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5×5: Celebrating Valentine’s Day with Black Romance Authors

Five authors. Five questions. One fight to the death. I’m kidding. We are in the business of uniting these five wonderful authors, not pitting them against one another.

It is my sincere pleasure to welcome you to the inaugural 5×5, a series in which we ask five authors of similar backgrounds five questions. With each installment, we’re changing up the topic and today we’re talking Valentine’s Day. That’s not all though, it being Black History Month, our romance authors are all authors of color and esteemed members of the Black Romance Authors Network.

We’re speaking to Synithia Williams, founder of B.R.A.N., and her friends and colleagues Sharina Harris, Cheris Hodges, Vanessa Riley, and Jacki Kelly. According to their page, BRAN was created as a place for Black Romance Authors to connect and collaborate in their writing and appreciation of romance novels, encouraging one another in the romance publishing industry. With this 5×5, we’ve got an amazing insight into what this does for them as writers, along with their thoughts on love, what it means to be a Black Author, and much more.

 

 

Why did you choose romance as your genre?

Synithia: I’ve read romance novels since I was in middle school. I love the genre and knowing the story will have a happy ending. I decided to write romance because I wanted to write stories about black people falling in love. There aren’t many portrayals of black couples having their happily ever after on television or in movies. I like to think I’m providing examples of stories about love, trust, healing, and forgiveness with black people.

Sharina: When I was a pre-teen, my mother’s friend gave me two big garbage bags full of romance novels and since that day, I was hooked. I quickly went to the library and stores to feed my addiction! However, I grew tired of reading about people who didn’t look like me. Then, I discovered Donna Hill, Carla Fredd, Francis Ray and Brenda Jackson! I so desperately wanted to grow up to be the intelligent, beautiful heroines these wonderful authors had written. One day I realized I wanted to write those heroines, too! Now it’s my mission to make my readers fall in love with my characters. But more importantly, I want people to feel empowered to find their happily ever after.

Cheris: Romance actually chose me. My parents, who have been married for over 50 years, were married on Christmas Eve. Talk about the ultimate love story. My father is a Vietnam Veteran and he proposed to my mother before he went into service. He married her while on medical leave after he was shot in the war. I lived their love story and I wanted to write about that kind of love. I also wanted to read about people who looked like me falling in love and getting a happily ever after. It’s not a far fetched idea to see Black people falling in love and being happy.

Jacki: I’m drawn to stories with happy endings, stories that don’t involve so much of what I hear and see in the news every day. When I read, I want to relax and escape into a world where the outcome is always positive. What better way to do that than romance? 

Vanessa: I believe that love is important as well as the promise that love survives everything. Romance is the literature of hope. I want to add hope to the world.

 

via GIPHY

 

What does being part of a community of authors of color like BRAN provide for you as an author? 

Synithia: I started the Black Romance Authors Network to give black romance writers a safe place to network, discuss the business of romance writing and share information. For me it’s been great to watch the members interact, branch off and start their own projects, and get together for meet ups. Writing can be lonely, and BRAN is a place where black romance authors can come together and realize they aren’t alone.

Sharina: BRAN is like your been there, done that sister, your wise auntie and your optimistic best friend rolled into one. As a black romance author there are so many things that we experience differently from our counterparts. Having this safe space to ask a spectrum of authors just about anything is super valuable. We brainstorm, we critique pitches, we motivate each other and celebrate each other’s success. And in industry in which black romance authors are often overlooked, underpaid and underappreciated, BRAN is vital.

Cheris: Being a part of BRAN allows me to interact with other writers who understand being a Black woman in the romance industry. There are things that we experience that other writers don’t  face. Also, BRAN is an amazing safe space where you are celebrated. Where you get that kick in the pants that you may need from time to time and a place where you can gain knowledge of the industry. What is most important about BRAN is the support. There is nothing like being in a group where people have your best interests at heart.

Jacki: It’s a place where I can share information or ask for help where I don’t feel judged or that doesn’t require a lot of situational explanation.

Vanessa: The sense of community in BRAN is so important. It can be an isolating life being a writer, with nothing but computer screens and characters chatting in your head. Having a place to get encouragement and sound advice is a blessing. Bran serves that purpose.

 

 

image via B.R.A.N. Facebook

 

What is your take on the fact that many romantic leads in novels and adaptations of those novels aren’t people of color? 

Synithia: It’s frustrating because I’d like to see more adaptations with people who look like me, but there are so many phenomenal writers creating romantic stories with people of color that I don’t have to only consume books with characters who don’t look like me. If Hollywood is too lazy to look at books by authors of colors for adaptation and continue to leave money on the table then that’s their loss.

Sharina: I just binged the documentary, They’ve Gotta Have Us that celebrates black cinema and boy do I have opinions and BIG feelings on this subject. Long story short, publishers need to acquire stories which are centered and who are written by people of color. In the Ripped Bodice State of Diversity in Romance report, 18 out of 20 publishers have 90% or more of their books written by white authors. It’s all systemic. We need more editors of color, marketing and sales etc. in the publishing industry. Editors are acquiring what is comfortable to them and what they think will sell. Films like the Black Panther has created another groundswell and thirst for content by black creators because 1: It made lots of money. 2: Black people were vocal about wanting diverse stories. In the past, Hollywood seemed to only focus on stories rooted in struggle and pain. The publishing industry feels so very slow. The ship is turning, but its taking a long time. I think publishers are starting to realize that there is a market and they can make a lot of money when they invest in us. I mean, The Atlantic reported a few years ago that the most likely person to read a book is a college-educated black woman so… yeah. Go figure.

Cheris: Representation matters. The sooner the industry starts seeing people of color as people and not other, the better. How none of the gate keepers learned from the success of Black Panther is baffling.

Jacki: It’s saddening. It’s almost as if our stories don’t matter. But there are so many writers of color that are putting our stories out there. We need more publishing houses or media moguls to recognize that there is a whole segment of people that want and needs stories about themselves, and movies about themselves and television program about themselves. And not just the stereotypical stories, because people of color fall in love too.

Vanessa: Romance is the language of possibilities. For a long time, people of color have been excluded from telling their stories. We are now at a point where people are seeing that diversity is something to embrace. The doors are being opened for more stories to be told with more characters of color. In the near future, my hope is that you’ll see more adaptations looking like real life. I write historical romance. I think as more learn of the hidden history of women and men of color having greater agency than slavery, of brothers and sisters being explorers, shrewd entrepreneurs, and leaders, you will see more sweeping portrayals of our ancestors.

 

 

What is your love language and does it influence how you write your characters?

Synithia: Hmm…my love language is quality time which does come through in my writing. I try to put my main characters together as much as I can and focus on the growth of their emotional connection.

Sharina: Yes! My love language is words of affirmation, which is entirely convenient for big black moments and the ah-ha, I-love-you moments.

Cheris: My love language is physical touch. This definitely influence how I write my characters. It gives me a chance to make a hug or the touch of their hands meaningful to what’s going on in their relationship.

Jacki: My love language is demonstrative. I want to be shown you love me by the things you do and say. I think in most of my books the characters do the same thing. Although I try to incorporate all five of the love languages, I do lean heavily on the physical side. 

Vanessa: My love language is “doing”. I know that love is being shown in the giving of time for someone. My characters are willing to sacrifice for the person they love. Big feat, small act—it doesn’t matter as long as they are “doing” in love.

 

If you could rewrite one classic romance novel with characters of color, which would it be and what would you do differently?

Synithia: I wouldn’t. They are what they are and since taking my last English class in college I don’t read the classics. (Sorry, not sorry) I’d much rather enjoy books by authors of color, past and present, or read a new take on an old idea than rewrite one. I’ve considered doing that, but always toss out the idea to focus on something new.

Sharina: I would love to do an afrofuturism version of The Princess Bride. I can have so much fun with the landscape. I think I would maybe set it in space and Westley is a space pirate. I’d also tweak the whole save the princess thing. I’d likely have them save each other. And my Buttercup isn’t going to take much of Wesley’s ordering her around—she’s going to be a beautiful badass! Important to note: I’d keep the black mask.

Cheris: There isn’t a classic romance novel I’d rewrite because I have too many of my own stories to tell. 

Jacki: Oh, this is a tough question. Because so many of the “classic romance novel” did not contain people of color, I did not read many of them. Of the few that I have read, I’d pick Romeo and Juliet, simply because I’d like the world to know that love in the black community is as passionate and important and all-consuming as what we see in that book. But of course, neither Romeo nor Juliet would die at the end. Their families would have a change of heart. 

Vanessa: I would do Jane Austen’s Pride and Prejudice with the Darcy character changed into an heiress from the Caribbean and the Elizabeth character, now cast as Edward, one of five sons of a crass country vicar. This movie would offer a diverse cast and a sweet reversal of fortunes. Nonetheless, I think we would still need a lake scene with the buffed Edward arising from the waters ala Colin Firth.

If you want to read more from these incredibly talented women, be sure to check out their websites below. We hope your TBR list has just gotten longer, steamier, and far more diverse.

 

Image via Bookstr

 

Synithia Williams

Cheris Hodges

Vanessa Riley

Jacki Kelly

Sharina Harris

 

Featured Image via Bookstr


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Read to Write: Prompt Books

Writer’s block is probably the worst thing to happen to any writer. You’re sitting there, stuck and grasping for straws. What’s wrong? Why can’t you write? Where did all your ideas go? I can’t say for sure what the answers to these questions are, but I know one guaranteed solution: prompts.

Prompts allow writers to create without having to come up with the more difficult plot points and storylines. There are two books in particular that do this is amazing and unique ways. The first is Naming the World edited by Bret Anthony Johnson. The book is a collection of prompts and exercises geared towards the creative writer. The entire piece is broken down into sections that focus on big ideas like Plot and Narrative and Descriptive Language, each filled with prompts that get your creative juices flowing. Each exercise is unique and a great way to try something new.

 

 

Image via Amazon

The revised and expanded version of Jeff Vandermeer’s Wonderbook is also something to behold. Unlike Naming the World, Vandermeer’s book is a guide to quality writing. Most of the text is a mix of Vandermeer’s insightful suggestions as well as nested essays from other writers. However, it is the images in Wonderbook that make it so special. Almost every page of Vandermeer’s book has an image on it, meant to fuel your mind in a way the text can’t. Every picture is its own prompt, daring you to make something new from it. And if visual prompts aren’t your thing, Vandermeer gifts his readers with a “Writing Challenge” in every chapter.

 

 

Images via ABRAMS Books.

Both these books have done wonders for my writer’s block, going as far as fueling entirely new stories. Prompts are a truly wonderful thing for a writer to use; a book of them is a godsend.

 

Featured Image via Swipe File

 


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