Tag: new yorker

Prince’s Memoir ‘The Beautiful Ones’ Coming in October

An exciting, if bittersweet piece of news comes in the form of the release if Prince’s unfinished memoir, which, according to The Guardian, has finally received a release date. Random House has that the memoir, entitled The Beautiful Ones, will be released on 29th October. An epic volume, the memoir will span from Prince’s childhood to his final days. It will contain Prince’s incomplete manuscript, along with personal photos, scrapbooks, and lyrics. Prince originally announced the book in 2016, saying the starting point for the book was his first memory and continuing onwards from there. Prince managed to complete fifty handwritten pages before he died of a fatal overdose, just weeks after the announcement of the book.

 

Image Via Famous biographies

The book will include an introduction by New Yorker writer Dan Piepenbring, who was originally slated to collaborate with Prince on The Beautiful Ones. The book has been called a beautiful tribute to Prince’s life, touching on what made him so beloved to his fanbase and a cultural icon. The book will be deeply personal and will touch on everything it can in Prince’s long career/life.

 

 

 

Featured Image Via The Guardian

A Drawing of Steve Bannon

Writers Respond to Steve Bannon Headlining ‘New Yorker’ Festival

The flurry of condemnation and guest dropouts for New Yorker Festival following the announcement of Steve Bannon as the headline speaker was swiftly followed by the announcement that Bannon was out. The editor of the celebrated literary and cultural magazine, David Remnick, released a statement clarifying why he thought inviting Bannon was a good idea, but concluded that he had changed his mind and that Bannon was no longer to be featured at the event.

 

 

Before and after the prominent disinvitation was issued, several writers had spoken out about the hoopla.

 

A favorite of empirically minded intellectuals, Malcolm Gladwell has never been afraid to court controversy while speaking his mind about sometimes troubling revelations in research. He complained that by only inviting like-minded individuals to the Festival, it weakened the discourse.

 

 

Other New Yorker writers were less conciliatory. Journalist Kathryn Schulz framed the Bannon invitation as a crisis of her own conscience. She was just one of several of the magazine’s staff who approached editor David Remnick with their reservations about the Bannon event, and she expressed relief with the news that it had been canceled.

 

 

Producer and writer Judd Apatow was one of the more prominent names in the comedy world (along with Patton Oswalt, John Malaney, Jim Carrey, and Bo Burnham) to come out against Bannon’s inclusion in the guest list. He called out the magazine for seemingly ignoring their own writing on the man’s political inclinations.

 

 

Without trying to take a stance one way or the other, the hubbub about Bannon being dropped from the Festival comes at a time when many liberal leaning outlets are grappling with the problems of promoting conservative thinkers. The problem has been percolating for a while at college and university forums across the country, with writers like Ann Coulter and Ben Shapiro facing fierce opposition from student groups protesting their appearances.

 

The drama with the New Yorker Festival is merely the latest scar in a ravaged partisan landscape from which, it seems, no aspect of public life can escape.

 

Feature Image Via The New Yorker

Cat yawn

‘Cat Person’ Author Speaks out About Real-Life Inspiration for the Viral Short Story

This past December, a 4,000-word short story took the internet by storm when it was published in The New Yorker. The story is titled Cat Person, and details the trials of twenty-year-old college student Margot as she meets and briefly dates thirty-four-year-old Robert.

 

The all-too-realistic piece of fiction showcases Margot throughout the many quick-changing stages of a blooming, new relationship: the excitement, the giddiness, the butterflies of a growing new crush, the fantasies about everything this relationship could possibly grow into, all the way through unto the grounding realization that this person is not at all who you’d hoped they were.

 

*** SPOILERS AHEAD***

 

The rose colored glasses always begin to fade, and, when they do, Margot realizes Robert is not someone she wants to see. And, by the time everything’s progressed to their first (and only) sexual encounter, Margot’s already realized that she’s not at all attracted to this stranger of a man. She feels repulsion towards him, but doesn’t know how to stop, seeing as sex has already been initiated and they are well in the midst of it all. Margot allows her mind to drift off so she can “just get it over with” while Robert does what he wants until he’s finished:

 

…she felt like a doll again, as she had outside the 7-Eleven, though not a precious one now—a doll made of rubber, flexible and resilient, a prop for the movie that was playing in his head.

 

She ends their relationship shortly after, telling Robert she’s not interested and asking him to stop texting her. The story ends months down the line when Robert gets drunk at Margot’s go-to bar, then spends the remainder of night verbally harassing her via text messages, starting with:

 

“Hi Margot, I saw you out at the bar tonight. I know you said not to text you but I just wanted to say you looked really pretty. I hope you’re doing well!”

“I know I shouldnt say this but I really miss you”

 

And quickly escalating to and ending with:

 

“Answer me”

“Whore.”

 

This story spoke to millions of women of all ages who couldn’t help but see themselves in Margot. The societal expectations placed upon women and girls to always be appeasing, to never come across as difficult, and to never anger or upset the man you are in bed with are an unmanageable weight to bear. This story spread to such immense popularity because it worked to shine a light on the ways in which we are taught that consent always looks like x, y, or z. And that, if you agreed to the encounter initially, there’s no backing out; we are taught to believe that you cannot revoke your yes.

 

I don’t think I, personally, know any women (myself, included) who haven’t been in this exact situation multiple times over the years. Nights that end this way always feel like they’re surrounded by this foggy cloud of discomfort, fear, disappointment, dissociation, and disgust (both with them and with yourself). It’s scary to be alone with someone you don’t know very well, and feel just completely stuck inside their house with no real way out. You never want to be rude by asking to leave, and you also don’t want to anger them for fear of how they might react.

 

It’s the sort of situation where your heart races and your palms sweat and you feel yourself quickly weighing out all of your options until you, eventually, decide that, well, it’s already pretty late and, if you just stick it out until morning, you can go home and shower and pretend it never happened. This way, you avoid any awkward or scary confrontations, and ensure they’re feelings remain unhurt while you just mime your way through the rest of the evening; letting your thoughts wander somewhere else, to some far-off place until it’s all, finally, over. (It doesn’t even have to be a stranger from some Tinder date; we can all-too-often find ourselves ignoring uncomfortable or coercive behavior from people we are already in committed relationships with, allowing them to do what they want under the guise of being in love and being too afraid to rock the boat.)

 

This situation is such a commonality within the dating-sphere, it’s no surprise that author Kristen Roupenian drew from her own personal, real-life experiences to create this story. Roupenian spoke to The Times earlier this week, opening up about her own Cat Person for the very first time.

 

It all started when Roupenian, who had spent many years in a long-term committed relationship, found herself single at thirty-five for the first time since she was in her twenties:

 

When I was 26 and dating, I was such a mess and everything was terrible. I thought now I would be a mature adult and wouldn’t screw up and would understand when people are garbage right away. But instead I felt just as smacked by it and just as confused…I went on a date, it went poorly, and we got in a fight. And that’s alright, but I thought, ‘I’m 35, how did I make this mistake? How did I misread someone so completely?

 

The story grew to success seemingly overnight, and resulted in Roupenian landing a two-book deal with Scout Press, including a collection of short-stories set to release in 2019 and a currently untitled novel.

 

The success was by no accident, however. The story resonated, and still resonates, with people across the board.

 

Dating is never as easy as any of us hope it’s going to be. And, it can be difficult when you’re meeting all of these people to not feel tired of it all, and just ready to settle down with the next semi-charming, borderline-compatible adult human you stumble across. But, once you’ve already begun to force a connection with someone and convince yourself of it’s sustainability, it can be nearly impossible to come to terms with how you genuinely feel, walk out, and leave the situation behind you.

 

Roupenian went on to tell the Times about her own views surrounding the dating culture our society has built:

 

I think that young women in particular feel they have to manage and control and soothe and charm and weave this magic around men…The truth is, most people are not the right person for you, and the person who is the right person for you will still not be a perfect human being.

 

Since the Cat Person publication, Roupenian has learned she was never really alone in this thinking. Women all over have shared their own stories of uncomfortable dates that have ended in aggression, shame, and coercion.

 

I only hope that, now that a light has been shone on the aspects of dating and consent that before we had only ever been told to deal with and ignore, we can finally begin to see a shift in what we do and do not consider normal, healthy, and okay. 

 

In the meantime, we can continue sharing our stories. We can acknowledge and find comfort in the autonomy of our own bodies, and the fact that no one, no matter what their previous relationship to us may be, is allowed to steal that from us. We can refuse to accept the things that feel uncomfortable, scary, or harmful, and not feel any embarrassment, guilt, or shame in vocalizing that. We can understand and accept our own imperfect humanness, and work on erasing both our desire to mold and shift others’ views of us and our impossible desire to never disappoint.

 

We can keep standing up and speaking out. 

 

 

 

Featured Image via Sykesville Veterinary Clinic

disgusted cat

‘Cat Person’ Author Kristen Roupenian Lands Paw-some Five Figure Book Deal

It’s not every day that a work of fiction goes viral. In fact, it hardly ever happens. But when Kristen Roupenian’s short story “Cat Person” appeared in The New Yorker last week, it struck a chord and became one of the most-read pieces this year. 

 

Inspired by an experience of Roupenian’s own, the story follows a college student, Margot, who has uncomfortable and unpleasant sex with an older man who continues to text her after their encounter. The story has appealed to countless people, and has been described, in its depiction of unwanted, though consensual sex, as ‘excruciating.’ That is true. It is excruciating. And painfully honest and also very, very funny. I would suggest listening to Roupenian’s reading of it on The New Yorker website. I did, as I was writing this article, and snorted audibly several times out of amusement, empathy, and downright disgust. It’s really very good. 

 

Image Via The New York Times

Kristen Roupenian | Image Via The New York Times 

 

Kristen Roupenian’s debut book will be a short story collection entitled You Know You Want This, and will be published by Jonathan Cape, with whom she has signed a five figure deal. 

 

Michal Shavat, Jonathan Cape’s publishing director, told The Bookseller

 

This book marks the arrival of a remarkable new talent. The cultural discourse that has revolved around ‘Cat Person’ has been astonishing, a talking point around the globe. But it’s in the writing that the really interesting thing is happening. This is going to be a major publishing event in the coming year and we’re hugely excited and proud to be launching this phenomenal new voice.

 

Roupenian is a Zell Fellow at the University of Michigan. According to The Bookseller, last year she won the Grand Prize at the Eleventh Annual Writer’s Digest Popular Fiction Awards.

 

Featured Image Via The Daily Snug

"I don't want to write, I want to be in literary feuds."

These Hilarious New Yorker Comics Know How To Tease Any Book Lover

The New Yorker, time and time again, is praised for its top picks in fiction, nonfiction, poetry, and cover artwork. One medium that’s often overlooked is also what’s most universally loved: comics.

 

Readers constantly stifle their laughter in public while flipping through The New Yorker’s hilarious comic strips. It’s amazing what can be accomplished with an image and a short sentence.

 

Unsurprisingly, some of the best New Yorker comics are the ones that deal with books. Here are some real gut-busters…

 

"I don't want to just write. I want to be in literary feuds!"

courtesy of The New Yorker

 

A man hitting on a woman on a bench.

 

courtesy of The New Yorker

 

"Well, and I'm not just saying this because you're my husband, it stinks." wife reviewing book draft

courtesy of The New Yorker

 

"Why can't you be more like Hester Pryne? She has straight A's."

courtesy of The New Yorker

 

We have everything but the book.

courtesy of The New Yorker

 

Neurotica

 

courtesy of The New Yorker

 

writer editing at a typewriter with several crossed out words

courtesy of The New Yorker

 

Hello Moon read by Werewolves.

courtesy of The New Yorker

 

"I want to stay friends, but not in the same book group."

courtesy of The New Yorker

 

"I wanted to read, just to see if I could still do it."

courtesy of The New Yorker

 

Feature image courtesy of The New Yorker