New Delhi became India’s capital 89 years ago today, so here are five books, some from my own TBR, by Indian authors and set in India. Sorry there aren’t 89. Maybe next year.
The Devourers – Indra Das
Spanning India and its history, this story tells of a race of people reminiscent of werewolves. Don’t take any lore for granted though, because the Devourers are a race all their own, and you, like the main character, might find yourself taking risks for the chance to learn this story’s end.
From my own TBR.
The Liar’s Weave – Tashan Mehta
Zahan is born without a future. This is kind of a problem. It’s more of a problem when he discovers what this means – that any lies he tells can become reality. Every power has a price, and the more lies he tells, the more acute the danger.
The Simoquin Prophecies – Samit Basu
Both a play on and a send up of classic fantasy, read this if you love that vibe but don’t mind sincere irony, or some Monty Python vibes counterbalancing the dyed in the wood fantasy elements. Sure, there’s a prophecy, but that doesn’t mean the book has to be predictable.
The Palace of Illusions – Chitra Banerjee Divakaruni
Following a heroine of the Mahabharata, this is so much more than a retelling. Marriage, magic, war, and fate, appreciate the classic epic through a new lens and learn that navigating love, fate, and the will of the gods is never simple.
From my TBR
Two Years Eight Months and Twenty-Eight Nights
A story about the descendants of the jinn and the unraveling of reason, Salman Rushdie can always be trusted to write something extraordinary – drawing here from mythology and the modern day both. Wasn’t on my TBR, but it is now.
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Today marks the first day of Navratri! Navratri is a Hindu festival that runs its course over nine nights and ten days, and is a celebration of the divine feminine. The festival centers around the goddess Durga, a fierce figure who rides atop a tiger and is known for defeating Mahishasura, a buffalo demon, in battle. The legend that corresponds to the holiday is that of Durga defeating Mahishasura and restoring order to the world.
As with all holidays, Navratri is rooted in a deep literary tradition, and so in honor of this day, here are a few works of literature that correspond to the festival’s celebration of Durga and feminine power:
Goddess Durga and Sacred Female Power is an exploration of the many faces of the Goddess Durga in ancient and contemporary culture. This book takes us on a pilgrimage to goddess temples and natural shrines, to visit shamans and living goddesses in the Kathmandu Valley of Nepal, and to India for the annual ten-day Durga Festival. The mythology, rituals, philosophy, and spiritual practices of this distinctly female-centered and millennia-old tradition of Durga offer an alternative model of female potential and empowerment, focusing on peace, healing, spiritual liberation, and realization of inherent divinity.
The city is abuzz with fanfare and fervour,
Giant idols under wraps, ready to be unfurled,
Colourful pandaals receive finishing touches
To host the biggest outdoor festival in the world!
“The real motivation for writing the ‘Amma Tell Me’ series was to share with my sons the fascinating stories from Indian mythology that I had grown up with,” says Bhakti. “But, I found that there were no resources that were simple to understand and that captured the rich imagery of mythological India that is such an integral part of these stories for me. So I went ahead and started writing the stories in a style that I think kids find fun and non-preachy and collaborated on the illustrations to bring out the imagery that I want my stories to convey.”
The wisdom of the Mahavidyas, the ten wisdom goddesses who represent the interconnected darkness and light within all of us, has been steeped in esoteric and mystical descriptions that made them seem irrelevant to ordinary life. But with this book, written by a respected cardiologist who found herself on a spiritual search for the highest truth, you’re invited to explore this ancient knowledge and learn how it can be applied to daily struggles and triumphs—and how it can help you find unreserved self-love and acceptance.
The pursuit of contentment is an innate part of the human experience, arising from a fundamental sense of lack or inadequacy—all the things we believe to be wrong with us when we compare or judge ourselves. In our search for peace and happiness, we may find ourselves fighting the shadows within us, trying to repress or disown certain qualities, especially our anger, violence, discomfort, craving, and disappointment. But in order to stop this fight, we must expand our understanding beyond the dualities of good versus bad, right versus wrong, and beautiful versus ugly, and accept the parts of ourselves we’ve tried to deny.
Too Much and Not the Mood is a beautiful and surprising exploration of what it means to be a first-generation, creative young woman working today. On April 11, 1931, Virginia Woolf ended her entry in A Writer’s Diary with the words “too much and not the mood” to describe her frustration with placating her readers, what she described as the “cramming in and the cutting out.” She wondered if she had anything at all that was truly worth saying.
The attitude of that sentiment inspired Durga Chew-Bose to gather own writing in this lyrical collection of poetic essays that examine personhood and artistic growth. Drawing inspiration from a diverse group of incisive and inquiring female authors, Chew-Bose captures the inner restlessness that keeps her always on the brink of creative expression.
The Ministry of Utmost Happiness takes us on an intimate journey of many years across the Indian subcontinent—from the cramped neighborhoods of Old Delhi and the roads of the new city to the mountains and valleys of Kashmir and beyond, where war is peace and peace is war.
It is an aching love story and a decisive remonstration, a story told in a whisper, in a shout, through unsentimental tears and sometimes with a bitter laugh. Each of its characters is indelibly, tenderly rendered. Its heroes are people who have been broken by the world they live in and then rescued, patched together by acts of love—and by hope.
The tale begins with Anjum—who used to be Aftab—unrolling a threadbare Persian carpet in a city graveyard she calls home. We encounter the odd, unforgettable Tilo and the men who loved her—including Musa, sweetheart and ex-sweetheart, lover and ex-lover; their fates are as entwined as their arms used to be and always will be. We meet Tilo’s landlord, a former suitor, now an intelligence officer posted to Kabul. And then we meet the two Miss Jebeens: the first a child born in Srinagar and buried in its overcrowded Martyrs’ Graveyard; the second found at midnight, abandoned on a concrete sidewalk in the heart of New Delhi.
Featured Image Via Adage India. Synopses via Amazon