Don’t worry, this will be the only Stephen King adaptation on this list. There’s an ocean full of adaptations to choose from but we picked this adaptation because of its heart, its scares, and its optimistic light.
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Plus, it’s a close adaptation to the book (unlike Kubrick’s brilliant but unfaithful version of The Shining) that manages to capture both the scares and the comedic self-aware tone that King is most known for, although it does forgo some of the stranger elements.
In 1971 William Blatty brought us The Exorcist. The book goes through horrifying and skin-crawling descriptions of the demonic possession of eleven-year-old Regan MacNeil.
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While Regan herself is fictional, the book is inspired by a terrifying case in 1949 of reported demonic possession and exorcism that Blatty heard about while he was a student in the class of 1950 at Georgetown University.
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Two years later the iconic film adaptation hit the silver screens, sending audiences everywhere in a fright. While the film plays fast-and-loose with some of the details, as well as adding its odd terrifying touch, Blatty himself was the screenwriter and producer, marking this adaptation as one of the closest to the original novel.
A sequel to the disturbing police procedure with stunning descriptions, The Silence of the Lambs follows Clarice Starling, who must speak to a confined serial killer in order to track down another serial killer. Skin crawling in more ways than one, this novel shoots through twists and turns and shows that even a confined killer can be deadly.
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Top it off with a film adaptation that won all the Academy Awards in the top five categories: Best Picture, Best Director, Best Actor, Best Actress, and Best Adapted Screenplay (the third film in the history of the Oscars to do so) the characters of Hannibal Lecter and Agent Starling have become cemented into the public consciousness.
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It’s horrifying, its disturbing, its uplifting, it’s everything you want in a horror film and its a masterclass in adaptation.
Possibly the scariest incarnation of the Dracula story, the 1958 movie departs from the source material only when it wishes to elevate it. At the time, Bram Stoker’s story was horrifying and shocking to readers everywhere. However, sensibilities have changed and the novel was considered tame.
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In an effort to strike fear back into the hearts of anyone who heard the name of “Dracula”, the movie displayed the brutal nature of Dracula for the first time in all his onscreen glory. A true movie monster, this adaptation proved to be the scariest depiction Dracula and has kept that title ever since.
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Plus, Christopher “His mother was a Countess and he was a real-life spy” Lee portrayed Dracula, he was basically a vampire incarnate.
Did you know this was based on a book? Most people don’t, and they should because the book is just as enticing and awe-inspiring and downright horrifying as its film adaptation.
John W Campell, Jr’s 1938 novella Who Goes There? follows a group of scientific researches isolated in Antarctica who discover an alien spaceship buried inside the ice. They encounter what can only be described as a “thing”—a shape-shifter that takes on the personality of any living thing it devours.
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The novella made such an impact that it spawned two movie adaptations, one in 1951 titled Thing from Another World and one in 1982 simply titled The Thing. While Thing from Another World is a great movie on its own, the 1982 became a cult classic and later a mainstream classic thanks due to its memorable characters and its horrifying images.
Warning! Watching this film will make you questions everything, and everyone, around you. Could the Thing be lurking behind you? Is it your loving dog or your cute cat? Or is it your best friend?
David Pinner’s 1967 novel was praised for its “opulent dialogue” but was given a warning because “it is quite likely to test your dreams of leaving the city for a shady nook by a babbling brook”.
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While the remake has its moments (not the bees!), the original 1973 starring many a cast, including Christopher Lee, entices us with this seemingly perfect cult with dark undertones. With themes of religiosity and faith, this film will reach down to your core and make you question everything you believe.
This is a horror novel. The bright colors might throw you off, but a humanoid cat breaks into the home of two innocent children and proceeds to have ‘fun’ with them through various chaotic games of growing insanity. Yes, the children take the whole thing in strides, but I think this is because they know that resistance is futile against this feline furry.
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This is what the live action film understood perfectly well about the character. It might be overly longer, but like the novel its horrifying how much they have FUN FUN FUN.
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I’m going to see that phrase smeared in blood when I get home, won’t I?
? Do you think I’d ever let you go? Do you think I’d ever set you free? ?
Apparently not, because “the sorry tale of Edward Hyde” is coming to theaters.
*Little girl squeals*
Not so fast, squealing little boy (and girls!). They aren’t simply filming the stage musical of Jekyll & Hyde, they are going to adapt it into a full fledged motion picture film (READ ALL ABOUT THE MAGIC HERE). In honor of that Godsend, we’re going to go through eleven of the oldest, strangest, and weirdest adaptions of the classic story!
The play went on tour in Britain and ran for twenty years with Mansfield enthusiastically playing the role of Mr. Hyde until his death in 1907. The plot was already being reworked here, as the play gives Jekyll a love interest, Agnes, who is the daughter of Sir Danvers Carew, a man who Mr. Hyde will eventually murder. The play also ends with Mr. Hyde realizing he CANNOT transform back into Jekyll to escape the authorities, and committing suicide instead of an off-scene struggle between him and Dr. Jekyll. This play was adapted into a 1912 film of the same name that starred James Cruze, which is the earliest surviving Jekyll and Hyde film we still have copies of.
Add a marriage plot
Make the transformation scenes cool to get the audience talking about your adaption.
Eight years after the James Cruze film, we have the 1920 film starring John Barrymore. Again, it’s based on the Mansfield play with its love story, what with Jekyll having a fiancee called Millicent this time (not Emma) while also using the advent of film to have Hyde’s appearance become increasingly repulsive with each transformation.
When the film came out reviewers, like title characters in the film, were ‘split’. Variety said “as a medium for Mr. Barrymore…As the handsome young Dr. Jekyll his natural beauty of form and feature stand him in good stead and he offers a marvelous depiction of beastiality in the transformed personality of ‘Mr. Hyde'” but called the story “ridiculous”.
See how adding a cool transformations gets people talking?
Before I move on, I should mention how since its release the film has however been reassessed and holds a critical consensus of 92% on Rotten Tomatoes with a average rating of 7.75/10.
When making the 1931 Dr. Jekyll and Mr. Hyde film, Paramount changed the name of fiancée Muriel Carew despite the fact she doesn’t appear in the original novella but instead in the Thomas Russell Sullivan and Richard Mansfield play. They asked John Barry to play the role again, but he was under contract by MGMT, so they instead went with Frederic March. Taking into account the novella’s implication that Hyde, as embodying repressed evil, is a semi-evolved simian-like being, the film stuffed canine fangs and had Frederic March dress up as a monkey. He won an Academy Award. The film also pronounces Jekyll as JEE-kal (as in seek, get in it? Hyde and seek?) which was how Robert Louis Stevenson intended it to be pronounced. It was remade in 1941 starring Spencer Tracy and that film pronounced Jekyll as Jek-el (the way you’ve been pronouncing it for this whole article).
So, the marriage stays but the names change and you get awards for great makeup.
Here’s a refresher:
Add a marriage plot
Make the transformation scenes cool to get the audience talking about your adaption
Add in a good script, good production, a good director, good acting, and you get an award. Where can we go next?
In 1953, Boris Karloff of Frankenstein fame played Dr. Jekyll in Abbott and Costello Meet Dr. Jekyll and Mr. Hyde. There is no fiancee here, but Jekyll is infatuated with a woman named Vicky who intends to marry another man called Bruce Adams. Costello also turns into a large mouse, there’s confusion about who is who, and ends with Abbott and Costello getting chased out of the office by a bunch of monsters.
No marriage plot
Boris Karloff as Dr. Jekyll/Mr. Hyde is cool
On Rotten Tomatoes, critic Steve Crum of Kansas City says “Bud and Lou meet another monster for infrequent laughs.
In 1971 came the British film, I, Monster. It stars Christopher Lee and Peter Cushing! Awesome. And it has a lot of Stevenson’s plot and dialogue and there’s no marriage plot and it has a 92% on Rotten Tomatoes with an average rating of 7.75/10.
Let me say that again: Christopher Lee is Mr. Hyde. He was also Dracula in the 1958 Hammer film. And you know who played Van Helsing in that movie? Peter Cushing.
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Also Christopher Lee was up to play Grand Moff Tarkin in the first Star wars (or the fourth, depending on how you look at it), but he said no so Peter Cushing took the role. And that’s why Christopher Lee played Count Dooku in Attack of the Clones, the fifth or second Star wars.
For some strange reason Dr. Jekyll/Mr. Hyde is now Dr. Charles Marlowe/Mr. Edward Blake but Peter Cushing is still called Utterson. Why? For some big reveal? Oh well. Dr. Charles Marlowe is a Freudian psychotherapist and honestly that with the whole ‘monster inside you’ concept.
No marriage plot
Christopher Lee and Peter Cushing for the win!
It won. So much so that you read this whole article asking yourself “Why is he calling Dr. Marlowe Dr. Jekyll? Dr. Jekyll? That’s a stupid name! And Mr. Hyde? That’s not scary! Now Mr. Blake, he’s scary!”
Of course there’s a “Dr. Jekyll meets Sherlock Holmes.” It’s a 1979 novel by Loren D. Estleman titled Dr. Jekyll and Mr. Holmesand is a ‘retelling’ of Stevenson’s story. See, Utterson hired Sherlock Holmes to figure out what the heck was going on. It’s basically a behind-the-scenes story that takes place concurrently with the original.
Of course, Sherlock figures out that Dr. Jekyll is Mr. Hyde and confronts him, but upon realizing Mr. Hyde will never die uses his brilliant intellect to find the best solution…and mercy kills Jekyll.
In the last chapter Holmes meets with…Robert Louis Stevenson! He must be having a weird time, flashbacking to the Chantrelle trial, but the novel leaves that out and the fact that no newspaper apparently ever reported on the Hyde case. Strange, you’d think a half ape-scientist would get headlines, but whatever. It’s a story, and it ends with Stevenson promising to leave Holmes out of his novella so no one ever learns he killed Jekyll because that would be messy.
Kirkus summed this story up with this: “Unfortunately, though Estleman does a better, deadpan job of recreating Conan Doyle’s Watson style than many, he forgets that, without mystery, there is no Holmes–and here, we know all along what Sherlock is trying to deduce.”
In 1989, a low budget horror film adaptation of the novella called Edge of Sanitycame out staring Anthony Perkins of Psycho fame stared as Jekyll and, wait for it, Mr. Jack “The Ripper” Hyde. It has no marriage plot, but again here’s perfect casting. What’s gonna happen?
TV Guide said the film “obviously isn’t meant to be taken seriously, despite its expensive production values and surrealistic photography—both surprisingly good. But the rest of EDGE OF SANITY (shot mostly in Budapest with some English exteriors) doesn’t measure up to its technical proficiency”. Good production values and photography only grants you one star, and thus Edge of Sanity got 1 out of 4 stars.
And that was one of the better reviews. “Tasteless, pointless, and unpleasant,” were what Leonard Martin, film credit, film historian, creator of the Walt Disney Treasures, called the film in his book Leonard Maltin’s 2010 Movie Guide.
The ‘who is Mr. Hyde?’ mystery doesn’t work. The audience knows who it is, so just show us Jekyll transforming into Hyde
It follows Hester Lane, a reporter from Canada, who discovers she’s Jekyll’s heir around the time someone continues with Jekyll’s experiments. Kirkus described the novel as having its “virtues come largely in looking at Victorian morals and the works of the Salvation Army, with the horror lightly handled,” which is interesting consider Jekyll’s butler Poole and Mr. Utterson given closure in the form of a bludgeoning.
Sequels are weird when your titular character is dead, just ask The Saw movies.
Gracing the stage came the musical adaptation of Jekyll and Hyde. Conceived by Frank Wildhorn and Steven Cuden, the musical actually premiered in Houston, Texas in 1990 at the Alley Theatre. It did okay.
Kidding! Playbill.com notes that “box office records were broken, and a recording based on the staging was released. The show’s big hits, ‘Someone Like You’ and ‘This is the Moment,’ were heard on that recording (which has sold more than 150,000 copies).
This remarkable success blasted the musical onto a national tour throughout a national tour of the United States before gracing Broadway in 1997.
A marriage plot
Music that adds insight into Dr. Jekyll/Mr. Hyde’s character
The story throws its own spin on a classic tale that allows it to sing through the ages.
It’s called The Strange Case of Dr. Jekyll and Mr. Hyde, and boy is it strange. Dread Central said in their review that, “while this latest variation of the Jekyll story isn’t likely to win over any enthusiasts of the book, it will probably satisfy the undiscerning fan looking for some blood and a few unintentional laughs.”
‘Why?’ I hear you asked.
With no marriage plot, the original plot with retained with a few changed. The first change is the film is set in modern times instead of Victorian England. Okay, at least it’s new.
In an effort to update the character, a character is made into a female and her profession is changed. Her name? Detective Karen Utterson.
Since I can’t ask the patrons at the thirty theaters in Louisiana and Virginia that showed this independent film studio’s debut feature, I have to assume they loved it as much as I did.