely difficult to pick only three, so some additional honorable mentions are: Dirty by Grandson; Crooked Soul by Dayseeker; IDWT$ by Bad Omens.
Augusta: Every You Every Me by Placebo; Halo by Depeche Mode; Love Song by The Cure.
T.A: Like most creators, I have a few playlists that represent my characters and the locations in my comic. But three stand-out songs would be About Love by MARINA, which is a song that represents my MC Diana, and is about her growing love for Casimir. Mountains by Message to Bears is a song that makes me picture the town of Mandeville, where Diana lives. Sea of Dreams by Oberhofer fills me with inspiration for my other main character, Casimir, and his past lover.
Christine: From the Start by Laufey; Dissolve by Absofacto; Supalonely by BENEE.
A massive thank you to Sushiru-River, Paige Critchlow, Augusta Wickman, T.A. Teufel, and Christine Han for sharing their impressive journeys and compelling stories on Webtoon Canvas. Their passion for storytelling, incredible artistry, and dedication to creating unique worlds are truly inspiring. We’re excited to see the next new adventures they bring to life and how their comics continue to captivate and connect readers everywhere!
Find Sushiru-River here.
Find Paige Critchlow here.
Find Augusta Wickman here.
Find T.A. Teufel here.
Find Christine Han here.
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