Author, historian and reporter Tony Horwitz passed away on Monday after suddenly collapsing while on his book tour. The Vineyard Gazette was the first to report that the author died at the age of sixty.
Born on June 6th 1958, Horwitz is a well-renowned reporter who used to work for The Wall Street Journal. His reporting on the devastating working conditions of low-wage jobs won him the Pulitzer Prize in 1995.
Horwitz was also well-known for his non-fiction books. One of his most popular works is Confederates In The Attic, where he travels across different states to chronicle the lives of Civil War re-enactors. The bulk of his writing blends past and present together to help talk about the current issues we face today.
His latest book was Spying on the South: An Odyssey Across The American Divide. It traces the legacy of Frederick Law Olmsted, a reporter for the up-and-coming New York Times who goes undercover in the deep South to document the lives of Southerners. The book fused Olmsted’s work with Horwitz’s own travels across the country in order to make sense of our polarized political climate. He was scheduled to read an excerpt from the book at the Politics and Prose bookstore in Washington today.
He is survived by his wife, Pulitzer Prize-winning writer Geraldine Brooks who won the award for her novel March, which tells the story of Little Women through the point-of-view of the absent father Mr. March.
For those unaware, the New York Times cover story was written by Ezra Marcus and James D. Walsh. It tells of the story of Larry Ray, who went to stay with hid daughter at Sarah Lawrence College after being released from prison. With political connections and violent streak, Larry Ray began methodically manipulating his daughter’s classmates, gradually taking control of their lives.
The events escalated into Ray abusing the students. In the end, Ray was found out, but many of the students began praise him in court for how he turned their lives around.
Image Via TVOvermind
The Hollywood Reporter broke the story about how this real-life horror has been picked up by Jason Blum’s Blumhouse Productions.
Last year, Wahlberg and Levinson’s Closest to the Hole produced Paramount’s comedy Instant Family and the action movie Mile 22, both of which starred Wahlberg.
Right now its unknown if the story will be adapted into a feature film or a limited series, although we could totally picture Mark Wahlberg showing off his acting chops as the emotionally abusive father.
In the mean time, The Stolen Kids of Sarah Lawrence is available to be read in its entirely here.
The winners of the 2019 Pulitzer Prize winners have been announced and it looks let the winners knocked it out of the park. Best fiction was won by The Overstoryby Richard Powers, drama was won by Fairview by Jackie Sibblies Drury, biography by The New Negro: The Life of Alain Locke by Jeffrey Stewart, and nonfiction was won by Amity and Prosperity: One Family and the Fracturing of Americaby Eliza Griswold. The awards represent strength of diversity for the winner, with the books covering black history, the American Dream, the fracturing of ideals, activism, and more. Further awards included prizes for The New York Times, The Washington Post, and The Wall Street Journal.
1904. On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there is a colonial settlement called The Old Drift. In a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond. As the generations pass, their lives—their triumphs, errors, losses and hopes—emerge through a panorama of history, fairytale, romance and science fiction.
From a woman covered with hair and another plagued with endless tears, to forbidden love affairs and fiery political ones, to homegrown technological marvels like Afronauts, microdrones and viral vaccines, this gripping, unforgettable novel is a testament to our yearning to create and cross borders, and a meditation on the slow, grand passage of time.
If you really want to understand Jim Crow―what it was and how African Americans rose up to defeat it―you should start by visiting Mobile Street in Hattiesburg, Mississippi, the heart of the historic black downtown. There you can see remnants of the shops and churches where, amid the violence and humiliation of segregation, men and women gathered to build a remarkable community. William Sturkey introduces us to both old-timers and newcomers who arrived in search of economic opportunities promised by the railroads, sawmills, and factories of the New South. He also takes us across town and inside the homes of white Hattiesburgers to show how their lives were shaped by the changing fortunes of the Jim Crow South.
Sturkey reveals the stories behind those who struggled to uphold their southern “way of life” and those who fought to tear it down―from William Faulkner’s great-grandfather, a Confederate veteran who was the inspiration for the enigmatic character John Sartoris, to black leader Vernon Dahmer, whose killers were the first white men ever convicted of murdering a civil rights activist in Mississippi. Through it all, Hattiesburg traces the story of the Smith family across multiple generations, from Turner and Mamie Smith, who fled a life of sharecropping to find opportunity in town, to Hammond and Charles Smith, in whose family pharmacy Medgar Evers and his colleagues planned their strategy to give blacks the vote.
Louie Hake is forty-three and teaches architectural history at a third-rate college in Michigan. His second marriage is collapsing, and he’s facing a potentially disastrous medical diagnosis. In an attempt to fend off what has become a soul-crushing existential crisis, he decides to treat himself to a tour of the world’s most breathtaking architectural sites. Perhaps not surprisingly, Louie gets waylaid on his very first stop in Rome–ludicrously, spectacularly so–and fails to reach most of his other destinations. He embarks on a doomed romance with a jilted bride celebrating her ruined marriage plans alone in London. And in the Arctic he finds that turf houses and aluminum sheds don’t amount to much of an architectural tradition. But it turns out that there’s another sort of architecture there: icebergs the size of cathedrals, bobbing beside a strange and wondrous landscape. It soon becomes clear that Louie’s grand journey is less about where his wanderings have taken him and more about where his past encounters with romance have not. Whether pursuing his first wife, or his estranged current wife, or the older woman he kissed just once a quarter-century ago, Louie reveals himself to be endearing, deeply touching, wonderfully ridiculous . . . and destined to find love in all the wrong places.
Preet Bharara has spent much of his life examining our legal system, pushing to make it better, and prosecuting those looking to subvert it. Bharara believes in our system and knows it must be protected, but to do so, we must also acknowledge and allow for flaws in the system and in human nature.
The book is divided into four sections: Inquiry, Accusation, Judgment and Punishment. He shows why each step of this process is crucial to the legal system, but he also shows how we all need to think about each stage of the process to achieve truth and justice in our daily lives.
Bharara uses anecdotes and case histories from his legal career–the successes as well as the failures–to illustrate the realities of the legal system, and the consequences of taking action (and in some cases, not taking action, which can be just as essential when trying to achieve a just result).
Much of what Bharara discusses is inspiring–it gives us hope that rational and objective fact-based thinking, combined with compassion, can truly lead us on a path toward truth and justice. Some of what he writes about will be controversial and cause much discussion. Ultimately, it is a thought-provoking, entertaining book about the need to find the humanity in our legal system–and in our society.
Prague, 1935: Viktor Kosárek, a psychiatrist newly trained by Carl Jung, arrives at the infamous Hrad Orlu Asylum for the Criminally Insane. The state-of-the-art facility is located in a medieval mountaintop castle outside of Prague, though the site is infamous for concealing dark secrets going back many generations. The asylum houses the country’s six most treacherous killers–known to the staff as The Woodcutter, The Clown, The Glass Collector, The Vegetarian, The Sciomancer, and The Demon–and Viktor hopes to use a new medical technique to prove that these patients share a common archetype of evil, a phenomenon known as The Devil Aspect. As he begins to learn the stunning secrets of these patients, five men and one woman, Viktor must face the disturbing possibility that these six may share another dark truth.
Meanwhile, in Prague, fear grips the city as a phantom serial killer emerges in the dark alleys. Police investigator Lukas Smolak, desperate to locate the culprit (dubbed Leather Apron in the newspapers), realizes that the killer is imitating the most notorious serial killer from a century earlier–London’s Jack the Ripper. Smolak turns to the doctors at Hrad Orlu for their expertise with the psychotic criminal mind, though he worries that Leather Apron might have some connection to the six inmates in the asylum.
Steeped in the folklore of Eastern Europe, and set in the shadow of Nazi darkness erupting just beyond the Czech border, this stylishly written, tightly coiled, richly imagined novel is propulsively entertaining, and impossible to put down.
New York, 1921: Alfred Stieglitz, the most influential figure in early twentieth-century photography, celebrates the success of his latest exhibition–the centerpiece, a series of nude portraits of the young Georgia O’Keeffe, soon to be his wife. It is a turning point for O’Keeffe, poised to make her entrance into the art scene–and for Rebecca Salsbury, the fiancée of Stieglitz’s protégé at the time, Paul Strand. When Strand introduces Salsbury to Stieglitz and O’Keeffe, it is the first moment of a bond between the two couples that will last more than a decade and reverberate throughout their lives. In the years that followed, O’Keeffe and Stieglitz became the preeminent couple in American modern art, spurring each other’s creativity. Observing their relationship led Salsbury to encourage new artistic possibilities for Strand and to rethink her own potential as an artist. In fact, it was Salsbury, the least known of the four, who was the main thread that wove the two couples’ lives together. Carolyn Burke mines the correspondence of the foursome to reveal how each inspired, provoked, and unsettled the others while pursuing seminal modes of artistic innovation. The result is a surprising, illuminating portrait of four extraordinary figures.
A man, forgotten by the world, takes care of his deaf brother while euthanizing dogs for a living. A stepbrother so desperately wants to become his stepsibling that he rapes his girlfriend. In Maryse Meijer’s decidedly dark and searingly honest collection Rag, the desperate human desire for connection slips into a realm that approximates horror.
Meijer’s explosive debut collection, Heartbreaker, reinvented sexualized and romantic taboos, holding nothing back. In Rag, Meijer’s fearless follow-up, she shifts her focus to the dark heart of intimacies of all kinds, and the ways in which isolated people’s yearning for community can breed violence, danger, and madness. With unparalleled precision, Meijer spins stories that leave you troubled and slightly shaken by her uncanny ability to elicit empathy for society’s most marginalized people.
Palestine, 1990. Seventeen-year-old Isra prefers reading books to entertaining the suitors her father has chosen for her. Over the course of a week, the naïve and dreamy girl finds herself quickly betrothed and married, and is soon living in Brooklyn. There Isra struggles to adapt to the expectations of her oppressive mother-in-law Fareeda and strange new husband Adam, a pressure that intensifies as she begins to have children—four daughters instead of the sons Fareeda tells Isra she must bear.
Brooklyn, 2008. Eighteen-year-old Deya, Isra’s oldest daughter, must meet with potential husbands at her grandmother Fareeda’s insistence, though her only desire is to go to college. Deya can’t help but wonder if her options would have been different had her parents survived the car crash that killed them when Deya was only eight. But her grandmother is firm on the matter: the only way to secure a worthy future for Deya is through marriage to the right man.
But fate has a will of its own, and soon Deya will find herself on an unexpected path that leads her to shocking truths about her family—knowledge that will force her to question everything she thought she knew about her parents, the past, and her own future.
Set in an America at once foreign to many and staggeringly close at hand, A Woman Is No Man is a story of culture and honor, secrets and betrayals, love and violence. It is an intimate glimpse into a controlling and closed cultural world, and a universal tale about family and the ways silence and shame can destroy those we have sworn to protect.
The White Elephant looms large over the quaint suburban town of Willard Park: a gaudy, newly constructed behemoth of a home, it soars over the neighborhood, dwarfing the houses that surround it. When owner Nick Cox cuts down Allison and Ted Millers’ precious red maple—in an effort to make his unsightly property more appealing to buyers—their once serene town becomes a battleground.
While tensions between Ted and Nick escalate, other dysfunctions abound: Allison finds herself compulsively drawn to the man who is threatening to upend her quietly organized life. A lawyer with a pot habit and a serious midlife crisis skirts his responsibilities. And in a quest for popularity, a teenage girl gets caught up in a not-so-harmless prank. Newcomers and longtime residents alike begin to clash in conflicting pursuits of the American Dream, with trees mysteriously uprooted, fires set, fingers pointed, and lines drawn.
White Elephant is an uproarious, tangled-web tale of neighbor hating neighbor (and neighbor falling head over heels for neighbor). Soon, peaceful Willard Park becomes a tinderbox with nowhere to go but up in flames.
According to Publisher’s Weekly, Children of Blood and Boneby Tomi Adeyemi won big at last night’s 24th annual Audie Awards. Held in Manhattan, the awards recognize outstanding audiobooks and spoken-word entertainment. Children of Blood and Bone is the debut novel from young author Tomi Adeyemi, and it depicts the story of a young woman called Zélie Adebola who leads her clan of maji against a brutally oppressive regime. A popular YA fantasy novel, the book the first in a highly-anticipated series and has already climbed the ranks of The New York Times’ bestseller list. The audiobook’s narrator is Bahni Turpin, known for her roles in Malcolm X and Cold Case Files.
The book took home the award for Top Audiobook of the Year, a well deserved win for such a striking debut. Other highlights of the evening included Edoardo Ballerini winning Best Male Narrator for his narration ofWatchers by Dean Koontz, Julia Whelan taking home Best Female Narrator for Educatedby Tara Westover, and Richard Armitage nabbing Best Audio Drama for The Martian Invasion of Earthby HG Wells.
Tomi Adeyemi and Bahni Turpin are no doubt very pleased with their win. We look forward to seeing more entries in this series!