Tag: representation

The Amazing Book Covers of Kavalier and Clay

It has been 20 years since Michael Chabon’s legendary novel was published on September 19th, 2000. In that short time, The Amazing Adventures of Kavalier and Clay has won a Pulitzer Prize, and many many other awards.

The book follows two cousins, Joe Kavalier and Sam Clay, as they reunite when Joe comes to America to escape Nazi Europe. The pair combine their skills, Joe the artist, and Sam the writer, to navigate the newfound world of comic books. It follows their careers, and intertwined love lives: Sam struggles with his queerness in a time when it wasn’t accepted and Joe falls in love with a woman he can’t have. Chabon lets readers into a world that is torn by war and patches it with the love and creative connection that the two cousins share.

It is incredible that in only 20 years the book has become a modern American classic. But, what is more incredible is the number of book covers that it has gone through.

There is a quote in the book that reads, “Forget about what you are escaping from. Reserve your anxiety for what you are escaping to.” Here are the TAAOKAC book covers. There are so many of them and they are all amazing. They say not to judge a book by its cover, but hopefully, after seeing these, TAAOKAC will be something you want to reserve your anxiety for and escape into.

Happy 20th.

1. The first edition published by Random House in 2000

image via amazon

2. The 2001 paperback edition with Houdini on the cover

image via goodreads

3. the post-Pulitzer edition in august 2001

image via goodreads

4. The Italian Edition in 2001

image via goodreads

5. the Swedish edition in 2002

image via goodreads

6. the german edition in 2004

image via goodreads

7. the french edition in 2004

image via goodreads

8. the Chinese edition in 2012

image via goodreads

9. the rebranding of all Chabon books to look this way in 2012

image via goodreads

10. the polish edition in 2019

image via goodreads

11. the new paperback edition in 2012

image via goodreads

12. the gorgeous limited edition illustrated edition that costs $135

image via the folio society

 

featured image via empireonline.com
'Juliet Takes a Breath' Cover

Celebrate Hispanic Heritage Month with ‘Juliet Takes a Breath’

In honor of Hispanic Heritage Month beginning today, it only seemed to right to share a wonderfully written YA novel by the Puerto Rican, queer, Bronx-born icon Gabby Rivera. She is the first Latina to ever write for Marvel and the mastermind behind the America comics series, starring America Chavez. Juliet Takes a Breath is Rivera’s first fiction work—and an utterly smashing one at that.

The story opens with Juliet Milagros Palante, a queer, Puerto Rican college student with a whole lot of questions. And, a whole lot of hope. At only nineteen years old, Bronx-born Juliet is still trying to figure out how all the aspects of her identity come together. Her first year of college brought her her first girlfriend, Lanie. Amongst all the excitement and puppy eyes that come with your first love, Juliet can’t ignore two unsettling facts: Lanie refuses to introduce her to her parents, and Juliet has yet to come out to her own family. Juliet also has to battle anxiety-induced asthma and growing insecurities around her chubby brown body. It’s at this crossroads that she finds the book that will change her life: Harlowe Brisbane’s Raging Flower: Empowering Your Pussy by Empowering your Mind.

Gabby Rivera

Author gabby rivera | via nbc news

Excited by her first exposure to queer-centric, radical feminism, Juliet emails Harlowe to ask if she can spend the summer interning with the acclaimed feminist in Portland, Oregon. To Juliet’s surprise, and delight, Harlowe emails her back. It’s a yes.

That’s how Juliet ends up in the middle of quirky, weird, and very white Portland. If being dropped in a city that feels like another planet weren’t disorienting enough, Juliet’s head is still reeling from coming out to her family the night before she left. It didn’t go well. Nevertheless, she persists and launches herself into Portland life. The vibrant people she meets not only help her begin to make sense of her identity, but also realize that it’s okay to not have the answer to every single question.

She learns what preferred gender pronouns are and what it means to not conform to gender entirely. She meets expecting queer parents and a writing circle comprised entirely of Black female authors. She faces the reality of hegemonic whiteness and its enduring detrimental effects on feminism. She meets an adorably cute, motorcycle-riding librarian who actually makes her feel appreciated for who she is—something she can’t say about Lanie. Juliet’s relationship with her family, though strained at times, evolves in ways that both break your heart and put it back together. Through it all, Juliet remains curious with the world. She allows herself to feel her pain and emotions with full force and learns from them. Most importantly, she refuses to be deterred from living and loving with beautiful conviction. When Juliet embraces her identity as a queer, Puerto Rican, Bronx-born, and burgeoning intersectional feminist, you can’t help but feel proud.

Juliet in comic form

Juliet in comic form | Via los angeles times

That’s one of the most special things about Juliet. She’s fiercely independent and entirely vulnerable at the same time, demonstrating that the two qualities aren’t mutually exclusive. They make her, and every single one of us, all the more human. Rivera writes with unmistakable authenticity. Every interaction, every train of thought, and every depiction feels real. You can’t help but knowingly laugh when Juliet is a sweaty disaster over talking to a pretty girl. Your chest aches during Juliet’s tense phone calls with her mother. And, you know the excitement, nerves, and relief that all come when she walks into the middle of a huge, gay party because she’s finally found her people. Rivera confronts the monolithic white, cis stereotype of the queer woman with grace and uses her platform to highlight the actual diversity of the queer female community. That’s why Juliet Takes a Breath is so important. It’s rare that queer women are given a narrative written with so much care in representing all of the unique identities that exist within our community and lived experience. As a queer woman who’s in her early 20s and also still trying to figure everything out, reading Rivera’s words really is like taking a breath. She makes you feel understood, and she makes you feel like you’re not alone.

Feature image via purewow

Meet Luz Noceda, Disney’s First Bisexual Lead

Regardless of some people’s denial, diversity is everywhere. It surrounds us as we experience it day in and day out. Today, in a world brimming with openness, it has become difficult not to experience it in a normalized setting. On Disney Channel, however, diversity, especially concerning the LGBTQ+ community, has been practically nonexistent. Up to this point, Dinsey has been passive when it comes to showcasing diversity on their channel. With the introduction of Luz Noceda, it seems like Disney is finally giving some of its viewers the LGBTQ+ characters they have been waiting for.

 

Luz Noceda, a fourteen-year-old Dominican-American girl who identifies as bisexual, will be debuting on our television screens in The Owl House. The show encompasses Luz’s journey to becoming a witch after falling through a portal to another realm. The kicker is, Luz does not have any magical abilities of her own, but that does not stop her from trying to apprentice under the rebellious witch named Eda.

Luz is, surprisingly, not Disney’s first LGBTQ+ character. Greg from the Pixar short film Out took the claim of Disney’s first LGBTQ+ character, but he only received that title a few short months ago.

The Owl House' Features Disney's First Bisexual Character – Deadline
Image via Deadline

With that said, it seems like 2020 is finally the year Disney shows the world that they, too, can create inclusive characters. Still, despite the barriers Disney is finally breaking, not everyone on the team was supportive of Luz coming out to the world. The Owl House creator Dana Terrance revealed in a tweet that Disney leadership said they could not support any bi of gay relationships on the channel when Terrance proposed Luz’s character. Terrance, who is very persuasive, convinced Disney to keep the television series’ original premise the same and show queer relationships on Disney Channel. Terrance, who is bisexual herself, is proud to say that Disney is now 100% supportive of Luz and her coming out story on Disney Channel.

 

More now than ever before, it is essential for today’s youth to witness diversity displayed in a positive light, especially on their television screen. The media influences every aspect of a child’s life. If they are not exposed to diversity regularly and positively, they might view the world negatively. Disney is one of the biggest companies in the world, and by them finally supporting the LGBTQ+ community with characters like Luz and Greg shows they are finally ready to support all their fans and acknowledge that there are all kinds of people in this world.

Featured image via Twitter

Disney’s ‘Pocahontas’ 25th Anniversary: Have Things Changed?

This year the Disney classic Pocahontas turns 25, but besides a huge case of nostalgia, this is a moment of reflection. Has Native American representation gotten better? Let's dive in.

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