According to Comic Book Movie writer and reviewer Mikey Sutton, Sony is making these kinds of announcements to put pressure on Disney so that the company settles with a lesser agreement.
Despite previous reports that Disney wanted to go from 5% of the first dollar box office gross of all Spider-Man movies to a 50% of the first dollar box office gross (in addition to keeping 100% of the merchandising rights), they actually wanted to jump from 5% to 25%. This new deal would apply to new Spider-Man-related characters that would be folded in the MCU, such as Venom and Morbius.
Sony instead wanted to keep the original deal.
Image Via Hindustan Times
Talks fell through, the news broke, and now Sony Pictures chairman is saying “the deal is closed”. But he didn’t actually say that, did he? No, he said “[f]or the moment the door is closed”, for the moment being a key phrase here.
Image Via Variety
According to Mikey Sutton this is a mere tactic called “The Takeaway,” a move commonly practiced in the business sector. Remember how after reports came flooding in that Disney was buying Fox, the deal was apparently called off? Then, a few weeks later, the deal has been signed.
Previously, Sony blamed Disney purchasing of Fox on the deal going through, putting down a statement that claimed that “the many new responsibilities that Disney has given him [Feige] – including all their newly added Marvel properties – do not allow time for him to work on IP they do not own”.
Image VIa Youtube
That statement stunk of lies, after all Spider is the crown jewel of Marvel and the MCU has put plenty of stock into him leading the MCU a la Tony Stark/Iron Man.
This new tactic, ideally, is to make Disney desperate in this effort to get Spider-Man back into the MCU. It also serves as a PR stunt in case the deal does not go through, effectively saving them from looking like the bad guys.
The problem is that this tactic seems to have backfired.
So @Sony was unwilling to give Kevin Feige credit, actually BLAMING him saying he was "stretched too thin" because of phase 4. They said "Spider-Man was fine before the crossover events" The only Spider-Man that was fine was ITSV
If Spider-Man was fine beforehand then why even run to Marvel in the first place? Did Sony just forget about TASM2's reception and the hack that nearly killed the whole studio? And way to downplay Feige's role as if he and Marvel weren't integral to the sucess of these new films. https://t.co/FJGGuJL0BM
So apparently Sony claims that "The Door is Closed" on Spider-Man in the MCU. That means there will be no interaction with The Fantastic Four or the X-Men, If they make a standalone Spider-Man Film, I'm not watching it #boycottsonyspiderman
So Spider-Man is dead, again. He was dusted in Infinity War, he was brought back in Endgame, and stuff happened in Far From Home (you should check out that movie), but now it seems he’s been dusted from the MCU.
But honestly, it was a miracle that the movie rights deal between Disney and Sony even became a reality in the first place.
Hello There/Image Via The Verge
Let’s go back in time.
Back in the 90s Marvel was having money troubles. The guys in charge of marketing comics were put in charge of the creative team and made a series of terrible decisions. The most infamous was expanding the Spider-Man: Clone Saga to the point that the original team had all quit by the time it had finished.
That, and with a host of other problems, Marvel needed money or they would go bankrupt.
Image Via IMDB
Step in Avi Arad. He came up with a plan: Marvel would sell the movie rights to many of their iconic characters. The details of these deals remain murky, but the general formula is this…
StudioX would get the movie rights to CharacterX. If they they didn’t make a movie in X amount of years, then Marvel gets the CharacterX back.
In the case of Spider-Man and his related characters (villains and friends), Sony bought the character under the agreement that they would make a movie featuring the character every five years, otherwise the rights would go back to Marvel.
That’s why Spider-Man was rebooted so soon after Raimi’s Spider-Man 4 was cancelled; if they waited any longer, Sony wouldn’t be able to make a new Spider-Man movie. This is why Marvel started their cinematic universe using ‘B-characters’ such as Iron Man and Captain America.
Image Via Gizmodo
Because of these deals, some strange, confusing, and amazing things have happened. For instance, the character of Ego first appeared in a Fantastic Four comic and thus was owned by 20th Century Fox. James Gunn, believing Marvel still owned the character, completed the script for Guardians Vol 2with the character. Thus, Marvel was forced to buy back Ego, which they got fairly easily since 20th Century Fox was making Deadpool. See Deadpool features a character called Negasonic Teenage Warhead who is very different from her comic book counterpart.
Image Via Aminoapps
In the comics, Negasonic Teenage Warhead has the power to foresee terrible events. That’s it. The super-creative writers of Deadpool wanted to make her into a living warhead.
But here’s a problem: If 20th Century Fox wants to make drastic changes to a comicbook character, they needed Marvel’s approval. And the last time Marvel signed off on 20th Century Fox making drastic changes to a comicbook character, we got this:
Sorry for reminding you about this pos/Image Via ScienceFiction.com
20th Century Fox was nervous, but so was Marvel. So they struck a deal! 20th Century Fox got Marvel’s approval to change Negasonic and Marvel got the rights to use a planet with a face.
Back to Sony.
Image Via Syfy
Amazing Spider-Man 2 didn’t do so hot. It made money, but has a 52% on Rotten Tomatoes with an average rating of 5.81/10. Plus, fans weren’t too pleased with the Sinister Six tie-ins, the fact that Harry Osborne believed he was going to die any moment because he has the ‘Osborn curse’ even though his Dad lived to be in his sixties and he’s only in his twenties.
Sony was backed into a corner: everyone knew their Sinister Six movie was probably going to suck and they needed something.
Image Via Variety
Well, turns out Kevin Feige was emailing Sony about Amazing Spider-Man 2 before it came out, giving his take and advice on how to improve the movie. Those emails are… weird… to say the least. He basically said everything every critic and fan said after they saw the movie, and Sony ignored him.
What was Sony to do? Remake Spider-Man again? Go ahead with their Sinister Six movie? Make the Aunt May prequel movie?
Luckily, Marvel has always been clamored to get all their characters back and, since this was a time before the Disney/Fox deal was made, they were still thirsty as hell.
They were so eager that Kevin Feige begged Amy Pascal, Chairperson of Sony Pictures Entertainment, to sell him the rights the iconic Marvel character. Wall Street reporter Ben Fritz wrote in his book, The Big Picture: The Fight for the Future of Movies, that:
Ms. Pascal was so offended…that she threw her sandwich at him and told him, only half-jokingly, to ‘get the f*** out.’
Things got better. Instead of everything going to high hell, Amy Pascal and Kevin Feige respectively, struck a deal: Spider-Man would be swapped between the two studios in a total of five movies. He would appear in three movies made by Marvel, and two movies made by Sony.
Kevin Feige and Amy Pascal/Image Via Bleeding Cool
To call this deal historic would be an understatement. For reference, Universal Studios owns the rights to a solo-Hulk movie. That’s why Ed Norton’s Incredible Hulk is a Universal movie set in the MCU.
That deal went so well that Marvel and Universal have never worked again. To keep that story short, Universal really wanted Ed Norton and got him under the condition he had script approval. He then changed the Incredible Hulk script once he was cast, and Marvel was scared that if he was cast in an Avengers movie he’d want to change that script too.
Think about that: they cast one guy which made two movies studios hate each other with a passion.
Image Via Twitter
This Marvel/Sony deal was a match made in heaven.
But there was one condition: Marvel Studios only got 5% of the first dollar box office gross from Spider-Man: Homecoming and Spider-Man: Far from Home. In exchange for this low number, they got the merchandising rights to Spider-Man. Heroes are made into toys, and toys bring in most of the money.
Image Via The Wrap
So now we’re in the present day. Spider-Man: Far From Home was a smash hit, Marvel and Sony had to renegotiate. But the times had changed. Amy Pascal left Sony, and Marvel’s parent company, Disney, had bought Fox and gave Marvel back the X-Men and Fantastic Four, and thus wanted a bigger slice of the pie: 50/50 to be exact.
They also wanted to be in charge of the Venomsequels, Morbius, and all other live-action Spider-Man media.
But Sony wanted to keep the deal they had. After all, Marvel would keep the merchandising rights and Disney has become so big they can do anything they want. Sony needs the money, not Disney.
Disney dared Sony to step back. Why would they? Far From Home ends with Spider-Man basically needing the rest of the MCU, so how could they move forward?
But Sony stepped back.
The question now is will any of the studios cave? With headlines like “Sony pulls out of MCU over profit sharing dispute,” it would seem that Sony would be likely to cave. But Sony is right, does Disney/Marvel really need the money? After all, they put a lot of their stock in Spider-Man being the next Iron Man. Granted, Marvel seems to be focusing on more character-centric movies as opposed to overarching-story based movies a la “The Infinity Saga.”
Disney has said that they hope the situation “might change in the future.”
Much of today’s news about Spider-Man has mischaracterized recent discussions about Kevin Feige’s involvement in the franchise. We are disappointed, but respect Disney’s decision not to have him continue as a lead producer of our next live action Spider-Man film. We hope this might change in the future, but understand that the many new responsibilities that Disney has given him—including all their newly added Marvel properties—do not allow time for him to work on IP they do not own. Kevin is terrific and we are grateful for his help and guidance and appreciate the path he has helped put us on, which we will continue.
Much of today’s news about Spider-Man has mischaracterized recent discussions about Kevin Feige’s involvement in the franchise. We are disappointed, but respect Disney’s decision not to have him continue as a lead producer of our next live action Spider-Man film. (1/3)
Peter Parker has spent two whole movies (plus two features in Avengersmovies and one Captain America: Civil War) proving himself to be worthy to be a part of the team. He gained the trust and stole the heart of their ringleader (rip) all to be left out once again because two multi billion dollar companies could not reach an agreement.
Kevin Feige (Left)/Image via Deadline
Sony and Marvel originally had a peace deal where they would co-produce Spider-Man films because Sony has the rights to the character and its counterparts. Marvel’s Kevin Feige has taken the lead on directing Spider-Man’s two introductory movies, Spider-Man: Homecoming and Spider-Man: Far From Home, which established Peter’s relationship with the Avengers. Now that Sony will produce the next two Spider-Man films, Peter can longer speak of or interact with any characters in the MCU. This means no more mourning of “Mr. Stark,” no more parallels between the young hero and his mentor and no more hilarious instances where Peter grows to learn more and more about each member of the MCU.
Image via The Verge
The good news is we still get to see Tom Holland shine in the role he was born to play. The bad news is we won’t get to see him guest star in any other Marvel movies or hear him speak about his past fighting as a member of the Avengers. Hopefully, this means more screen time for MJ and Peter’s budding romance and another Jake Gyllenhaal cameo.
Our (current) friendly neighborhood Spider-Man, Tom Holland, is not the first member of his family to dream about being in the limelight. His dad, Dominic Holland, is an award-winning English comedian with his own BBC radio show. Despite Dominic’s success, nothing can compete to scoring billions at the box office and playing one of the most iconic characters in comic book history.
Image Via The Metro
It’s hard to beat Marvel fame standards, so when the Twitter-sphere gained knowledge of Mr. Holland’s 2017 novel about his son’s success, critics were quick to think he envied and even resented his son’s quick rise to fame.
Image Via Twitter
Eclipsed: Turns out Spider-Man Does Have a Dad is one of Holland’s three published novels. It pokes fun at the common dream to make it big in Hollywood. Specifically, it “attacks” his son for being able to achieve fame so much quicker and wider than his own. Most parents want their children to reach for their goals and achieve greatness, but not if it means overtaking them in their own field.
It’s safe to say, Dominic never expected his son to be the next Spider-Man, even after he achieved early success dancing on London’s West End.
Yet despite rumors and the above summary, Holland’s book remains comedic and light, adhering to his career in comedy. It’s a satire.
When all is said and done, Dominic Holland is unbelievably proud of his son…even if he does wish sometimes it was his face on those movie posters and lunch boxes.
Image Via The Times
Tom even wrote the forward for the book, dispelling any thoughts of bad blood between the two. In the end, how could you not be proud of your web-slinger son who has somehow swung his way into millions and millions of our hearts?
The release of Spider-Man: Far From Home is tomorrow, chronicling the fallout of the mega-blockbuster Avengers: Endgame as well as continuing the adventures of Spider-Man, played by Tom Holland. Debuting in this film is a new foe for the wall-crawler: Mysterio, as played by Jake Gyllenhaal. Mysterio is a more obscure antagonist in Spider-Man’s rogues galley, even if he is one of the superhero’s iconic foes. While we don’t know the role he will play in the new movie, let’s prepare and take a look at ten essential comics in Spider-Man’s library, featuring Mysterio as his dastardly nemesis. Let’s dive in and see the origins of the fishbowl-wearing menace.
6. ‘The Menace of Mysterio!’
Image Via Comic Book News6
The Amazing Spider-Man #13 is one of Spider-Man’s earliest stories, featuring the first appearance and debut of Mysterio. We learn in this story that Mysterio has no superpowers but instead an array of colorful gadgets and magic tricks that he uses to pass off as a superhero. Within the story, he courts public approval, finding fame as J. Jonah Jameson supports Mysterio as a crimefighter and Mysterio goes after Spider-Man to become the top dog in town. This is a must-read for seeing the debut of Mysterio, even if the story is very dated and clunky to modern eyes. But it’s a classic that shouldn’t be overlooked.
5. ‘Aliens and illusions!’
Image Via Marvel Database
This story uses Mysterio’s illusion abilities to showcase how scary he can be. Aliens are seemingly threatening Peter’s girlfriend, attacking and hounding her endlessly, leaving Peter running ragged as he struggles to defend her. But it’s all revealed to be a scheme by Mysterio, whose been using his illusion abilities to craft the threat. Ultimately, it ends on a classic confrontation and showcasing how Mysterio isn’t so goofy when he wants to be serious, despite his hideous outfit.
Image via Wikipedia
In this storyline, the original Mysterio had been long dead. But then, out of the blue, Mysterio seemingly returns, bringing with him a cache of familiar rogues to antagonize Spider-Man once again. But is this the real Mysterio or an imposter? Whose under the mask? It’s up to Spider-Man and his friend Carlie Cooper to solve the mystery, leading to a twist you’ll have to read to see for yourself!
3. ‘The Madness of Mysterio!’
Image via Marvel
This comic is also a showcase of talent for Mysterio, as he drives Spider-Man to the brink of madness. After successfully escaping prison, Mysterio challenges Spider-Man and manages to knock him out during the fight. When he awakens, Spider-Man finds himself shrunken down to minuscule height, now facing a gigantic Mysterio! How did this happen? And can he escape Mysterio’s wrath before he gets squashed? You’ll have to read it to find out!
2. ‘The sinister six!’
Image via Marvel
For Spider-Man’s first annual issue, Stan Lee and Steve Ditko pulled out the stops: a big super villain team up with Spider-Man’s deadliest foes! Doctor Octopus, Electro, Kraven the Hunter, The Sandman, The Vulture, and Mysterio (of course). Mysterio may share the spotlight with others this time but he gets a one on one confrontation with the hero as Spider-Man works his way through each villain of the team, one by one. Mysterio doesn’t last long but he proves an essential member of the line up and has returned again to the Sinister Six each time they’ve reappeared.
Image via Amazon
This mini-series showcases the first meeting of Peter Parker and Miles Morales. Hailing from different realities, they needed a big threat to unite their universes and who should prove fitting but Mysterio! Its revealed that the Mysterio of Miles’s reality is actually the same one from Peter’s own world. Its up to the Spider-Men of different worlds to take down Mysterio, whose concocted a far more devious goal than normal and he always got a trick up his sleeve for any would be do-gooder.