Tag: adaptations

The 5 Step Survival Guide to Hollywood Adaptations

There is nothing more exciting and frightening than hearing your favorite book is going to be adapted by Hollywood.

We’ve all been there before. A book that we read and loved is receiving a well-deserved movie adaptation. However, it begs the question: will the movie be everything we dreamed, or will it have us rioting in the streets? We all know there are some pretty horrific adaptations out there, but there’s no reason for us to lose our heads.

Here are some tips tips to help you survive the ordeal of your favorite book heading for the big screen.




1. Be Open To Changes


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Image via Giphy


Changes are inevitable. To defend Hollywood movie makers, not everything can fit in a film. If screenwriters tried to fit every detail from the book, the movie would be hours long, thus, cuts must be made, often necessitating minor changes elsewhere in the script for it all to make sense. We must accept that movies are a different artform, and therefore will not be exactly the same as the book.


2. Movies rely on the visuals 


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 Image via Giphy

Books are all about exposition, inner thoughts, and details, details, and more details. In film, simplicity and visual storytelling are key. There is also more focus on the outward expressions and actions of the characters involved, and most films don’t share the minute details in order to keep scenes engaging and entertaining for the audience.

Since books are meant to be read over time, having an abundance of detail fits. Films on the other hand ought to get to the point much quicker, so before you accuse an adapted film of “dumbing things down”, keep in mind, this is a different way to tell a story and experience one.



3. Talk About It With Those Who Have Not Read The Book


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More than likely, this will be the conversation you have with your fellow book nerds. | Image via Tea Time


As exciting as it is to read the book before the film, it can come at a cost. When you are watching a movie based on a book you love, it can be tough to look at it with fresh eyes. The temptation to hold on to what you believe is the best version can be unshakeable. This will stand in the way of enjoying what may be a fantastic and fun movie experience. Those who don’t read the book beforehand are the ones who will be able to purely judge the movie as it is – a tale with characters and ideas they have never seen before. In the way that you were awestruck by reading The Hunger Games or the Harry Potter books for the first time, your friends and family may feel the same way when they watch the movie adaptation.



4. Be Respectful Of Other People’s Opinions


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Image via the pewter wolf


Please do not be that person to throw insults around, or anything else for that matter. It’s completely unnecessary. Even if you feel you’re justified by so called “common sense”, or believe you have the upper hand against someone who has never read the book be respectful!

No one is stupid for liking something you dislike. There is a reason why something was changed in the film from the book. The screenwriters saw the original content in a different light, they saw an opportunity to try something else, whatever the reason there will be other people to like it just as much as the filmmakers did. As mentioned before, we hold on to what we believe is best. Keeping an open mind may open your own eyes to something new, and more importantly, you’ll avoid being a total jerk.



5. Hollywood Needs To Make Money


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Surely they want money too, but honestly, who doesn’t. | Image via Giphy


Often angry fans seem to miss a major point about the filmmaking industry— movies cost money, a ridiculous amount of money at that!

Just to put things into perspective think about the cost of a movie versus a book. While book publishing involves paying the author, editor, and marketing team, Films involves teams of hundreds and hundreds of people. It can cost millions to create a film so they are going to want to bring back in as much money as they possibly can, and so they are going to go with the ideas that make them the most money.



And as a bonus for the most passionate of book-lovers…



6. Don’t Stay Mad Forever


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Image via Giphy


Some adaptations are just plain disappointing. Though there is a difference of opinion between people who’ve read the book and people who haven’t, that doesn’t mean you don’t have a right to a therapeutic rant. Once the film is over someone is bound to ask “what did you think?” This is your chance. Let it all out, without causing any public damages or hurt feelings of course. Once it’s all out take a deep breath and distract yourself with just about anything that won’t remind you of the catastrophe you just witnessed.

You have your whole life ahead of you, no need to be so mad about a bad film adaptation. You still have the original book in your heart.


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Image via Giphy


Hopefully these tips, and bonus tip, can help you to endure and/or recover from a book-based film that you weren’t too crazy about.



Featured Image via slance

'Recursion' by Blake Crouch

Netflix Planned to Adapt ‘Recursion’ Universe Before the Book Was Even Published

Probably because it’s the heart-palpitating summer read you’ve (or at least I’ve) been waiting for.


I wrote an article earlier this year about how Netflix was adapting Blake Crouch’s yet-to-be-released novel Recursion; my only familiarity with Blake Crouch at that time was his Wayward Pines Trilogy and his novel, Dark Matter—the cake-hole blowing, mind-bender about a man desperately navigating the multiverse in order to return home to his family. If that article was to have matured, wrinkled and become the middle-aged version of its relatively naïve self, it would be this article. A not-so-book-review book review aimed to inform the world of the glorious ride that is Recursion (and its future with *our Lord and savior* Netflix).

*Cue angels singing*


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Image Via Giphy.com


Strap in and get comfortable—it’s going to be a bumpy ride. That’s the advice I would give to anyone about to read Blake Crouch’s newest novel, Recursion. Scratch that; the ride contains fewer bumps and more of the type of sudden drops experienced on a roller-coaster that has no business allowing four-foot-tall children to experience it. Exhilarating, panic-inducing, “OMG did I tell my mom I loved her this morning” madness.


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Image Via Liveabout.com



*Mild Spoilers*

Allow me to backpedal. Like the climb to the top of a track, Recursion is a story of building momentum. The book begins on November 2, 2018, and follows protagonist Barry. Barry is a detective with the NYPD, attempting to talk a woman out of jumping from the top of the Poe Building and to her death (obviously). The woman, Ann is suffering from a worldwide pandemic known as False Memory Syndrome (FMS)—a condition where the infected remember whole other lives that they supposedly never had. Ann remembers a husband and a son. Barry tries to relate to Ann’s emptiness, confiding in her the fact that he lost a daughter years earlier.


 “At least she once existed.”


…I’m sure you can guess what happens next.


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Image Via Amazon.com


The beginning of Blake Crouch’s novel is undeniably cinematic, as is the whole story. At the center of the plot is the aforementioned NYPD detective and Helena, a scientist who, motivated by her mother’s Alzheimer’s, devotes herself to research which involves mapping the human brain—memory. Although a lot of what revolves around these characters could (by snobby losers) be dismissed as overtly cinematic and arguably mainstream; this thriller is one of the most gripping, moving, and coherent epics you will read this year. The stakes continue to rise as the characters’ reality literally crumbles… over and over.


Image Via Artofvfx.com


The science seems to make sense (from the perspective of someone who got a D + in Physics); it never feels like Crouch is reaching with his theories or explanations. I might go as far as call him the Christopher Nolan of literature. A contemporary mastermind of thought-provoking and emotional storytelling.

Entertainment Weekly caught up with Crouch to talk about all things Recursion—they called it his “his most personal (and trippy) novel yet.” He divulges his inspiration for the novel as well as talks about the Netflix deal made nine months before the books’ publication last week. A film and series are in the works. Here’s a long and shamelessly exploited excerpt from that interview:


ENTERTAINMENT WEEKLY: You mentioned this was project was really close to your heart. Why was it so personal? Did you find it challenging to execute? Was there any significant inspiration?


BC: This was a really, really hard book. This is definitely the hardest book I’ve ever done. I wanted it to do things that no other book I’d read had managed to do — without getting into spoiler territory, in the back half of the book, reality actually begins to disintegrate for our characters. I wanted to dramatize what that looks like. Michael Crichton [is an influence] for sure. I feel like he’s always looking over my shoulder and I’m looking over his. The way he would pick a scientific topic, whether it’s Chaos Theory or DNA manipulation, in each book he did he was tackling a piece of science. I feel a lot of inspiration from his body of work.



EW: Talk a little bit more about the idea behind the book.


BC: Coming off of Dark Matter, which was probably my breakout book, there was a bit of pressure: “How do you top that? What do you say that you haven’t already said before?” I kept thinking about, what is the thing that’s fundamental to the human experience? The more research and the more time I spent studying, I kept coming back to memory, and the way that memory is even more than incredible than we think it is. It sounds very obvious to say that our memories make us who we are. It’s even more than that. It’s fundamental to the way that we experience reality.


EW: So how did you want to play with that?


BC: Here’s a thought experiment, if you’ll indulge me: Imagine we’re sitting across from each other. Wherever you are, you’d see my image coming to you at the speed of light, and you’d hear my words coming a lot slower — still very fast, 600 miles per hour. What our brain does it holds the image that you see of me until the words arrive, and then it would sync the visual and the audio at the same time. The upshot of this is it’s about a half-second delay — which means that we are living in memory. We never experience what we think of as the present moment. Even the present moment is just this tape-delay, half-second reconstruction of what the present was a half-second ago. We live in memory. We live in our working memory.


EW: And of course, this is on the way to Netflix. It was announced as a major deal with Shonda Rhimes and Matt Reeves adapting the book into a movie and a series. What does that look like to you? What can you share about the development process so far?


BC: When it did come time to think about selling it to Hollywood, I was like, “I don’t know how this is going to work. This is definitely not a two-hour movie, but it feels bigger than the small screen, too.” I went into the process a little bit on edge — I was concerned that people wouldn’t see it the way I was seeing it. Remarkably, Shonda, Matt, and Netflix just stepped up like, “Hey, we know how to do this.” It’s very early days, in development, but I believe the plan is to launch it as a movie on Netflix, which can then spin off into multiple TV series. There are single sentences in the book that could be an entire season of television, that we just blow right past. The cool thing about a streamer like Netflix, which is breaking down the boundaries between film and television and what we can and can’t do, is it was sort of made for a book like this. Netflix was made for, “Let’s let the book be what it wants to be when it becomes a visual medium.” When they pitched it to me, they were like, “We’re envisioning this as a universe.” It’s exciting.







Recursion is one of those books you can’t stop reading because you have so many questions that NEED answers. How do you just go about your day not knowing? The last time I neglected all responsibilities and read until my vision blurred was with Blake Crouch’s Dark Matter. With Recursion, I read it in one sitting. A solid seven hours. I’m not sure if I’m proud of that or vaguely embarrassed. Other people were out in the world working over the course of those seven hours—diligently contributing to the machine that is society. Laughing, loving and experiencing. I allowed Blake Crouch to do all the living for me. AND THERE ARE LIFETIMES IN HIS NEWEST NOVEL.

Crouch’s novel admirably tackles humanity and what it means to exist. I walked away from that reading experience feeling a little bit better about my own circumstances. As the characters develop and make peace with their subsequent reality, so does the reader. I will watch the heck out of this, Netflix.


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Image Via Media.netflix.com



You win again…






Featured Image Via Entertainment Weekly.


Taleflick Launches ‘Marketplace’ for Creators to Connect

For those who don’t know, TaleFlick is a company that attempts to improve relationships between publishers and producers in Hollywood. It is where screenwriters and authors can share their scripts and books, so global creators of all kinds can search for a story and adapt it into a TV show or a movie. Now, TaleFlick has launched “The Marketplace”, an online platform built to push relationships even further. Now, publishers and agents can search for new and aspiring writers, as well as pieces of literature to represent, and writers have an opportunity to show their work to be seen by film and TV production companies through live channels.


Uri Singer, Founder of TaleFlick
Image Via KTLA

TaleFlick has a fee of $88 per book for writers and publishers. For one year, they get their book listed and they have access to the Marketplace. For the $399 “Plus” package, the TaleFlick team will also read the book, and compose a short “pitch page” which will accompany the listing to appeal to Hollywood readers.

“I thought there must be a better way to find good books. Not necessarily bestsellers, but good stories,” said producer Uri Singer, the founder of TaleFlick. “A platform where anyone, from anywhere in the world, could upload a book.”


Featured Image Via LinkedIn

Disgruntled ‘GoT’ Fans Aim to Make Amends With Charitable Petitions (Raising Over 125K)

But first, aN Analogy

Imagine building an igloo—a structure strong enough to withstand the full weight of an undead polar bear. All you have are your hands and a machete. Entrenched within the projected perimeter of your home, you begin crafting and stacking bricks with the snow available at your feet. As the walls of your igloo get higher and higher, the world around you begins to disappear. All you can see is the inside of your igloo. It is only when the work is complete that you can cut a door with your now worn machete and reenter the world. Once outside, you take a deep breath and exhale before preparing to turn around and feast your eyes upon your labor…it’s a mess—lopsided and uneven. To top it all off, the pretentious Eskimo next door built an igloo twice as big and immaculate—making yours look like a mistake.

I didn’t just open with that because, this article, first and foremost is a GoT article (Why aren’t there igloos beyond the wall?), but also because igloo construction is very similar to the creative process/storytelling (bare with me, I think I’m going somewhere with this). It’s an isolated, monotonous, (often disappointing) stacking of bricks. Creating anything is work, and in order go to work we have to wake up in the morning.


Image Via Winteriscoming.net


We all do it, we hit the snooze button. Maybe we even stumble into the kitchen and put the kettle on before miserably staggering back to our pillows. Dubious when that alarm goes off again (and again…).The air becomes laced with the smell of cheap coffee and it’s time to wake up. There’s a whole day ahead of us. Some of us have meetings, calls, sales pitches, others work up a sweat. In the shop or on-site: we create, build, and get shit done—all in the face of anxiety, fear, and doubt. At the end of the day, we distract ourselves from the stress of reality with, more often than not, narratives; sometimes we forget that the people crafting those stories endure the same daily struggle.


Image Via Winteriscoming.net


While the workers who are shown in HBO’s documentary Game of Thrones: The Last Watch may not have always worked up a sweat building the finale season of GoT (because it’s cold in Belfast), they definitely worked their asses off. The insightful documentary (somehow filmed in secret by the brilliant filmmaker Jeanie Finaly) shows us the not so glamorous side of storytelling. The monotonous part laced with the smell of burnt grounds and riddled with the minding-numbing nanoseconds that exist between one task and the next.

Perhaps the brainchild of some clever foresight, the well-placed doc offers GoT fandom a refreshing/ jarring reminder of hard work. We see gruelling shifts that keep loved ones from seeing their families inhabited by people who would’ve otherwise remained nameless. Big names like David Benioff, D.B Weiss, Emilia Clarke, and Kit Harrington aren’t given nearly as much screen time as people like the delightfully quirky Vladimir Furdik (Night King) and the endearingly class clown-esque Andrew McClay—a Stark soldier who deserves his own spinoff.


Image Via Indianexpress.com


Fans have been hard on the final season of Game of Thrones (myself included). The story didn’t live up to everyone’s expectations—but it is, in no form the fault of the men and women who gave their days and nights to create it. I think everyone knows this and the fandom has finally achieved civil equanimity. Last week, after various cast members bashed a petition that called for a rewrite of Season 8 (which gained a staggering amount of signatures), another petition was formed; one aimed towards reconciliation.


Image Via Tvguide.com


A lot of fans were unhappy with Daenerys’ character arc; however, that doesn’t mean they have harbored any ill-will toward the woman who so skillfully brought the character to life in the first place. Instead of signing a petition to rewrite the season, fans are now fundraising to support Emilia Clarke’s charity, SameYou—an organization that funds programs and research aimed towards the betterment of brain injury and stroke recovery.

The fundraiser was started by Reddit user ella_ellaria (who has identified herself as Sarah) under the subreddit r/freefolk and has now raised over 100 thousand dollars. The petition was started within the same community that birthed the more vindictive petition. The angel to the aforementioned demon claims the latter wasn’t meant to gain such destructive traction.

“Since the tongue-in-cheek nature of that petition has flown over a lot of people’ heads, to the point that it’s prompted backlash from some of the cast, we wanted to show that Game of Thrones fans appreciates the hard work of the incredible cast & and crew despite their constraints.”


Image Via Newyorker.com


Emilia Clarke’s charity comes after she wrote a personal essay for The New Yorker revealing to the world that she suffered two life-threatening brain aneurysms while working on the earlier seasons of Game of Thrones. Clarke kept doing her job even though “every minute of every day [she] thought [she] was going to die.” It was her strength and occupational integrity that prompted the fundraiser. Supporters are now hashtagging #WeStandByDaenerys.

The Mother of Dragons had this to say about the fundraiser via Instagram:



With the help of the internet’s deluded deification, sometimes people just write at the expense of others. We objectify and ridicule… It’s great that we hold our stories to such a high standard, but stories, communication, is about bringing people together—reminding each other that we share the same pain and experiences. You are not alone.

The truth is, your neighbor’s igloo isn’t bigger or better than yours—it’s the same size. That “pretentious” Eskimo woke up the same way in order to build it. If critique becomes malicious (even of our own work), well, then we’ve lost sight of why we starting building in the first place: we needed a place to live.


Update: fans have since created another campaign in honor of a charity Kit Harrington works with, Mencap. They have raised over twenty-five thousand dollars in less than a day.



Featured Image Via Youtube.com