As I should hope you’re all aware by now; February is Black History Month. It’s an international celebration of African-American leaders and artists, and Audible have some top titles to mark the occasion. Abby, Audible editor, says that Audible has chosen to “highlight luminaries who’ve taken the lead in shaping change and movement”. With activism as a core subject, here’s what they’ve picked:
The team at Audible have chosen Michelle Obama’s Becoming as a staff favorite, alongside Such a Fun Age and The Skin I’m In. These were chosen for a myriad of very valid reasons, but one thing they share is the incredible authors of color at their helm. Why not take a listen yourself and see if you agree with their choices?
In telling important stories of African-American experience, it’s important to have an authentic voice. These titles are memoirs from leading speakers and visionaries of color, such as Staceyann Chin and Nelson Mandela. Plus, with such a wide range of titles, there’s something in there to interest everyone.
image via shariffa
Storytelling is an integral part of many different cultures, and in these titles, their authors have ingrained senses as storytellers. This is particularly noted for authors such as Zora Neale Hurston, who retains the vernacular speech in her novel Their Eyes Were Watching God. Having a story told in the voice that would have originally told it heightens the entire experience.
In activism, a political voice is always necessary. These titles “dive deep into the issues, both past and present”. There’s a wide range of diverse voices from Barack Obama to Stacey Abrams, most of which are narrated by the author themselves. Commemorations of Black History Month often take place in political spheres, too, making this section particularly necessary.
image via amazon
Some of their titles are free to Audible members for the month of February, like Malcolm and Me written and performed by Ishmael Reed, or Our Harlem written and performed by celebrity chef Marcus Samuelsson.
African American Athletes Who Made History, written and performed by Louis Moore
Great Figures of the Civil Rights Movement, written and performed by Hasan Kwame Jefferies
Not only are these great titles for the series, they are perfect for Black History Month.
Audible have tonnes more to offer from Children/YA literature, to author interviews and profiles. Check out their Black History Month portal here for all of their February content to mark the occasion.
Featured Image via amazon
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Book lovers and Obama supporters alike wait with anticipation every year to hear Barrack Obama’s book picks for that summer. Fortunately, you now have another round of books to choose from thanks to Michelle who has a few book recommendations of her own. Despite your ever-growing to-be-read pile, when Michelle Obama tells you to read a certain book, you listen!
Following the release of her own memoir, Becoming, Michelle reveals eight more must-reads in her “By the Book” interview, published on December 6, 2018 in the New York Times. Other titles come from an interview with Jenna Bush Hager and a memorial posted on Instagram for what would have been a Holocaust victim’s ninetieth birthday.
Before the major motion picture, Rachel was just a girl who liked to ride the train everyday to London and back. It’s definitely not because the train passes her ex-husband’s house or the because she can see the perfect couple she envies so who live a few houses down. Definitely not.
Though it’s almost the end of Summer (thanks, Obama), it’s never too late to settle into a hammock with a good book!
This week, the former president posted a list of books he’s been reading this summer. Obama often releases lists of the books, music, and movies he’s enjoyed and wants to share with his large following. Personally, I think he has great taste, but at the very least it’s always interesting to have a little peak into the mind of a political figure.
If you’d like to see the post you can click here, but below is the caption and all the books listed!
It’s August, so I wanted to let you know about a few books I’ve been reading this summer, in case you’re looking for some suggestions. To start, you can’t go wrong by reading or re-reading the collected works of Toni Morrison. Beloved, Song of Solomon, The Bluest Eye, Sula, everything else – they’re transcendent, all of them. You’ll be glad you read them. And while I’m at it, here are a few more titles you might want to explore.
Here are a few links and Amazon descriptions to make perusing these books a little easier! And if you’d like to read more about Obama’s love for the late Toni Morrison, you can do so here.
As the Civil Rights movement begins to reach the black enclave of Frenchtown in segregated Tallahassee, Elwood Curtis takes the words of Dr. Martin Luther King to heart: He is ‘as good as anyone.’ Abandoned by his parents, but kept on the straight and narrow by his grandmother, Elwood is about to enroll in the local black college. But for a black boy in the Jim Crow South of the early 1960s, one innocent mistake is enough to destroy the future. Elwood is sentenced to a juvenile reformatory called the Nickel Academy, whose mission statement says it provides ‘physical, intellectual and moral training’ so the delinquent boys in their charge can become ‘honorable and honest men.’
In reality, the Nickel Academy is a grotesque chamber of horrors where the sadistic staff beats and sexually abuses the students, corrupt officials and locals steal food and supplies, and any boy who resists is likely to disappear ‘out back.’ Stunned to find himself in such a vicious environment, Elwood tries to hold onto Dr. King’s ringing assertion ‘Throw us in jail and we will still love you.’ His friend Turner thinks Elwood is worse than naive, that the world is crooked, and that the only way to survive is to scheme and avoid trouble.
The tension between Elwood’s ideals and Turner’s skepticism leads to a decision whose repercussions will echo down the decades. Formed in the crucible of the evils Jim Crow wrought, the boys’ fates will be determined by what they endured at the Nickel Academy.
Based on the real story of a reform school in Florida that operated for one hundred and eleven years and warped the lives of thousands of children, The Nickel Boys is a devastating, driven narrative that showcases a great American novelist writing at the height of his powers.
In these nine stunningly original, provocative, and poignant stories, Ted Chiang tackles some of humanity’s oldest questions along with new quandaries only he could imagine.
In The Merchant and the Alchemist’s Gate, a portal through time forces a fabric seller in ancient Baghdad to grapple with past mistakes and second chances. In Exhalation, an alien scientist makes a shocking discovery with ramifications that are literally universal. In Anxiety Is the Dizziness of Freedom, the ability to glimpse into alternate universes necessitates a radically new examination of the concepts of choice and free will.
Including stories being published for the first time as well as some of his rare and classic uncollected work, Exhalation is Ted Chiang at his best: profound, sympathetic—revelatory.
England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years and marry Anne Boleyn. The pope and most of Europe opposes him. Into this impasse steps Thomas Cromwell: a wholly original man, a charmer and a bully, both idealist and opportunist, astute in reading people, and implacable in his ambition. But Henry is volatile; one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph?
Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone. Here are lovesick doctors, students, ex-boyfriends, actors, bartenders, and even Kafka’s Gregor Samsa, brought together to tell stories that speak to us all. In Men Without Women Murakami has crafted another contemporary classic, marked by the same wry humor and pathos that have defined his entire body of work.
It’s 1986, the heart of the Cold War, and Marie Mitchell is an intelligence officer with the FBI. She’s brilliant, but she’s also a young black woman working in an old boys’ club. Her career has stalled out, she’s overlooked for every high-profile squad, and her days are filled with monotonous paperwork. So when she’s given the opportunity to join a shadowy task force aimed at undermining Thomas Sankara, the charismatic revolutionary president of Burkina Faso whose Communist ideology has made him a target for American intervention, she says yes. Yes, even though she secretly admires the work Sankara is doing for his country. Yes, even though she is still grieving the mysterious death of her sister, whose example led Marie to this career path in the first place. Yes, even though a furious part of her suspects she’s being offered the job because of her appearance and not her talent.
In the year that follows, Marie will observe Sankara, seduce him, and ultimately have a hand in the coup that will bring him down. But doing so will change everything she believes about what it means to be a spy, a lover, a sister, and a good American.
Inspired by true events—Thomas Sankara is known as ‘Africa’s Che Guevara’—American Spy knits together a gripping spy thriller, a heartbreaking family drama, and a passionate romance. This is a face of the Cold War you’ve never seen before, and it introduces a powerful new literary voice.
‘Is Google making us stupid?’ When Nicholas Carr posed that question, in a celebrated Atlantic Monthly cover story, he tapped into a well of anxiety about how the Internet is changing us. He also crystallized one of the most important debates of our time: As we enjoy the Net’s bounties, are we sacrificing our ability to read and think deeply?
Now, Carr expands his argument into the most compelling exploration of the Internet’s intellectual and cultural consequences yet published. As he describes how human thought has been shaped through the centuries by ‘tools of the mind’―from the alphabet to maps, to the printing press, the clock, and the computer―Carr interweaves a fascinating account of recent discoveries in neuroscience by such pioneers as Michael Merzenich and Eric Kandel. Our brains, the historical and scientific evidence reveals, change in response to our experiences. The technologies we use to find, store, and share information can literally reroute our neural pathways.
Building on the insights of thinkers from Plato to McLuhan, Carr makes a convincing case that every information technology carries an intellectual ethic―a set of assumptions about the nature of knowledge and intelligence. He explains how the printed book served to focus our attention, promoting deep and creative thought. In stark contrast, the Internet encourages the rapid, distracted sampling of small bits of information from many sources. Its ethic is that of the industrialist, an ethic of speed and efficiency, of optimized production and consumption―and now the Net is remaking us in its own image. We are becoming ever more adept at scanning and skimming, but what we are losing is our capacity for concentration, contemplation, and reflection.
Part intellectual history, part popular science, and part cultural criticism, The Shallows sparkles with memorable vignettes―Friedrich Nietzsche wrestling with a typewriter, Sigmund Freud dissecting the brains of sea creatures, Nathaniel Hawthorne contemplating the thunderous approach of a steam locomotive―even as it plumbs profound questions about the state of our modern psyche. This is a book that will forever alter the way we think about media and our minds.
Geobiologist Hope Jahren has spent her life studying trees, flowers, seeds, and soil. Lab Girl is her revelatory treatise on plant life—but it is also a celebration of the lifelong curiosity, humility, and passion that drive every scientist. In these pages, Hope takes us back to her Minnesota childhood, where she spent hours in unfettered play in her father’s college laboratory. She tells us how she found a sanctuary in science, learning to perform lab work ‘with both the heart and the hands.’ She introduces us to Bill, her brilliant, eccentric lab manager. And she extends the mantle of scientist to each one of her readers, inviting us to join her in observing and protecting our environment. Warm, luminous, compulsively readable, Lab Girl vividly demonstrates the mountains that we can move when love and work come together.
In the lawless, drought-ridden lands of the Arizona Territory in 1893, two extraordinary lives unfold. Nora is an unflinching frontierswoman awaiting the return of the men in her life—her husband, who has gone in search of water for the parched household, and her elder sons, who have vanished after an explosive argument. Nora is biding her time with her youngest son, who is convinced that a mysterious beast is stalking the land around their home.
Meanwhile, Lurie is a former outlaw and a man haunted by ghosts. He sees lost souls who want something from him, and he finds reprieve from their longing in an unexpected relationship that inspires a momentous expedition across the West. The way in which Lurie’s death-defying trek at last intersects with Nora’s plight is the surprise and suspense of this brilliant novel.
Mythical, lyrical, and sweeping in scope, Inland is grounded in true but little-known history. It showcases all of Téa Obreht’s talents as a writer, as she subverts and reimagines the myths of the American West, making them entirely—and unforgettably—her own.
Dinaw Mengestu’s first novel, The Beautiful Things That Heaven Bears, earned the young writer comparisons to Bellow, Fitzgerald, and Naipaul, and garnered ecstatic critical praise and awards around the world for its haunting depiction of the immigrant experience. Now Mengestu enriches the themes that defined his debut with a heartbreaking literary masterwork about love, family, and the power of imagination, which confirms his reputation as one of the brightest talents of his generation.
One early September afternoon, Yosef and Mariam, young Ethiopian immigrants who have spent all but their first year of marriage apart, set off on a road trip from their new home in Peoria, Illinois, to Nashville, Tennessee, in search of a new identity as an American couple. Soon, their son, Jonas, will be born in Illinois. Thirty years later, Yosef has died, and Jonas needs to make sense of the volatile generational and cultural ties that have forged him. How can he envision his future without knowing what has come before? Leaving behind his marriage and job in New York, Jonas sets out to retrace his mother and father’s trip and weave together a family history that will take him from the war-torn Ethiopia of his parents’ youth to his life in the America of today, a story—real or invented—that holds the possibility of reconciliation and redemption.
At 28, Stephanie Land’s plans of breaking free from the roots of her hometown in the Pacific Northwest to chase her dreams of attending a university and becoming a writer, were cut short when a summer fling turned into an unexpected pregnancy. She turned to housekeeping to make ends meet, and with a tenacious grip on her dream to provide her daughter the very best life possible, Stephanie worked days and took classes online to earn a college degree, and began to write relentlessly.
She wrote the true stories that weren’t being told: the stories of overworked and underpaid Americans. Of living on food stamps and WIC (Women, Infants, and Children) coupons to eat. Of the government programs that provided her housing, but that doubled as halfway houses. The aloof government employees who called her lucky for receiving assistance while she didn’t feel lucky at all. She wrote to remember the fight, to eventually cut through the deep-rooted stigmas of the working poor.
Maid explores the underbelly of upper-middle class America and the reality of what it’s like to be in service to them. ‘I’d become a nameless ghost,’ Stephanie writes about her relationship with her clients, many of whom do not know her from any other cleaner, but who she learns plenty about. As she begins to discover more about her clients’ lives-their sadness and love, too-she begins to find hope in her own path.
Her compassionate, unflinching writing as a journalist gives voice to the ‘servant’ worker, and those pursuing the American Dream from below the poverty line. Maid is Stephanie’s story, but it’s not her alone. It is an inspiring testament to the strength, determination, and ultimate triumph of the human spirit.
Toni Morrison, essayist, novelist, professor, and Nobel Prize winner, passed away on August 5th, 2019.
In the wake of her death, many people, fans and celebrities alike, have been sharing the impact that the author has had on their lives. Oprah Winfrey and former president Barack Obama shared some particularly touching responses.
Image via AceShowbiz
Winfrey shared this image of her and Morrison on her Instagram with the following caption:
She was a magician with language, who understood the Power of words. She used them to roil us, to wake us, to educate us and help us grapple with our deepest wounds and try to comprehend them.
It is exhilarating and life-enhancing every time I read and share her work.
This pic was her first appearance on the Oprah Show.
She was Empress-Supreme among writers. Long may her WORDS reign!
Image via Entertainment Tonight
Obama posted about Morrison multiple times. On Tuesday morning he posted on Twitter:
Toni Morrison was a national treasure, as good a storyteller, as captivating, in person as she was on the page. Her writing was a beautiful, meaningful challenge to our conscience and our moral imagination. What a gift to breathe the same air as her, if only for a while.
Image via Twitter
Obama included the above image with his tweet, and posted the same image on Instagram along with this caption:
Time is no match for Toni Morrison. In her writing, she sometimes toyed with it, warping and creasing it, bending it to her masterful will. In her life’s story, too, she treated time nontraditionally. A child of the Great Migration who’d lifted up new, more diverse voices in American literature as an editor, Toni didn’t publish her first novel until she was 39 years old. From there followed an ascendant career—a Pulitzer, a Nobel, and so much more—and with it, a fusion of the African American story within the American story. Toni Morrison was a national treasure. Her writing was not just beautiful but meaningful—a challenge to our conscience and a call to greater empathy. She was as good a storyteller, as captivating, in person as she was on the page. And so even as Michelle and I mourn her loss and send our warmest sympathies to her family and friends, we know that her stories—that our stories—will always be with us, and with those who come after, and on and on, for all time.
“If there is a book that you want to read but it hasn’t been written, you must be the one to write it,” Tony Morrison said.
We are all so lucky to live in a world where she took her own advice and shared it with others.
Image via Ebony Magazine
Tracee Ellis Ross, lead actress in Black-ish and daughter of Diana Ross, tweeted her own response to the news:
Toni Morrison. While you have left the physical realm, the many treasures you left us will bear fruit for generations and generations. Your work has cascaded through my life deeply and simply… rest in power to a beloved icon.
Image via CNN
Shonda Rhimes, creator, head writer, and executive producer of Grey’s Anatomy had this to say on her Twitter:
She made me understand “writer” was a fine profession. I grew up wanting to be only her. Dinner with her was a night I will never forget. Rest, queen.
Image via CNN
Lastly, George Takei took to Twitter with his own response:
A towering figure in literature, Toni Morrison, has passed. Winner of the Noble Prize, and keeper and storyteller for so much of our nation’s soul, she was truly beloved to us all. Rest now, and let us honor you as a nation eternally grateful for your contribution.
Want to Netflix and chill? Make sure you leave room for the Obamas.
Netflix announced last year that Michelle and Barack Obama had entered into a multi-year agreement with the media giant, and they planned to release several substantial fiction and nonfiction films and series under the name Higher Ground Productions, the Obamas’ production company. Since the announcement, details on the actual content the Obamas are working on have been sparse, aside from Netflix’s promise that the freshman production duo will be producing entertainment for an international audience.
Michelle and Barack Obama released plans yesterday to work on a feature-length biopic called Frederick Douglass: Prophet of Freedom in collaboration with Netflix over the next few years. This adaptation will be based on the Pulitzer-Prize winning novel of the same name by American history professor and academic David W. Blight.
Frederick Douglass is only one project in the apple of the Obamas’ production company’s eye, however. Higher Ground Productions was founded by the Obamas last year as part of their partnership with Netflix. The couple will apparently focus their efforts on personalities and topics that are off interest to them.
For a more complete list of upcoming projects from the Obamas, click here.
Public statements from the Obamas reveal that they do not take this venture into the media industry lightly. Even if the turn from politics to media streaming services seems counter-productive, Michelle argues that two people who have such an immense following as herself and Barack should feel obligated to use their social standing as an opportunity to tell meaningful stories. In the same statement from Netflix last year, Michelle said:
“Barack and I have always believed in the power of storytelling to inspire us, to make us think differently about the world around us, and to help us open our minds and hearts to others. Netflix’s unparalleled service is a natural fit for the kinds of stories we want to share, and we look forward to starting this exciting new partnership.”