Okay, okay, before you @us, we do know the difference. But what goes better with your favorite dessert than a good book and some mediocre word play? Here are three books to embrace on #nationaldessertday.
This story follows a family of banished saints, perched high in the Colorado desert where supplicants must travel far for a miracle. These saints can help you, but they can’t save you from yourself, as many pilgrims learn to their dismay. Still, there’s much to be gained by braving the miracles of Bicho Raro. Enthralling, luminuos, and with enough Mexican and Native southern states folklore to keep you from wandering the sand alone at night. At once grim and terribly hopeful, this is an exploration of love, family, and growth, set to pirate radio and the rushing wings of owls.
New York, magic, the turn of the century – what more could you want? Unlikely friendships? Varied mythology? This book has it all, weaving a lush and surprising tale out of a premise that asks more questions than it answers. A golem and a jinni meet in New York. It’s more likely than you think! I love fantasy being laid over history like velum, especially more modern history. New York, and only a hundred years ago, is not where you most expect to encounter myth, but weaving it in seamlessly can make a world close enough to imagine, both in time and in possibility. goodr
Street smart and clever, Dara bites off more than she can chew when she summons an ancient and magical creature to her side, soon discovering that she has magic and an ancient legacy drawing her as well. She will have to travel to the city of the djinn itself, where struggles for power, purity, and prestige rage in the streets, if she hopes to find the truth of her past. Opulent, adventurous, and deeply ruted in folklore, this is a must read for anyone who wants a world that breathes with magic, prophecy, and intrigue. If you’re seeking mythology that often gets overlooked, pick this up.
I’m always a fan of a clever reimagining, and the tale of Scheherazade was neglected for far too long. You’ve got a lot of classic fairytale beats, like the murder of wives, along with a clever heroine, an unfathomable mystery, and gutting revelations. Scheherazade volunteers herself after her best friend’s murder, intent upon revenge against the cruel monarch who weds and murders so many young girls. But it’s not so simple as it appears, and though Scheherazade makes it to the morning and more, with each dawn she is less certain of her hatred.
Happy Birthday, City of Bones! YA Fantasy superstar Cassandra Clare released her debut (the first entry into the sprawling Shadowhunters universe) on March 27th, 2007, which makes the book twelve years old. That would land it squarely in middle school—a familiar landscape which has nonetheless changed a lot since this book’s release. Some things have, of course, remained the same: children are mean and hormones so rarely help anyone. But there are some major differences—YA is more diverse; genre fiction is booming; and social issues have risen to the forefront of modern discourse.
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Cassandra Clare’s novels have continued to do what they did at their outset: tell stories of characters who don’t often have their stories told. Clare’s LGBT+ rep throughout her body of work hits each of those four letters (and perhaps, soon, we’ll get some of the other letters that come with the +.) Clare has also recently gained attention for autistic representation that transcends superficial stereotypes. Her characters are bombastically human with all that entails—dramatic love stories, deep-seated emotional issues, ridiculous inside jokes. Clare’s obvious love for fantasy and the genre is second only to her understanding of human nature, and it’s obvious her work resonates for innumerable reasons: there are currently more than 50 million copies of her novels in print. The Mortal Instrumentsseries in particular has inspired both a film adaptation and a successful TV series. And, of course, her work has always resonated with me.
Picture this: I’m thirteen. I’m wearing a horrific amount of bright blue eyeliner (read: any amount). I am distinctly not straight. Since it’s not terribly likely you know what I look like, imagine me this way: uncomfortable with everything. City of Bones featured one of the very first LGBT+ couples I ever encountered—withdrawn, struggling Alec and the ever-bold Magnus Bane—and changed the way that I thought about what are currently two of my favorite things: genre fiction and myself.
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We’d call this a list of books to help you fill the Shadowhunters void—except, of course, that there isn’t one! Cassandra Clare has dutifully (and enthusiastically) expanded her universe’s lore since its inception, with new releases forthcoming in 2019: Chain of Gold, the first entry into a new historical fantasy trilogy, and The Red Scrolls of Magic, the start of a trilogy centered on the magical misadventures of Alec and Magnus. Clare even has a section on her website entitled “where to start,” acknowledging the fact that readers might be a little intimidated by the canon. Some advice on starting? Do it. Immediately.
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But if, like me, you’ve already plowed your way through the majority of the seemingly limitless Shadowhunters canon, here’s a delightful mix of 7 Young Adult & New Adult classics to remind you of all that this genre can accomplish.
Is this first on the list because it’s my personal favorite? Yes. Is it first on the list because it’s sure to be your personal favorite? Also yes. It would be a travesty to reduce Maggie Stiefvater‘s quartet to its LGBT+ characters, mostly because it’s so many other things besides strong representation: dangerous, raw, and human as its characters and all the things they want. Bonus content: Molotov cocktails, dead things that are supposed to be alive, alive things that are supposed to be dead. Every possible use of ‘Dick’ as a nickname for Richard. Distinguished boys who, for some reason, continue to wear boat shoes. The feeling of returning home and, for some, the immense desire to leave it. Bees…? One of the most unique series in YA fantasy today, The Raven Cycle is startling, strange, and filled with a cast of characters so real you won’t believe you haven’t really met them. Cassie Clare fans will live for the sarcasm, the limitless wit, the character dynamics, and the positive LGBT+ representation.
In V.E. Schwab‘s delightful, inventive, and ambitious trilogy, four different versions of London exist with varying levels of magic—and equivalent levels of danger. (Spoiler: that level is HIGH.) One is the London of old, one that we might recognize: no magic, lots of crime. One London is magic the way that we might imagine it. One is magic with all the cruelty that magic so often entails. And one—the most magic London of all—no longer exists. Or, at least, it no longer exists in any way that we might recognize. Oh, did that description make these books sound happy and upbeat? They are… when everything’s not busy going very, very wrong. Fans of Jace and Alec’s affectionate-yet-frequently-frustrated brotherly dynamic will love the give-and-take between adopted brothers Kell and Rhy. And it would be quite the challenge to build a world richer than Cassandra Clare’s—whose books are physically large enough to build that world brick by brick. V.E. Schwab’s attention to detail will delight those who are after a detailed lore.
The Magicianshas gotten a lot of attention lately thanks to its SyFy TV adaptation—and if it doesn’t already, it deserves to have yours. This may just be the best book series you ever read about a fictional wizard school (and yes, I do know about the other one). Unlike many fantasy series, which can paint concepts of good and evil in the broadest brushstrokes, The Magicians thoroughly examines all the thematic implications of the fantasy genre, subverting every trope in the process. The humor is frequently raunchy, nihilistic. The magic is even more frequently absurd. And the story is consistently unthinkable in its imagination, pushing the limits of what magic (and the fantasy genre!) can accomplish. Lev Grossman‘s world is as dark and sensual as it is intellectual and calculating—but, in the end, it’s more startlingly earnest than it is anything else, a subversive novel written from a clear love of the genre. Bonus: disaster gays, talking bears who drink Peach Schnapps, a hell that looks like a high school gymnasium, and a story to remind you exactly what storytelling means.
One of the best things about Cassandra Clare’s writing is the never-ending banter, each topic seemingly more ludicrous than the last… and somehow, for all its silliness, it only makes the characters feel more human and their dynamics more sincere. Leigh Bardugo‘s Six of Crowsis a character-driven heist duology set in a richly-realized fantasy world full of crime; corruption; and badass fight scenes, baby! What’s the difference between a heist and a regular robbery, you might ask? Well, it’s pretty simple: a heist is what they call theft when it’s cool. But as fast-paced and high-concept as this well-oiled plot machine may be, it’s also a deeply character-driven story. This misfit (and very queer) cast of characters may or may not steal what they set out to pilfer, but they’ll certainly steal your heart. And possibly crush it—this book has one of the most devastating backstories of all time.
Rainbow Rowell‘s Carry Onisn’t exactly fan-fiction, but it’s certainly fiction written for fandoms. You might call it your average wizard-boarding-school book, except that there’s very little average about it. Carry On is oft called ‘the gay Harry Potter,’ but it’s certainly not derivative—Rowell acknowledges its predecessor in clear ways, and chooses to thoughtfully play with beloved genre tropes. Oh, and you’re not going to find any LGBT+ subtext here—it’s all very much on the page. Rowell herself has commented on the matter of overt representation in Vanity Fair: “there was a time when this had to be subtext… don’t [read] it for the subtext, don’t [read] it for the moments [in BBC’s Sherlock] when Sherlock and John make eye contact and the world sets on fire but none of it’s real. As a culture, we are ready for text.” As a bonus, she also doesn’t think she’s a social justice hero for including a gay couple. “I’m definitely not the first person to write a gay Y.A. story,” she acknowledges, “by a million years.” Regardless, we’re always happy for more! This fun, subversive novel will appeal to pop culture fiends across all fandoms—including Cassandra Clare’s!
Scott Westerfeld‘s gritty urban fantasy is the It Follows of the mid-2000s urban fantasy world: college freshman Cal’s previous girlfriends (read: YA way to say ‘sexual partners’) have been infected with an unusual sort of vampirism. Sure there’s the whole lurking-in-the-darkness thing, but there’s also the anathema—Westerfeld’s vampires are repulsed by everything about their old lives, everything they once loved. (Especially Cal… although that may have something to do with him dropping off his vampire chlamydia.) A New Adult novel before the classification was coined, Peepsand sequel The Last Daysare gritty trysts into the dark supernatural underworld of NYC reminiscent of Clare’s Downworld, where the parties can last as long as some of their attendees’ lifespans. The edgy, fun tone with surprisingly poignant moments is sure to remind audiences of Clare’s own work. This isn’t your average vampire story… probably because it isn’t a vampire story at all. It’s about home, lies, love and equally powerful hatred: things far more human than that.
If you were around when the original three books of The Mortal Instruments were being released—that is, if you weren’t, like, eight years old—you may recall Cassandra Clare and established fantasy writer Holly Black‘s power-couple friendship. (I happen to remember Cassandra Clare’s livestream when she announced that there would be three more books in the series, so it’s safe to say I do.) Author of the children’s classic series The Spiderwick Chronicles, fantasy queen Black gave fans a nod to her close friendship with Cassie by including a mention of Jace and his fellow Shadowhunters in her books! In turn, Clare mentions the protagonist of Valiantin her trilogy as well. Does she use Valerie’s name? No. But which other bald junkie who lurks with the fey folk in subway tunnels could the unnamed character possibly be? Given that Black’s series (urban fantasy, NYC, chaotic fey) fits in quite naturally with Clare’s Downworlder mythology, it’s an excellent companion series.
So it may be that ‘all’s well that ends well,’ but some of these books nearly didn’t! The secret alternate endings of these five popular novels are different from the endings that made it to our bookshelves. (That’s ‘different’ as a synonym for completely bizarre.) Some endings changed the tone of the story in ways the author decided against. Some endings changed other important things, like whether or not anyone would buy the book.
1. The Fault in Our Stars
It’s hard to imagine John Green changing one thing about his devastating hit The Fault in our Stars(besides the title, which would work just as well as Buckets of Our Tears). Actually, Augustus’ death was almost the second most tragic thing about the novel. In a twist that Green himself describes as “epically terrible,” the novel initially ended with Hazel Grace and author Van Houten attempting to murder a drug dealerin order to honor Augustus’ life… knowing that they will likely die (just relatable teenager things). This ending supposedly lasted only forty pages, which begs the question—what? It gets worse. Green also considered using the ending of the novel to explore the Trolley Problem—which, to sum it up, asks whether it’s more morally heinous to let a trolley crush five people or to personally divert the train to crush only one person. His editor admitted later that she “[couldn’t] tell whether or not it [was] a joke.” It wasn’t.
2. The Dream Thieves
Maggie Stiefvater‘s Raven Cycle series stands as one of the most positively critically reviewed YA series of all time. Its second book, The Dream Thieves, is particularly rife with the dark (best friends replaced with subservient clones) and the delightful (every possible use of ‘Dick’ as a nickname for Richard). In one earlier draft, troubled protagonist Ronan enters into amagical drag racewith distinctly-more-troubled antagonist Kavinsky—which, contextually, is not as strange as it sounds. The two subsequently have their magic race up the side of a mountain, and in a reckless but astoundingly unsurprising move, Kavinsky drives his car off the edge of a cliff. Stiefvater herself summarizes the whole plot as: “Fireball! Death!” This is also an excellent description of the novel’s actual ending. However, this earlier draft lacks the redemptive elements and positive LGBT representation of the rewrite—especially since the rewrite is also full of cars and danger.
3. Harry Potter and the Deathly Hallows
One of the most chilling lines in the Harry Potter universe reads: neither can live while the other survives. It would then logically follow that… to use J.K.’s own words… neither can live while the other survives. So it doesn’t exactly add up that J.K. Rowling almost concluded her series with Voldemort AND Harry surviving. In one strange version of the Harry Potter and the Deathly Hallows ending, the spirits of Voldemort’s dead parents appear during their showdown to comfort Harry and turn Voldemort into a child. When Voldy tries to zap Harry with his final curse, it rebounds, freezing him as a living statue. If you’re wondering how the rebounded spell doesn’t kill him, you can keep on wondering—there is no real explanation. Fortunately, we have the original standoff between Harry and Voldemort, as well as all the powerful scenes and lines that come with it.
4. Thirteen Reasons Why
Especially after its TV debut, Thirteen Reasons Whyis almost universally recognizable as a story of the tragic suicide of a high school student and the following series of upsetting confessional tapes detailing fellow students’ contributions to her death. But what if Hannah didn’t die? According to author Jay Asher, that’s exactly what almost happened. As the near-suicide of a close relative inspired Asher’s work, he considered that Hannah might also live. In the end, he decided against it. He felt that Hannah’s survival meant fewer consequences for the students who tormented her, as well as lower stakes surrounding the issue. Asher explained: “it felt false for this particular story and for the seriousness of the issue. If someone goes through with a suicide, there are no second chances for anyone involved.”
We all recognize George Orwell‘s 1984 as the classic behind the phrase “Big Brother is watching.” Fewer people know that this grim tale once had an alternate ending—one that made the ending tonally more optimistic (not an easy feat, given how depressing this story gets). Free-thinking Winston undergoes torture in order to destroy any part of him that might rebel against the novel’s totalitarian government. But just before the end, he has a brief nervous break and thinks to himself: 2 + 2 = 5. This signifies the extent to which Winston, wholly indoctrinated, now accepts Big Brother’s lies. However, Orwell’s first edition tells a different story. There, the sentence ends with 2 +2 = (without the number 5), implying that Winston manages to hold onto some sense of self and that resistance is real. One letter subtly but unmistakably changes the meaning of the entire novel… and makes it a whole lot sadder.
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The novel opens: “It is the first day of November, so today, someone will die.” Each November on the fictional island of Thisby, water horses rise from the sea— all twice as fast as real horses and a thousand times more deadly. Winning the Scorpio Races means fame and fortune, but entering the Scorpio Races could mean death. Carnivorous and distinctly hungry, the water horses make mincemeat far more often than they make winners. Sean, the reigning champion, has survived to win the race— many times before. Puck, who desperately needs the money, has never even made a previous attempt. But both of them still have one thing to learn… a lot can happen before the finish line.
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This November 1, 2018 will not be nearly so whimsically morbid. Instead, readers will have a chance to join Stiefvater’s read-along (this linkalso works). Provide your own feedback and get insider content directly from the author. Following the original release ofThe Scorpio Races, Stiefvater herself said that “a novel is a conversation starter, and if the author isn’t there for the after-party, both the writer and the reader are missing a lot.” Make sure you don’t miss out on anything this November by joining in on the fun! For more information, check out Stiefvater’s Twitterand Tumblrover the next few days.