Be sure to give these two strong female writers a read. I can't wait to get a hold of these books myself!
Poetry is always around but never really fore frontal in the literary community. Poetry seems to be deemed as sort of the bastard child of the writing world, and you may be thinking.. well yeh, why should folks be paying attention to poetry anyway? Here’s why: poetry is everything we do in life, the beauty, the heartbreak, the frustration, the anxiety, the ugly.. all of it, literally all of it. Poetry captures and encapsulates the human experience in whimsy and word play, in language and love. If you are adverse to poetry, ask yourself why? What turns you off to it? What makes it difficult to enter and linger and savor? Pinpoint that and push through it because the reward will be sweet stanzas of rhythm, abstraction and a retelling of the world around us in the most beautiful and complexly minimal way. Here are some dope poets to be on the lookout for as you challenge yourself to fall in love with this genre all over again or for the first time if elementary school acrostics never landed for you. These 5 contemporary poets should find their way to your hearts and minds. Spread their gospel like wildfire to hopefully begin to turn the tide to the mainstream because poetry isn’t only for poets.
- Morgan Parker
Morgan Parker is as beautiful and kind as she is brilliant. I was put on to Morgan when she dropped There Are More Beautiful Things Than Beyoncé and since have been steadily collecting all of her works. Why? Because she looks critically at popular culture and how it affects our identities and relationships. Every word she writes screams of intersectionality, relevance and finding beauty in awkwardness. I think if Insecure wasn’t a popular Netflix show and was a poem instead, it would be a Morgan Parker poem. She gives me chills when I read her poems and when I see her read in person I am comforted and warmed by her spirit. From the bio page on her website:
Morgan Parker is a poet, essayist, and novelist. She is the author of the poetry collections Magical Negro (Tin House 2019), There Are More Beautiful Things Than Beyoncé (Tin House 2017), and Other People’s Comfort Keeps Me Up At Night (Switchback Books 2015). Her debut young adult novel Who Put This Song On? will be released by Delacorte Press on September 24, 2019. A debut book of nonfiction is forthcoming from One World. Parker is the recipient of a 2017 National Endowment for the Arts Literature Fellowship, winner of a Pushcart Prize, and has been hailed by The New York Times as “a dynamic craftsperson” of “considerable consequence to American poetry.”
- Hanif Abdurraqib
I was introduced to Hanif Abdurraqib by the statement ‘he is probably your favorite authors favorite author.’ And well I’ll be damned, he certainly is. A sneaker and ice cream enthusiast, Hanif doesn’t need to command a room, or a stage, a mic or a page- but he does so organically with his quiet, thoughtful, rhythmic musicality. His writing is musically charged and often from a place of being an observer at venues and in love. But he is far from just a fly on the wall. He is the guy you would dream could write your biopic. He is intentional in his wall flowering. His writing skills pull the reader in and creates any scene viscerally to follow along and add your own subtext as you move through his words. What other author could write just as purposefully about Carly Rae Jepsen as he does Wu Tang? Well that dichotomy is where Hanif thrives. He is just as fluid and real about pop culture in all forms and his brilliance spills across every page he graces. From the about page on his website:
Hanif Abdurraqib is a poet, essayist, and cultural critic from Columbus, Ohio. His poetry has been published in Muzzle, Vinyl, PEN American, and various other journals. His essays and music criticism have been published in The FADER, Pitchfork, The New Yorker, and The New York Times. His first full length poetry collection, The Crown Ain’t Worth Much, was released in June 2016 from Button Poetry. It was named a finalist for the Eric Hoffer Book Prize, and was nominated for a Hurston-Wright Legacy Award. With Big Lucks, he released a limited edition chapbook, Vintage Sadness, in summer 2017 (you cannot get it anymore and he is very sorry.) His first collection of essays, They Can’t Kill Us Until They Kill Us, was released in winter 2017 by Two Dollar Radio and was named a book of the year by Buzzfeed, Esquire, NPR, Oprah Magazine, Paste, CBC, The Los Angeles Review, Pitchfork, and The Chicago Tribune, among others. He released Go Ahead In The Rain: Notes To A Tribe Called Quest with University of Texas press in February 2019. The book became a New York Times Bestseller, and was met with critical acclaim. His second collection of poems, A Fortune For Your Disaster, is being released by Tin House Books in September 2019.
sam sax’s writing is gritty, unforgiving, explorative and the slap in the face the 21st century needs in regards to couch surfing homosexuality and pill popping tendencies. His themes hit hard for most millennials and captures so much of the pain, happiness, misery, and loneliness that stems from medicine, love and relationships. sam uses poignant language to explore the depths of homosexuality in ways we often stray away or cringe from. He makes us look in the mirror and examine what we see. You can usually catch him with pretty sparkling nail polish and a hat that reads simply, homo. He is poetry in the human form. From sam’s website:
sam sax is a queer, jewish, poet, & educator. He’s the author of Madness (Penguin, 2017) winner of The National Poetry Series and ‘Bury It’ (Wesleyan University Press, 2018) winner of the James Laughlin Award from the Academy of American Poets. He’s received fellowships from the National Endowment for the Arts, Lambda Literary, & the MacDowell Colony. He’s the two-time Bay Area Grand Slam Champion, author of four chapbooks & winner of the Gulf Coast Prize, The Iowa Review Award, & American Literary Award. His poems have appeared in BuzzFeed, The New York Times, The Nation, Poetry Magazine + other journals. He’s the poetry editor at BOAAT Press & will be a Wallace Stegner Fellow at Stanford University this Fall.
- Ross Gay
Ross Gay literally make you feel happiness even when life is throwing a poop storm your way. His beautifully intricate, complex writing finds ways to highlight the positive by using nature, small moments and connections to emerge as our purpose and silver lining. I came across Ross in a writing workshop in college where he shared two versions of Bring Down the Shovel- one where the boy killed the dog with a shovel and the other where the boy fed the dog with the shovel. Both were chilling and complex and visceral. Ross is the poet that can take a horrible moment and remind us why life is still worth living and ultimately beautiful. He works tirelessly to find beauty in anything and that’s honestly what poetry (and life) is all about. Ross makes you want to be a better person without the guilt or heavy handedness that typically comes with that sort of ask. Cause to be real, he isn’t asking you, he just is. From Ross Gay’s about page:
Ross Gay is the author of three books of poetry: Against Which; Bringing the Shovel Down; and Catalog of Unabashed Gratitude, winner of the 2015 National Book Critics Circle Award and the 2016 Kingsley Tufts Poetry Award. His collection of essays,The Book of Delights, was released by Algonquin Books in 2019.
Ross is also the co-author, with Aimee Nezhukumatathil, of the chapbook “Lace and Pyrite: Letters from Two Gardens,” in addition to being co-author, with Richard Wehrenberg, Jr., of the chapbook, “River.” He is a founding editor, with Karissa Chen and Patrick Rosal, of the online sports magazine Some Call it Ballin’, in addition to being an editor with the chapbook presses Q Avenue and Ledge Mule Press. Ross is a founding board member of the Bloomington Community Orchard, a non-profit, free-fruit-for-all food justice and joy project. He has received fellowships from Cave Canem, the Bread Loaf Writer’s Conference, and the Guggenheim Foundation. Ross teaches at Indiana University.
- Danez Smith
Danez Smith was hands down one of my favorite poets when their first and second book dropped but has slowly been losing my fandom as they skyrocket in fame. Some authors maintain that humble, mousy space that many writers embody. While other poets have more of a stage/ performance presence and in this case Danez can sometimes eclipse themselves. Danez’s poems are undeniable and the readings are also chilling, vibrant, poignant and necessary. Tackling content around friendships, AIDs, sex, masculinity, homoesxuality and stages of love their first two books were really groundbreaking in the layout, artwork and content and while the fire has died down a bit for me, I am still holding on and extremely engaged with their moves. It’s like when your favorite underground band makes its way to the top 10 list and becomes a household name and you yearn for those days the world and the band weren’t aware of themselves. From Danez’s website bio page:
Danez Smith is a Black, Queer, Poz writer & performer from St. Paul, MN. Danez is the author of “Don’t Call Us Dead” (Graywolf Press, 2017), winner of the Forward Prize for Best Collection, the Midwest Booksellers Choice Award, and a finalist for the National Book Award, and “[insert] boy” (YesYes Books, 2014), winner of the Kate Tufts Discovery Award and the Lambda Literary Award for Gay Poetry. They are the recipient of fellowships from the Poetry Foundation, the McKnight Foundation, the Montalvo Arts Center, Cave Canem, and the National Endowment for the Arts. Danez’s work has been featured widely including on Buzzfeed, The New York Times, PBS NewsHour, Best American Poetry, Poetry Magazine, and on the Late Show with Stephen Colbert. Danez has been featured as part of Forbes’ annual 30 Under 30 list and is the winner of a Pushcart Prize. They are a member of the Dark Noise Collective and is the co-host of VS with Franny Choi, a podcast sponsored by the Poetry Foundation and Postloudness. Danez’s third collection, “Homie”, will be published by Graywolf in Spring 2020.
Check these poets out, share their poems, hear their readings. Help bring poetry back into the mainstream and remind us all that we are all poetry. I promise they will never bore you or lose you. This list will help break down the stigma of stodgy old white dudes writing in metered rhyme about misogynistic, unrequited love.
Courtney Lamar Charleston
All In-text Images Via Google.
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Was Oscar Wilde 200+ years ahead of his time? Probably. The man was so galaxy brain we don’t even need to make memes about him, everything he said is already practically a meme. You’ve gotta appreciate the sheer brilliant nonsense. Here’s some relatable content, all the way from the 1900s.
Image via Brainy Quote
Well, if they tempt you, what are you really supposed to do? Not give in? I don’t think so. We’re going to be out here, living our most decadent and ridiculous lives, just like he would have wanted. You’ve got to live your best life, and sometimes that means making whatever choices are offered.
2. That’s what friends are FOR
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I mean, if you’re going to be stabbed, at least you can do it like bros. It would be the polite thing to do. Murder doesn’t have to end a friendship. And who even said anything about murder? What are a few knife wounds between friends? It’s an allegory for betrayal anyway. Brotrayal?
3. But not too much
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‘Nuff said. Or is it? Damn you, Wilde.
4. Gotta go be cool somewhere
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Just living that cat life, writing decadent horror stories and being the icon of the century. Bored? Never. Just got things to do. What things? Who cares? If he’s doing it, he’s going to make it cool. He’s pulling off that haircut, for goodness’ sake.
5. We all know where the real party is
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Not to be controversial, but — valid. I mean, Wilde’s life was not an easy one, so being denied something he never wanted anyway isn’t a big deal. It’s catchy and amusing, but Wilde is rejecting shame. Funny though. Honestly.
Image via BrainyQuote
Of course, we’ve all got legions of enemies (citation needed), so any advice a dead poet can give is going to change all of our lives for the better. Plus, this is a satisfying move. It’s low effort, and as well as getting your revenge, you get to be very smug while doing it.
7. One feel-good quote? I’M WEAK
Image via Books on the Wall
This is not as much a funny one, but it is one of my all-time favorites and always good when you’re having a moment, which is all the time for me. It’s the sort of pleasant, post-nihilistic sentiment we can always use, especially in strange times.
Featured image via The Irish Times.
If you’re wondering what poetry to read, look no further. Here’s a shortlist of five niche offerings for this year, released and forthcoming. Light enough to throw in your bag and rich enough to spend hours on, this is the best of small and breakout poets.
The Twenty-Ninth Year – Hala Alyan
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Alyan’s book explores her life as it is now, while also wandering through the earlier years of her life with a tone of distant, soft-focus nostalgia. Spanning nations and years, this spare, lyrical, and highly personal, Twenty-Ninth Year uses highly individual stories to capture some element of the human experience and growing older.
“It takes a romantic to leave a city; I understand this now.” Hala Alyan, The Twenty-Ninth Year
If My Body Could Speak – Blythe Baird
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Baird’s poetry is characterized by sparsity and organization, and covers girlhood, culture, and identity. It’s an exploration of the things we overlook, the things we make of ourselves, compassion, and how we forgive others and ourselves. It’s a record of healing, from the one side of suffering to the end of the tunnel.
“You do not owe your progress to anyone.” Blythe Baird, If My Body Could Speak
In a Dream You Saw a Way to Survive – Clementine von Radics
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Von Radics writes with patience and with astounding feeling. Compassion, heartbreak, and survival are measured out and deployed with the most precise diction. This is the hard work after you’ve gotten through the heart of something unbearable, but triumphant. It’s not about the moment, but about all the moments after, when you’re stronger but still reaching for the light.
“No one else can decide what your tough looks like.” Clementine von Radics, In a Dream You Saw a Way to Survive
Life of the Party – Olivia Gatwood
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This book is forthcoming August 20th, but you can expect Gatwood’s passion and her reverence for the mundane. She writes about youth and about looking back, about the things we overlook, about the ugly things we do that aren’t really so bad. This is a book about fear, but Gatwood never lets fear get of the best of her.
“I want to know what it means to survive something.” Olivia Gatwood, Life of the Party
Swallowtail – Brenna Twohy
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This book is forthcoming October 1st, and you definitely have to pick it up. Twohy’s poetry is modern and funny and tragic and electric. It dissects the strangeness of life, of loss, of becoming someone else. It takes not just the ordinary but the boring and makes it into something worth thinking about, something that tells you more about yourself. Her topics may not initially seem like the basis for poems, but she always finds the through line of universal feeling.
“You’ve just never seen the close-up of a haunting.” Brenna Twohy, Swallowtail
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