Jaime has come a long way from his early days on Game of Thrones. He began as a villain on the show, so devoted to an incestuous relationship with his sister, Cersei Lannister that he did terrible things, such as pushing Bran Stark out a window, thus crippling the boy for life. But as the series progressed, he began to move down a path of redemption, growing as a person through his interactions with Brienne of Tarth and being further humbled through the loss of his hand. Jaime proved himself as a person capable of change, of growth, while Cersei doubled down on her own inner flaws and became a fully fledged tyrant. Both siblings began to drift apart, clearly showing Jaime as a fundamentally better person than Cersei (though that is not hard.) All signs pointed towards Jaime becoming a hero and this seemed to be confirmed in his last scene with Cersei in Season 7. Cersei had just been shown absolute proof that the White Walkers were real and coming to kill everyone in Westeros. She seemed to ally with Jon Snow and Daenerys to fight the oncoming threat but later revealed to Jaime that she was lying, hoping to weaken her enemies and claim the Iron Throne unopposed.
Jaime was horrified by this plan, so much so that he rode away from King’s Landing and joined with the forces of Winterfell this season. His arc seemed to be reaching a happy conclusion, especially with him and Brienne consummating their mutual attraction to each other.
Until, well, all that character development suddenly did a swan dive off a cliff.
Jamie and Cersei’s relationship had clearly fractured, broken by the paths their mutual character development had taken them down. Jaime’s path had evolved naturally to make him a better person, which is why it was sudden and jarring when he appeared to do a 180. After bedding Brienne, suddenly and seemingly out of nowhere, Jaime left her in the middle of the night, told her how ‘hateful’ he was while claiming his devotion to Cersei, and rode off to be with her in King’s Landing. This could have been seen as perhaps a lie, a trick, or setting up for Jamie to even kill Cersei as had longed been hinted at but nope! In the latest episode of Game of Thrones, The Bells, Jamie dies in the arms of Cersei while claiming his love to her before they’re both buried in the collapse of the Red Keep.
This felt wrong. Jamie should not have returned to Cersei. Their relationship had naturally broken over the course of the series and for them to embrace each other as if nothing had ever happened between them, as if their mutual paths meant nothing, just feels like honestly a slap in the face. Jaime deserved so much better than what he got in the past few episodes, where he seemingly forgot all that he had learned, endured, and seen in favor of dying with the woman he had grown to hate. Perhaps this could have worked if more time had been devoted to showing why Jamie still loved Cersei, why he was willing to abandon his friends to go back to her, but thanks to the rather rushed pace of this season, it comes out of the blue and seems to ignore the character’s internal logic.
Jamie’s arc had naturally pointed to him rising above his twisted beginnings and becoming a good man. And he almost did! But at the last minute, he just reversed back to his origins in Season 1. A lot of the characterizations in Season 8 have been rather wonky but Jamie’s especially stings, as it feels like the writers just chose to ignore his redemption arc for no real reason. Jamie keeps claiming he loves Cersei, even though we’ve seen that clearly isn’t the case anymore. But instead, he dies a rather pathetic death, buried under a pile of rocks with the woman who mere episodes ago he was disgusted by. It was an insulting end to one of the show’s best characters, especially one who had evolved so far and shown so much more depth than what he appeared to be at first glance.
What were your thoughts on Jamie’s characterization this season? Tell us in the comments!
Some believe that a real master storyteller is a puppet master of plot twists, someone with plot threads knotted so tightly only he himself could untangle them. Others believe that effective storytelling can be a matter of inevitability: character arcs plummeting directly down into their most fateful conclusions—that it doesn’t ruin the story to see the dark tunnel into which a Walter White brand of hero-turned-villain is headed. Instead, it’s a matter of the getting there, not the beginning or the end but right in harrowing thick of it, the point at which characters make critical choices.
Game of Thrones has drawn some criticism this season for Danaerys Targaryen’s character arc; several trending Buzzfeed articles have lamented that the narrative appears to be making Dany into a villain, following in her father’s legacy of tyranny. (We can assume that this reaction to episode four specifically has to do with her seeming disregard for the innocents in the Red Keep—you know, the ones Cersei is using as human shields.)
International sensation Stephen King also seems to think that Dany is hurtling towards a grim conclusion: her own death, a fate that we can assume awaits many of our favorites. But Dany has been a fan-favorite since the beginning, right along with Jon Snow. For countless episodes, fans have expected that either Jon or Dany would end up on the Iron Throne; their relationship then seemed to be the best possible outcome, a chance for BOTH desired outcomes to take place. But the King of horror seems to think it’ll be NEITHER.
Suppose–just suppose, now–that Jon and Dani BOTH died (along with Cersei, of course). Suppose–just suppose–that a certain little man with a big heart ended up sitting on the Iron Throne?
Naturally, King drew some fire for this remark. Nobody wants their favorite characters to die, particularly because we all know we got lucky with “The Long Night.” (Now, of course, we know Brienne had to survive in order to break our hearts with her Jaime plot in episode 4.) But King fired back:
Of course for years some people have told me I don’t know how to end a story. I call bullshit on that, but everyone has an opinion. :-)
Who’s telling King he doesn’t know how to end a story, and can they please stop?
Of course, fans were quick to point out that if Tyrion were to sit on the Iron Throne, Sansa would likely join him in ruling over the Seven Kingdoms. Their conversation in the crypts during episode 3 serves to remind the audience that they were, in fact, still married (and, of course, to drench us in nostalgia for how simple things were once as the dead rise around them). To some extent, this makes sense: Sansa and Dany’s rivalry might make this a satisfying ending, and the show has been clearly demonstrating Sansa’s rise to power and ability to command respect.
Some think this would be a satisfying conclusion; a popular fan theory may be that Arya will kill Cersei using Jaime’s face, but Twitter has pointed out that Sansa (after dealing with Joffrey) may have more reason to hate Cersei. Other fans think King could be correct due to a line that could be foreshadowing. While many assumed that just woman would be Danaerys, ‘just’ may no longer be the right choice of words as her hunger for power has increasingly revealed itself.
“What if the Seven Kingdoms, for once in their whole shit history, were ruled by a just woman and an honorable man.”
We may not know what exactly will happen in the series’ penultimate episode, but we can be certain about at least one thing: no matter who ends up on the Iron Throne, it’s gonna be a f*cking brutal endeavor to get there.
There was a major mistake in Episode 4 of Game of Throneslast night and it’s a pretty hilarious one. During the big dinner scene in the episode as Tormund toasts Jon Snow, Daenerys sulks in the background, giving Jon the side eye for all the attention he’s getting. However, eagle eyed viewers noticed an unusual object in the background, right next to Daenerys. What was the object? Why, a modern day Starbucks coffee cup, all of things! The plastic looking thing stood out in contrast to the rustic, moodily lit surroundings of the Winterfell hall and although a little hard to spot, you can’t unsee it once you do.
See if you can spot the offending latte in this GIF below:
Image Via The Verge
Naturally, the Internet reacted to this error with the usual storm of hilarious tweets and reactions. Here are some of the best ones below:
1. After last week's #GameOfThrones, the cinematographer had to fight off criticism that it was too dark and people couldn't see.
2. So this week he inserts an offending Starbucks cup into dark scene.
Felt like a failure today but then I saw that dozens of production and post-production crew failed to see that a Starbucks cup was left in a Game Of Thrones shot from their third to last episode ever & now I feel better.
Oops! That was a considerable blooper, that’s for sure. Perhaps this was all part of a strange tie in deal with Starbucks! After all, who wouldn’t want to have a Starbucks cup that says this on it?
It is always hilariously baffling when things like this happen, considering Game of Thrones’s massive production costs. Still, it provided many great laughs and memes from the fanbase. Did you catch the Starbucks mug in all its glory in this episode? What was your reaction to it? Let us know in the comments!
It’s Thirsty Thursday, and Bookstr is bringing you Booze & Books, our newest weekly feature dedicated to drinking games and booze-book pairings. Since this week is in honor of the Game of Thrones TV show, we’ve got one major recommendation: a shitload of booze. This post is dark and full of spoilers, so don’t continue if you haven’t gotten a chance to endure episode 3. The battle’s lighting may be dim, but don’t worry: we’re about to get LIT.
Gif Via Hello Giggles
Listen, sometimes you have to just drink and know things. For instance, you KNOW that at least one of your faves is going to die by the end of Season 8… if they haven’t already. (Pour one out for Lyanna Mormont.) And you KNOW that, if you drink for every on-screen death, you’ll be as dead as George R. R. Martin’s characters. So, let’s stick with the following rules and show a tad more temperance than Cersei, shall we? Read up & drink up, keeping in mind that many of these rules are based upon popular online theories of things that could happen to our protagonists (let’s not call them all heroes). By the end of this list, these pages won’t be the only thing turnt.
Remember: drink responsibly and read voraciously!
Gif Via Giphy
TAKE A DRINK IF…
There is further tension between Dany and Sansa
Dany wins the majority of the credit for defeating the Night King (as it appears in the episode 4 trailer)
Jon and Dany are incredibly awkward around each other…
The latest episode of Game of Thrones was hyped beyond belief. “The Battle for Winterfell” was possibly the most anticipated episode of the season, showcasing the war between the united characters of Westeros (sans Cersei) vs. the White Walkers in what was thought to be a bloodbath of epic proportions, on par with the Red Wedding. But when the episode came roaring onto screens last night, it had some noticeable issues that, in this author’s opinion, prevented it from reaching the heights of true greatness. We’ll delve more deeply into SPOILERS in this review of “The Long Night” but before we do, here’s your chance to turn back now in case you haven’t seen the episode.
So, turn back now! Last warning?
Alright, still here. Then let’s take a look at what worked and what didn’t in last night’s epic battle.
The opening moments of the battle start off grinding out the tension. The defenders of Winterfell stand assembled. Grey Worm stands before the gates, standing stalwart with his fellow Unsullied. Jamie Lannister, Brienne of Tarth, Podrick Payne, Tormund Giantsbane, Samwell Tarly, Sandor Clegane, Beric Dondarrion, Jorah Mormont, Davos Seaworth, Ghost, and Lyanna Mormont stand among their ranks. Arya and Sansa Stark stand tall on the walls. Tyrion Lannister and Gilly hide underneath Winterfell in the crypts with the common citizens. The dragons circle overhead. Jon Snow and Daenerys Targaryen finally stand side by side on the highest point of the keep, staring ahead into the darkness beyond. Its so quiet you can hear a pin drop as the tension is ratcheted up beyond belief, as the characters stare off from the sanctuary of Winterfell, unable to see into the darkness beyond, waiting…waiting…for something to happen.
Melisandre arrives presently (nice to see you again!) and although Davos doesn’t trust her, he allows her inside. Melisandre gifts the soldiers of Winterfell with the blessing of the Lord of Light, making their swords alight with flame similar to Beric’s own. The army then charges off to meet the army of the dead and flaming cannonballs are fired off. They strike something ahead, engulfing the battlefield with pockets of light…showcasing a HUGE tide of wights coming out of the darkness. What follows next is one of the episode’s brilliant moments, as the POV switches back to Winterfell, with the sea of torches visible in the distance. One by one, with no sound, the torches go out. The terror at this situation is boldly felt and captures the horror of the White Walkers without them even being seen. A great artistic choice, well done!
Image via Vox
But that’s when the episode takes a sharp left turn towards incomprehensibility. As the wights swarm Winterfell en masse, the defenders rush out to meet them. What should be a great/terrifying action scene is unfortunately marred by one fact: you can’t see what’s happening! Between the very dark lighting, the fast paced editing, and the chaotic style of the melee itself, the action is downright incomprehensible. You can’t see what’s happening onscreen, which is problematic to follow the characters who are in real mortal peril fighting for their lives against the surge of the undead. This is a problem that pervades throughout the entire episode and unfortunately, one that brings it down considerably. Its almost impossible to tell what’s happening onscreen throughout the battle through much of its runtime and considering the sheer scale of the battle itself, this is a huge problem. We want to see what’s happening! We want to see who lives and dies! But whether through design or error, you simply can’t throughout ‘The Long Night’.
Some of these moments were obviously intentional, such as when the Night King arrives and his Walkers conjure an enormous blizzard to blind the dragons as Jon and Daenerys pursue him. This scene captures the frantic pursuit very well, being very hard to see as the dragons race around desperately through the blizzard, getting attacked at points by the Night King atop his zombie dragon and only providing brief moments of relief as the two exit the blizzard. But at other points, you simply can’t tell what’s going on, such as when Grey Worm and the Unsullied defend the gate, Jamie and Brienne fighting desperately on the walls against the endless tide, or when Arya is sneaking around inside Winterfell, trying to avoid lurking wights. The episode is unfortunately undercut by the fact that we can’t see any of it.
You could argue it is a stylistic choice in order to capture the chaotic pace of medieval warfare. However, previous episodes such as “Battle of the Bastards” embrace this as well and they weren’t nearly as visually hard to follow. You can blend the chaotic style of medieval warfare with comprehensible cinematography without an issue, as previously shown, but this episode just couldn’t do it for whatever reason.
Still, this episode was full of cool moments when we could see them. Lyanna Mormont’s death scene was a tearjerking highlight, as she faces down an undead giant that smashes its way through the gates. The monster begins butchering soldiers and slaps the little girl aside. But Lyanna gets right back up and with a scream of a warrior, charges back in towards the towering monster. The giant grabs her and begins crushing her but Lyanna, with her last breath, stabs the beast with a dragon glass dagger, killing the giant at the cost of her own life. RIP, Lyanna, you went out like a boss!
Other great moments included Sansa and Tyrion’s heart-to-heart scenes in the crypts as the battle raged overhead, bringing their relationship closer as they spoke of how they were nearly married, the dragon fight as Jon Snow took on the Night King’s undead mount in a midair duel to the death, and Jon Snow attempting to kill the Night King himself only to be stopped by a wall of zombies that the Night King raises from the corpses of the battlefield. The last stand of Theon Greyjoy was also a great moment of the character, as Theon faced down dozens of wights to defend Bran, getting a solemn thank you from Bran as his former brother told him he was a good man. Theon then ran at the Night King himself, only to be gutted and died. A great ending of the character and another badass exit.
Still, despite what viewers thought would be a bloodbath of an episode, there really weren’t that many ‘big’ deaths. Theon Greyjoy, of course, has been a pivotal part of the show but his importance has waned with time and he was much more of a side character in the lead up to his demise. Lyanna Mormont’s death of course was heartbreaking, but she was never a main cast member, just a member of the supporting cast to whom viewers grew attached (for good reason). Beric Dondarrion also perished but his status as a cast member is quite similar to Lyanna. Melisandre walked her last at the episode’s end but she too had been dwindling in importance and the fact that was the first time she showed up in a long while undermined her death scene, as it appeared she appeared out of the blue simply to die. Arguably the ‘biggest’ death was Jorah Mormont, who died defending Daenerys from endless waves of zombies, but even he wasn’t a main cast member either. Everyone who was on the A-list came away relatively scott-free, without even any serious injuries to show for it. Even characters who arguably should have died— i.e: Sansa and Tyrion trapped in the crypts with the undead, Samwell buried in an avalanche of wights, and Jamie and Brienne overrun by wights— survived. Honestly, it’s a little disappointing that not a single main cast member perished, especially considering Game of Thrones’s reputation of killing anyone, everyone, no matter who they are. Perhaps we overhyped ourselves but still…its disappointing nonetheless.
Of course, the most controversial moment will be the death of the Night King himself. The big guy perished at the hands of Arya, who shanks him with her dagger, causing the Night King to quite suddenly explode, with his entire army of zombies falling apart with his death. It is a sudden, jarring moment, perhaps somewhat anti-climatic, but one that feels more in line with the show’s desire to subvert audience expectations. One hopes we’ll learn a bit more about the White Walkers now that they’re gone, as the Night King and his troops never showed their motivations nor any real personality traits. They were just evil and while that certainly made them threatening, it would be a disappointment if they didn’t have much else going for them.
It seems now Cersei will become the threat for the reminder of the season. We’ll have to wait to see what happens but it be a bit sour to have the supposedly main threat offed and a smaller, more petty threat take his place. Still, we’re sure the showrunners have something up their sleeves.
The Battle for Winterfell proved to be a rather mixed bag. With the lighting issues, lack of character deaths, and the death of the Night King sorted in with a truly epic scale and great moments this one isn’t bad but perhaps fell short of true greatness. We can only hope Cersei proves herself to be just as a threat as the Night King’s forces but we’ll have to see.