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Celebrating the Anniversary of Jane Austen’s “Emma”

On December 25th, 1815, Jane Austen’s novel Emma was published at the author’s own financial expense in London, England. Austen retained the copyright and paid a 10 percent commission to publisher John Murray II Publishing House. In America, the book was $4 a copy. It received mixed reviews at first, but as time passed it gained more popularity until everyone came to love the heroine, Emma Woodhouse. This must have been a surprise to Jane Austen, who had previously stated she was creating a character “whom no one but myself will much like.”

Image result for emma first edition
image via The Daily Mail

Perhaps Jane Austen said this because she was creating a character who declared herself entirely self-sufficient? Would never marry? To summarize, Emma focuses on a wealthy young woman of a country town in England called Highbury. She is surrounded by friends and family – she’s quite the socialite – and makes it her business to meddle in the affairs of others by matchmaking. That is only the most general plot summary; Austen does so much more within the novel.

 

According to an article by Louise Flavin at JASNA, Austen pioneered a new kind of writing technique or style called ‘free indirect discourse’ whereby she wrote in the third person but merged it with the fictional character’s habits of thought, so a sentence becomes both distant and personal: “she [Harriet] was a very pretty girl, and her beauty happened to be of a sort which Emma particularly admired… Emma was as much pleased with her manners as her person, and quite determined to continue the acquaintance.” As you can see the narrator of the sentence is also the prime fictional character, so the reader is able to see through Emma’s eyes and thus stay within Emma’s mindset where everything is a surprise while the prose is able to maintain third person distance. We call this close third person now. This excerpt also establishes the major theme of the novel, which is the weakness/failure of human judgment (primarily Emma’s).

image via wikipedia

Emma was the first Austen heroine who had financial independence. In Emma’s eyes, she has no need to marry. She is born with an authority all of the other Austen heroines lack. The town of Highbury is also portrayed as a female-dominated world. Still, Emma suffers mishaps and learns lessons; Mr. Knightley, despite Emma’s autonomous personality, is often softly criticizing her for her mistakes. Emma exhibits distorted logic in trying to marry off a friend, Harriet Smith, to someone above Harriet’s class, and who is mutually disinterested in Harriet, while finding no redeeming value in Harriet’s true love Robert Martin, who actually thinks as highly of Harriet as Emma does. It’s clear Emma needs to be set straight. In the end, Emma comes to realize money (or lack thereof) doesn’t make (or unmake) the man, and that it isn’t her business to matchmake when she doesn’t even know the terrain of her own heart; she realizes it’s Mr. Knightley, landed gentleman of Donwell Abbey, whom she’s loved all this time. Mr. Knightley wakes up to the realization of his own love for Emma, too. They marry and he moves into her estate where she lives with her father. What we witness is Emma’s evolution and slow humbling into a happier, more peaceful unity within and with others.

Despite Emma’s initial flaws, her character is highly intelligent and she repeats some of the wittiest lines of all of Austen’s characters. It’s hilariously true when she says:

“It may be possible to do without dancing entirely. Instances have been known of young people passing many, many months successively, without being at any ball of any description, and no material injury accrue either to body or mind.”

(Agreed.)

Or how about when she says, “seldom, very seldom, does complete truth belong to any human disclosure; seldom can it happen that something is not a little disguised, or a little mistaken.”

 

Virginia Woolf called Jane Austen, “mistress of much deeper emotion than appears on the surface.” Most critics agree Emma was Austen’s real tour de force, where her writing was at its strongest and where she exhibited forceful technique, with a subtle feminist subtext written within, and well-developed characters, namely Emma herself. Scottish novelist Margaret Oliphant called it “the work of her mature mind.”

Image result for emma 1996
image via pinterest

There have been many TV and big screen adaptations spanning the decades from 1948 to 2009. In 1995, the popular film, Clueless,” with Alicia Silverstone as the Emma-inspired Cher, hit theatres as a loose take on the book. It was set in Beverly Hills and contained many of the same plot points, themes, and was noted for its humor and originality. In 1996, a more true-to-the-novel adaptation came out with Gwyneth Paltrow as Emma, and in 2010, a Bollywood version called “Aisha” premiered to dismal reviews. There also was a web series called, “Emma Approved” which originally aired on Youtube in 2013 that stopped then started up again in 2018, based on the book. It seems, however, that nothing as of yet has come out and done justice to the novel that was to be the last one published by Jane Austen while she was still alive, though we hear news of a new adaptation starring Anna-Taylor Joy along with Bill Nighy as the father coming out in February 2020. We’ll see how it does!

In any case, happy anniversary, Emma. You only get better with age.

 

 

Featured Image via Indiewire 

 


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Don’t Be A Bonehead, ‘Clueless’ Is Back

It has been announced that another Clueless reboot will grace our presence. Paramount Studios is planning another film and be more modern as it is set in 2020.

 

Image via The Times

 

As we know the original movie had ties to the Jane Austen novel, EmmaBut the reboot will more focused on Cher’s bestie, Dionne. There is also talks of another Clueless television series

I have hope for these reboots but of course I am skeptical. Paramount aired the reboot  ‘Heathers’ and needless to say, it did not go well. Much like ‘Heathers, Clueless is a product of its time. Clueless  is the definition of the nineties and it will be difficult to translate. The more modern the filmmakers make it the better.  Both Heathers and Clueless draws fine lines when it comes to humor and cheesiness and it strikes a good balance.

 

 

Let’s hope they can reach the same balance in the new reboots.

 

Featured Image Via Mental Floss