Category: Writing

Exclusive Interview with ‘A Discovery of Witches’ Author Deborah Harkness

AMC’s adaptation of Deborah Harkness’ bestseller A Discovery of Witches, the first in the All Souls Trilogy, has been gaining critical acclaim since it aired on AMC on April 7th, and currently holds at 100% rating on Rotten Tomatoes. The show, which follows Diana Bishop, a reluctant witch who discovers a bewitched manuscript which throws her into the world of magic, and compelling her to form a forbidden alliance with a vampire…

We were lucky enough to catch up with author Deborah Harkness to get her thoughts on the show, on writing, and on what’s happening with her wine blog…





  1. The first book in your All Souls Trilogy, A Discovery of Witches, has been adapted for TV and brought to AMC and BBC AMERICA in the US. How has the process been for you? Were you involved?

Yes, I was involved. I’m an executive producer on the project and I also wrote the initial series document or “bible” for the show. It’s been exciting to be part of a collaborative creative project. I try to approach each day as a learning experience. There’s so much to discover and all kinds of new challenges to explore.


  1. What has been the most exciting thing to come of the adaptation?


For me personally, it has been most exciting to see the characters come to life on screen.

It is also wonderful to have a whole new audience come to the stories through the television adaptation, and then to follow them as they find the books and the energized fan community that has sprung up around them.


  1. Was a possible adaptation on your mind when writing the book?


No, not at all. I thought it was a long shot the books would even be published so I was just focused on telling the story. I’ve been told I have a cinematic imagination, which I think is a fancy way of saying that I see the story in my head and try to capture what I see in words on the page.


  1. Have you always been interested in the supernatural?


I’m not sure what you mean by supernatural. I am interested in how hard it has been, historically, for humans to figure out their place in the world and how to thrive in it. One of the techniques that they use to cope is to imagine a world outside of the one they occupy and to invest that world with all sorts of powerful beings. In my stories there is only one supernatural element—magic. Similarly, there is only one creature with supernatural abilities: the witch. The rest are preternatural. So by that standard, I guess I’m less interested in the supernatural than many other people!


  1. You’ve said the success of novels like Twilight got you thinking about what it is that has always fascinated humans about the supernatural. Can you talk a little bit about what inspired you to try your hand at fiction, after publishing several non-fiction titles?


I found the modern interest in the supernatural puzzling, and wanted to be able to figure out how that could be sustained given that our scientific worldview doesn’t seem to support the existence of a world outside our own. So I started imagining – what if magic could be part of the modern worldview? What would that look like? How would someone with supernatural power fit in? It started out as an intellectual mystery to be solved, but as it progressed,  my “what ifs” got more detailed and I realized I was writing a novel. It wasn’t planned or inspired in a traditional way.



Teresa Palmer as Diana Bishop – A Discovery of Witches _ Season 1, Episode 1 – Photo Credit: Robert Viglasky/SundanceNow/Shudder/Bad Wolf



  1. Would you return to non-fiction, or is fiction the way forward for you now?


Sure. I wrote two non-fiction books and many non-fiction articles. I was also a wine journalist. One thing I’ve learned about myself is that my “way forward” has lots of twists and turns in it.


  1. What is your writing routine like? Does it differ between fictional and non-fictional works?


I don’t have a writing routine. For me, a writing routine is something that gets in the way of actually writing. So many steps. So many rules. I used to feel a bit bad about that, and tried to distill a list of “a perfect day”. Even I found it intimidating. Writing is, and has been since 1982 when I went to college, part of my daily life. I do it as often as I can in a day, wherever I am, however it happens. I’ve written in my home office, my campus office, on airplanes, in trains, on napkins waiting at the drive-thru, and in cafés. You have to take the time when you can. And it’s no different whether I have an article due, a lecture to give, or a chapter of a novel that I’m trying to finish.


  1. As well as your amazing writing career, you also have an award winning wine blog! Could you tell us a little about this? Is it important to you to have hobbies outside of writing?


I haven’t had much time to blog since I started writing fiction, so sadly my wine blog is on indefinite hiatus. Like all of my writing, it started out with me trying to solve a problem (namely, how to set up a blog for work more than a decade ago when there were very few of them). I had just come back from wine shopping, wrote about that, and then wrote about drinking the wine I bought over the next few weeks. Pretty soon, I had a wine blog. As for hobbies, I think it’s important to have a LIFE outside of writing. If not, what on earth are you going to write about? It’s pretty easy to see how my love of wine influenced the All Souls books, in all sorts of ways.


  1. Can you tell us some of the books and authors who have inspired you?


I am mostly a non-fiction reader. My most important years as a reader of fiction were from the ages of five to thirty. During that time I devoured books, mostly biographies and novels. Clearly, I was most interested in people and their lives. I loved the Nancy Drew mysteries, and historical fiction (before I became a historian) most notably the works of Dorothy Dunnett, and the novels of Anne Rice. The only book I have ever stayed up all night to read was Anne Rice’s The Witching Hour. One of the last novels I remember making a huge impact on me was A. S. Byatt’s Possession. I was a graduate student, and the ethical and scholarly dilemmas in the book were a perfect companion to finishing my PhD.


  1. What advice would you give to aspiring writers?


Write. Edit. Rewrite. Repeat.


 Tune into A Discovery of Witches on AMC Here!

Don’t miss your chance to win $500 courtesy of AMC’s A Discovery of Witches! 



‘GoT’ Writer Reveals This Character Was Originally Going to Live

Ser Jorah was lucky. He didn’t live long enough to see what became of his beloved Daenerys. He almost did though.


jorah deadImage via TVLine


According to EW, GoT writer Dave Hill confirmed that the noble knight was originally supposed to make it all the way to the end of the series. When the writers began plotting season 8, they hoped to have Ser Jorah accompanying Jon Snow beyond The Wall in the final scene.


For a long time we wanted Ser Jorah to be there at The Wall in the end. The three coming out of the tunnel would be Jon and Jorah and Tormund. But the amount of logic we’d have to bend to get Jorah up to The Wall and get him to leave Dany’s side right before [the events in the finale] … there’s no way to do that blithely. And Jorah should have the noble death he craves defending the woman he loves.


Ser Jorah’s reaction to the scorching of King’s Landing would definitely have been interesting to see. Admittedly though, Hill is right about the difficulties of cramming Jorah’s hypothetical back-turn on Daenerys in an already dense finale.


jorahImage via Hello Magazine


Ser Jorah actor Iain Glen agreed that it was better that his character did not live to see the tragic fall of his Queen, or the results of her massacre…

“There’s a sweetness in that because Jorah will never know what she did,” Glen says. “That’s probably best. It’s a blessing for him that he never found out what happened to her.”

Since Glen will be playing Batman on Titans, the Dark Knight line, “You either die a hero, or you live long enough to see yourself become the villain,” seems pretty relevant, and appropriate.




Featured Image via Vanity Fair

Anthony McCarten to Write Adaptation of ‘Three Identical Strangers’

Deadline reports that Oscar-nominated screenwriter Anthony McCarten (Bohemian Rhapsody, Darkest Hour, The Theory of Everything) will write an adaptation based on the acclaimed Three Identical Strangers documentary that debuted last year.

Three Identical Strangers tells the true story of Robert Shafran, David Kellman, and Eddy Galland, three complete strangers who discover that they are identical triplets that were separated at birth. The film documents how the three nineteen-year-olds’ reunion catapulted them to international fame, but also led to a chain of extraordinary, yet disturbing, events that followed.


Three Identical Strangers

Image via wviff


The documentary premiered at the 2018 Sundance Film Festival, winning the Special Jury Prize for Documentary Storytelling, the DGA Award for Documentary, and prizes from Critics Choice and National Board of Review. It was also nominated for a BAFTA, but didn’t quite nail a Best Documentary Academy Award nomination.

McCarten will adapt the documentary into a feature-length narrative film, after his next project, The Pope, which stars Anthony Hopkins, releases later this year.


Featured Image via ComingSoon

Wikipedia Edit-a-Thon for Asian American Literature

Wikipedia Hosts Edit-a-Thon to Fill in Asian American Literature Gaps

Wikipedia is filled with information provided by users, and it gets around eighteen billion views each month. Anyone has access to editing a Wikipedia page to add in any crucial information. In the past, this has led to Wikipedia being seen as an unreliable source of information. Who knows what people are adding and if it’s even true? No one takes the time to consider that because anyone can go in and add information it means that certain subjects are sorely lacking. In response to this, Wikipedia hosts Edit-a-Thon’s to make sure the necessary information finds its way onto world wide web.


Event Flyer for Wikipedia Edit-a-Thon

This year, the Edit-a-Thon focused on filling in the large gaps of information concerning Asian American literature. This is the second time Wikipedia is hosting an event to fill in this information. Prior Edit-a-Thon’s have focused on feminism, African art, and more. This year, the nonprofit organization Kundiman was looking to continue to build up even more on Asian American literature. In 2018, over 20,000 words were added to Wikipedia on history of authors, different Asian-American works, and on pages that just make it easier to find such.


Wikipedia Edit-a-Thon roundtable

This years event took place on May 5th from 2:00PM to 6:00PM at the Ace Hotel Boardroom. No Wikipedia editing experience was necessary, but it was a bring-your-own-computer event. Of course, it didn’t just focus on the books and authors themselves. The event focused on boosting up information on Asian American literary organizations, events, publishers, etc. They wanted to create a way where this information was more accessible to readers and writers of color who want to find themselves represented. What better time to tackle this issue than Asian and Pacific American Heritage month!

featured image via wikipedia