The Guardian reports that NASA has renamed the street in front of its headquarters “Hidden Figures Way,” after the acclaimed book by Margot Lee Shetterly and its 2016 Academy Award-nominated adaptation.
The designation honors African American mathematicians Katherine Johnson, Dorothy Vaughan, and Mary Jackson, the featured icons in Hidden Figures who combated racial segregation to contribute to NASA’s earliest moon landing missions.
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Their efforts collectively spanned decades throughout World War II, the Cold War, Civil Rights Movement, and the Space Race, but opened the door for women of future generations.
Author Margot Lee Shetterly and Senator Ted Cruz joined the members of the celebrated women’s families, along with other NASA administrators who unveiled the street sign at the ceremony.
Cruz, whose mother was a mathematician at the Smithsonian Institution in the 1950s, explained:
The extraordinary achievements of Katherine Johnson, Dorothy Vaughan, Mary Jackson and Dr. Christine Darden, who’s with us today, prior to the book and the movie had not been told. Very few people knew those stories, and yet those are stories that can and do inspire and we should be telling stories like that a lot more often.
All of this is a roundabout way of talking about World War Z even though there’s no reason to. And why shouldn’t I talk about that book? It’s awesome. Made of interviews and testimonies, the novel FEELS real. What to know what a solider felt during the zombie Apocalypse? There’s a passage (and in this audiobook, those sections are narrated by Mark Hamill). What to know what the President felt? Israel? Russia? Cuba? The fickin’ pope!
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It’s a great novel, and it’s astounding why the heck the film adaptation was such garbage. Why wasn’t this a Netflix series? Who looked at this book and went ‘this could be a great two-hour plus movie’!
Well, the problem lies in the fact that the film adaptation rights were picked up before the novel was completed, probably because the title is cool (which it admittedly is).
In light of that fact, here are five others novels that had their film rights snatched before they hit shelves!
The novel started as a short story inspired by the 2009 shooting of Oscar Grant, but even her professor knew that Angie Thomas was secretly writing a novel. After graduation, Thomas put the novel down because it was emotionally taxing, however:
When you hear politicians and others on television basically blaming somebody for their own death, when you see Trayvon Martin being put on trial more so than George Zimmerman, when you see Michael Brown being put on trial more so than the gentleman that killed him, you’re seeing Tamir Rice, a 12-year-old child being blamed for his own death … you get angry and frustrated and hurt. And the only thing I knew how to do was write.
Come 2015, Thomas reached out to literary agent Brooks Sherman on Twitter in June 2015 to ask if anyone might be interested in this narrative about a girl’s whose best friend is shot and killed by the police.
February 2016, Harper Collins’ imprint Balzer + Bray outbid thirteen publishing houses and got the rights to the novel. Since everyone hates auctions, Harper Collins sighed a two-book deal with Thomas.
Hidden Figures is about three African-American women who worked as ‘human computers’ to solve problems for NASA from the 1930s to the 1960s because calling them ‘women’ was considered an insult.
So Shetterly is writing this novel. In fact, she’s polishing the final draft when the film rights were sold to William Morrow in early 2014.
Come July 9th 2015, producer Donna Gigliotti had already acquired Margot Lee Shetterly’s nonfiction book, Allison Schroeder wrote the script (so the book must have been completed at this point although it wouldn’t be released until September 6th 2016), and Theodore Melfi was signed on to direct.
For better or for worse, there is history, there is the book and then there’s the movie. Timelines had to be conflated and [there were] composite characters, and for most people [who have seen the movie] have already taken that as the literal fact. … You might get the indication in the movie that these were the only people doing those jobs, when in reality we know they worked in teams, and those teams had other teams. There were sections, branches, divisions, and they all went up to a director. There were so many people required to make this happen. … It would be great for people to understand that there were so many more people. Even though Katherine Johnson, in this role, was a hero, there were so many others that were required to do other kinds of tests and checks to make [Glenn’s] mission come to fruition. But I understand you can’t make a movie with 300 characters. It is simply not possible.
Where would this list be without Jaws? Peter Benchley’s debut novel with a weird title not only its film rights snatched before the book was written, but the filmmakers might be responsible for the book being a hit in the first place.
Let’s back up. I already wrote an article (link here) how Peter Benchley was in the middle of writing the book when film producers Richard Zanuck and David Brown read the novel before it was even published thanks to buddies on the inside.
Long story short, Zanuck and Brown bought the film rights, got newbie Steven Spielberg on board, and were already in pre-production when the novel hit shelves.
Image Via Cinablend
Back to why filmmakers might be responsible for the book being a hit in the first place. John Baxter, in his biography of Steven Spielberg, claims that the novel’s entry on California best-seller list was the result of Spielberg and the producers buying hundreds of copies of the novel to send to the press.
Peter Benchley disputes this. In his autobiography Benchley argues that the novel did exceptionally well in other parts of the country, noting that it was a New York Times bestseller for forty-four weeks, second only to Watership Down.
In 1975, a year after the novel was published, the film was released. It did well—so well that it’s responsible for creating the ‘summer blockbuster’.
Garth Risk Hallberg is known for many things. He wrote city on fire, he has the best middle name in the business, he wrote City on Fire, he got a $2 million advance for City on Fire.
City on Fire is about how there was a shooting in Central Park that happened right on New Year’s Eve during the 1970s. In case you’re wondering, it’s fiction. I too was disappointed to learn this.
It’s an authors dream: Have a film producer snatch the film rights for your story, get a publishing house to buy your manuscript for $2 million, have the novel get released, have the film never get made.
Image Via Entertainment Weekly
Hollywood Reporter wrote that “Rudin and his camp read the book overnight and the producer, known for his literary tastes, used his discretionary fund to option it”. This is probably what caused Knof to write Hallberg such a blood big check.
Upon release Kirkus Reviews called it “very-damn-good American novel”. Other were much more unkind. The Guardian wrote “[t]here is prose in City on Fire as transporting as any you’re likely to see in a book in the next 10 years” and said the characters are “uncannily alike”, Publisher’s Weekly wrote, “Readers wishing to wallow in cultural trivia will find much to savor in Hallberg’s all-encompassing, occasionally overwritten effort, but others will be left to wonder how so much energy could generate so little light”, and the New York Post called the novel a “steaming pile of literary dung” and noted that “[t]he book-buying public isn’t so easily swindled: “City on Fire” lingers at No. 825 on the Amazon sales charts. It can’t even make it up the literary-fiction list, where it’s marooned at No. 134.”
As for the film adaptation? It doesn’t exist…
City on Fire might not be a great book (i’d say based on the reviews it’s probably very mixed), but a film adaption could have given it more of a spotlight.
Sadly, World War Z is a great book but doesn’t have a great film adaptation. Maybe that’s a good thing, it means the book can stand on its own, but that fact makes me feel like crap. Can we get a limited series based on this written word masterpiece? Or, at the very least, can you tell me film adaptation whose rights were snatched before the book shelves that was worse than World War Z.
Hint: You can’t. Don’t believe me? Go and read World War Z.
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