On Tuesday night, The Little Mermaid was brought to life on an ABC broadcast, starring Auli’l Cravalho as Ariel, Queen Latifah as Ursula, Shaggy as the sea crab Sebastian, Graham Philitwps portrayed Prince Eric, and finally, John Stamos brought Chef Louis to the stage. While a lot of effort clearly went into the production, the overall reaction was quite, well, mixed to say the least. Some loved it, others didn’t, but here are some of the funniest and best tweets that aired throughout the show! Let’s dive in and dredge them out from under the sea for your viewing pleasure.
Image Via Wikipedia
Let’s take a look at those who thought the show killed it first.
It seems the consensus is that Queen Latifah was AMAZING but everything else was kinda meh. Ariel and Eric were seen as bland leads, while Shaggy’s outfit was criticized along with the general effects and puppetry on display. It seems the production was a bit of a misfire for the majority of the audience, although not all as plenty of viewers found things to like. Still, we can all live with Queen Latifah as Ursula and pray that the upcoming live action will do better by the source material, as well as featuring a more memorable lead and an equally memorable villain.
What were your reactions to the show? Did you think it was good or bad? Tell us in the comments!
Here at Bookstr, we’re fans of scientific research. Today our constant quest for knowledge has led us to discovering what our favorite authors look like aged, gender-swapped, young, bald, or moustachioed using Face App.
Among my favorites are J. K. Rowling’s very Jeremy Corbyn-esque male self, Stephen King’s can-I-speak-to-the-manager female self, and Ursula K. Le Guin’s Zack-and-or-Cody child self.
Swim into this news, Disney fans! A comic adaptation of Disney’s 1989 animated film The Little Mermaid, has been announced a week after the casting of Halle Bailey as Ariel the upcoming live action remake of the Disney film. The comic will retell the story of the animated film with the classic designs that you doubtlessly remember from childhood. According to The Hollywood Reporter the series will be released by Dark Horse Comics. The series will be adapting the animated film’s story, which is based on the fairytale by Hans Christian Andersen, very closely but through Ariel’s eyes, allowing us a more intimate look at the events strictly from her POV. The aim of the series will be to truly see what Ariel was thinking as she deals with finding true love, grappling with her father King Triton, and fighting against the evil sea-witch Ursula.
Image via The hollywood Reporter
The comic will be entitled Disney: The Little Mermaid and will be launching as a three issue limited series. The series will be written by Cecil Castelluci, with artwork by Zulema Scotto Lavina. Castelucci’s previous writing credits include the critically acclaimed Soupy Leaves Home, as well as other comics such as The P.L.A.I.N. Janes, Female Furies, and Shade: The Changing Girl. She has previous experience working on a Disney adaptation comic, having written Snow White and The Seven Dwarfs, which also told the classic animated film’s story from Snow White’s point of view.
Image Via Amazon
The comic will be launching October 16th, doubtlessly building hype for the upcoming live action film in the future. Are you excited to revisit the sea and all the denizens within in comic form? Tell us in the comments! In the meantime, you can revisit the original animated film or even better, read the story it was based on! But be warned, it’s a little darker.
Way back in 1985, Ursula K. Le Guin published her novel, Always Coming Home. Along with the novel, she also released a cassette tape called Music and Poetry of the Kesh in collaboration with composer and analog synth artist Todd Barton. Literally no one saw this coming.
The tape has since been re-released and is possibly the most fire indigenous folk/electronica/avant-garde album of 1985.
Le Guin’s novel tells the story of a tribal civilization in post-apocalyptic California with inhabitants known as the Kesh. The book itself is a giant collection of poems, maps, artwork, anthropological texts, plays, and music that build the wondrous world of the Kesh.
Le Guin was so dedicated to making this album one that the Kesh would listen to that she developed an alphabet and language that they would use for the album.
During a lecture in 2002, Le Guin argued that “listening is an act of community, which takes space, time, and silence. Reading is a means of listening.” Together, the album and the novel enhance and play off each other, making a complete world and story.