Wheaton has always been very public with his love of all things nerd culture, much like Green. Looking for Alaska, follows the story of a young man who is based on a teenaged version of Green, making this project a perfect fit.
The original audiobook version of the novel was read by Jeff Woodman, a professional narrator. Though the update is probably being made for the purpose of promoting the Hulu series, it also seems like Wheaton may have more of a personal connection to the story that Looking for Alaska is telling.
One of the first looks at the Hulu adaptation/Image via TV Guide
The new audiobook will be coming out on September 24th, and the Hulu adaption will premiere on October 18th!
Is an audiobook a book? What about the captioning of an audiobook, for hearing impaired or for a quick reference? An ongoing legal battle between Audible and several major book publishers reckons with the definition of what a book even is.
Image via Publishers Weekly
How Audible’s new Captions technology works is it scrolls a few words of AI-generated captioning to accompany an audiobook’s narration. Audible responded last week with a motion of their own, calling for the publishers’ suit to be dismissed. The legalese of the motion is a tad complex, but here’s the gist of the latest development.
Audible claims its technology constitutes fair use. The motion to dismiss explains this claim as follows:
After listeners purchase an audiobook—and Plaintiffs and their clients are compensated—Audible Captions can help listeners understand it by looking up unfamiliar words, accessing reference materials, or simply verifying and focusing on what they are hearing. This will facilitate access for listeners who have difficulty engaging with audiobooks (or literature in general).
Thus, Audible’s lawyers argue, Audible Captions is in line with the purpose of copyright law: “to expand public learning while protecting the incentives of authors to create for the public good.”
In our previous coverage of this ongoing story, we wrote that publishers were angry with Audible because they didn’t give the audiobook platform permission to publish text versions of their titles because e-books require a separate licensing agreement. Audible’s lawyers also argue that claims they have not breached their licensing contract because the user of Audible Captions never has full access to the complete text of the title they’re listening to:
Audible Captions is not a book of any kind, much less a replacement for paper books, e-books, or cross-format products.
The Captions in action / Image Via Publishing Perspectives
Though the encrypted text is cached on the reader’s device, Audible’s lawyers highlighted the fact that the reader never has direct access to it, so the captions cannot be used except in tandem with the audio recording. Since they’ve paid to license the audio version of the publisher’s titles, and since the text generated by Audible’s technology is not a book in any sense, Audible argues there should not be an issue.
Audible’s lawyers make a convincing argument, and it’s definitely interesting to see how crucial the concept of what a books is to this debate.
The rapidly changing digital publishing landscape has often presented a challenge to book publishers, as it seems the definition of what a book even is must change in the world of e-books and audiobooks.
Image Via Alchectron
Maria Pallante, chief executive of the Association of American Publishers, commented on the case:
What’s at stake is the viability of the publishing industry and the ability to rely on copyright law.
Audible has denied the new feature on their app violates any rights or agreements. In a a statement on August 23rd the company said that:
Captions was developed because we, like so many leading educators and parents, want to help kids who are not reading engage more through listening…This feature would allow such listeners to follow along with a few lines of machine-generated text as they listen to the audio performance. It is not and was never intended to be a book.
Since the captions would be machine-generated and not transcribed and edited, Audible admitted “up to 6%” of the text may have errors. In the lawsuit, publishers argued The Captions program would then harm their reputations as “as trusted and valued stewards of their authors’ works.”
The program was set to begin as early as September 10th, though this lawsuit will definitely complicate the release. Thankfully, Audible can still launch for works for which there is no permissions issue, such as public domain works and Audible or Amazon published titles.
Image Via Author’s Guild
Audible is facing a fierce legal battle against a cohort of publishing giants. The plaintiffs in the case include Penguin Random House, Simon & Schuster, HarperCollins, Macmillan, Hachette Book Group, Chronicle Books, and Scholastic Corp. It’s difficult to tell what the outcome of the case will be this early on. But it’s definitely going to be an important event for the future of publishing.
While physical books might be going out of style, audiobook sales are on the up and up.
Image Via The Creative Penn
Within the last year Barnes and Nobles was sold, there’s been news here and there about independent book stores struggling like never before, and the debate about whether or not physical books are out style raging on, audiobooks are on the up and up.
Previously The Daily Beast wrote that “while only 24 percent of Americans say they listened to at least one audio book in 2016, the average listener in that category consumed fifteen books in that same period, mostly on a smartphone.”
This year The Publisher’s Association, which collects and reports on data shared by many publishers across the country, released the 2018 year-end results.
All in all, estimated publisher revenue for downloaded audio increased 28.7% over 2017, meaning that, when it comes to audiobooks, publisher’s revenues grew 181.8% from 2014 to 2018. This is important, considering that audiobooks make up an estimated of 13.7% of publishers’ online sales.
What these numbers mean is that audiobook sales have an estimated worth of a whopping £69 million ($87.44 million).
Physical books, on the other hand, are down by 5%.
Considering the culture of audiobooks, and by extension book culture as a whole, these numbers all of that surprising. Step back, and think what could be the top selling audiobook…
Not only did she write the book, but she’s the voice that makes the audiobook, well, into an audiobook.
This isn’t all that surprising. If you want know the story, then why not have the author themselves tell you the story? And Michele Obama must have something to say, being a former US First Lady and mother of two, so why not have her tell you her story complete with the emotion and cadence that can be missed if you skim across the black words on a bone white page.
It’s oral tradition right there on your phone/tablet/desktop that can be played, rewound, or fast-forwarded at your time and convenience.
BBC News quotes Publishers Association chief executive Stephen Lotinga as saying that…
Audiobooks have grown phenomenally, as ever-increasing numbers of people opt to enjoy books in a way that suits new technologies and keeps pace with our busy lives.
Really? Consider this: Listening to audiobooks have less to do with having time reading a book. When reading a novel yourself, you can control how fast you read per word. The phrase ‘You can read’ can be read however faster or slowly you wish, and you can speed up between every other syllable.
So if when listening to an audiobook the speed of the speaker might have some external controls, but the control technology gives you is not as intricate of the control you have over yourself, then why listen to audiobooks if you can read much faster?
Because I can’t read a book and run on a treadmill at the same time. Because books take up valuable space in my backpack. Because I can play an audiobook in my car while I drive instead of reading and driving.
Roger Packer notes that, when polled, audiobook listeners revealed that they listened rather then read the book because “hey can do other things while listening (81%), They can listen wherever they are (80%); and Audiobooks are portable (75%)”.
The Guardian also notes that, “Lotinga said the rise in the popularity of podcasts, with the music streaming giant Spotify spending up to $500m this year buying podcast companies to tap the boom, was indirectly helping the book market.”
The same reason are moving away from CDs to streaming is the same reason why, despite the hits, UK’s took that surprise 5.4% decline.
When I think of summer reads, I think of the typical “chick-lit” with the hunky love interest and over-the-top romance. What I always forget about are the many other genres that are perfect to take off to the beach to read or even listen to while I quickly burn to a crisp. Over the last two years, autobiography has become one of my favorite genres, and I love listening to them – especially when they’re narrated by the authors. So here is my list of those perfect, inspiring autobiographies you need to be adding to your Audible or Libro.fm wishlist for summer.
If you’re a lover of Chelsea, you know her previous books have been all about how much of a hot mess her life is. They are jam packed with jokes, horror stories, and the occasional (frequent) hook-up. Her entire persona has been built up around her propensity to drink and get high and laid. I would love to say this book paints Chelsea as having it more together, but the truth is it highlights how much she doesn’t have it together… how much none of us really have it together. If you read the book, you do get to see all of the pictures of her dogs, friends, and family, but her narration adds another layer to the story she is telling in this book. Her voice cracks, you can hear her smile, and you get that authentic note of sarcasm in her tone that you may just miss in the book. If you’re wary, don’t be! The audio is under six hours, and it is all jam-packed with emotions. Warning: have some tissues ready, as you will unexpectedly be going to therapy with her.
Let’s face it: when we saw Michelle Obama as First Lady, she was never anything other than elegant and graceful. If you’ve ever found yourself wondering where her story starts, look no further! In her book, she recounts the major events in her life from growing up in a working class African American household in Chicago, to heading off to Harvard Law School, and eventually taking up residence at the most popular address in all of these United States. Through the narration, one thing remains certain: Michelle Obama maintains that same elegance and grace we came to love. She comes off so down to earth and at the same time you can tell she doesn’t take any crap. I absolutely adored reading about her adventures as daughter, student, wife, mother, and eventually First Lady. She even touches on returning to “normal” life once their stay at the White House was over. If you want a little insight as to what goes on behind closed doors at 1600 Pennsylvania Ave, this book is perfect for that, too!
In 2000, Lauren Graham and Alexis Bledel took us by storm as the mother-daughter-duo Lorelai and Rory Gilmore. But just how did Lauren Graham find her way to that fateful day? Well, you can find out by picking up this book! In this book, Lauren recounts all of her tales from trying to make it as an actress in New York City, to struggling as an actress in New York City, to finally landing Gilmore Girls, to life after the show, and, finally, returning to Stars Hollow one last (maybe) time. As Lauren would say here, the ending of Gilmore Girls: A Year in the Life does end on a cliffhanger. If you aren’t a fan of Gilmore Girls, you can still find a lot of value in this book. She has advice for writers, advice for not dieting, and advice on what the appropriate tip is for when someone returns your backpack full of cocaine completely intact. Her reflections on her early acting career are amazing, and aspiring actors and actresses will definitely find this part of the story helpful. If you’re struggling to keep your current written project active (and struggling with finding that time to do so), she will guide you on how to do that exactly. In this book, Lauren proves how well she has taken on the mothering persona of Lorelai, giving us all the motherly advice we need wedged into the four and half hours of this audiobook! Fans of Gilmore Girls, you may even forget it isn’t Lorelai narrating this story. You should beware: there are some spoilers for Gilmore GIrls: A Year in the Life if you haven’t watched that yet.
Josh Wolf is a devout Patriots fan, but we won’t hold that against him as he recounts the funniest, most embarrassing tales of single fatherhood. We talk so much about single moms, who always seem to have it much more together than they should, but Josh makes it clear single dads are sometimes hanging on by a thread. He works his way through the early days, trying to find sitters so he can go on dates, to trying to find any kind of job so he can feed his children, even running an underground sandwich shop out of his kitchen! If you’re looking for a laugh, you have come to the right book. Josh Wolf is sure to keep you in stitches as he recounts a slew of stories in which each one is more hilarious than the last.
Another comedian, another fantastic audiobook! Sarah Colonna is hilarious, and you may remember her from her time on Chelsea Lately as a reoccurring comedian on the roundtable. In this book, she not only talks about some of the hook-ups that have gone south, but she also touches on all of the things in her single life before finding love in a Seattle Seahawks kicker, Jon Ryan. When she penned the book, she wasn’t trying to make anyone feel bad about being single or not finding love on the timetable that is given to us. Instead, she was trying to get the world to understand that it is okay to be single and ask for a table for one. She didn’t know that by the end of her book it would happen for her. The truth is no one ever knows what is going to happen; things just need time to happen. But don’t fret! Sarah will keep you laughing and crying all the way to end. Reading her memoir blew me away! Let it take you away for a few hours, too.