The Netflix gods are kind (and so is their messenger, EW). We’re getting all sorts of good stuff to stream in March — many of them being book adaptations. Here is a list of the various adapted titles coming to Netflix according to their decidedly appropriate category.
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Stuart Little A Clockwork Orange Nick and Norah’s Infinite Playlist The Notebook Disney’s Christopher Robin Emma
Apollo 13 The Hurt Locker The Boy Who Harnessed the Wind Disney’s Saving Mr. Banks The Dirt Tyson
“My daughter learned to walk in a homeless shelter.”
The first line of a book sets the tone, opens the door, lights the fuse. From “My suffering left me sad and gloomy” to “Call me Ishmael” opening lines are a treasured and powerful thing in the literary community. The opening line of Stephanie Land’s new memoir, Maid: Hard Work, Low Pay, and a Mother’s Will to Survive is no different regarding momentous beginnings; her book epitomizes the ever-adrenalizing idea of #thegrind.
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Half a decade ago, Stephanie Land was a struggling college student. On top of being broke and ambitious, she was a single mom, with another baby on the way. With very little support from her family, she cleaned houses for nine dollars an hour to provide for her children. In a gutsy, courageous turn of events, Stephanie Land decided to defy logic: she quit the maid life and went all in on her dream of becoming a writer. Her focus turned to her studies at the University of Montana, accumulating debt as a quasi-investment in herself. Two weeks ago, Maid became #3 on the New York Times’s Nonfiction Best Seller List, right behind Educated by Tara Westover and Becoming by Michelle Obama. In an article by CNN, Land describes the moment she found this out, on a plane:
“As soon as I landed, I got a huge amount of texts, “she said. What followed was the type of tearful flood of emotion that so often follows moments of triumph. Against all odds, Stephanie Land had pulled off her own rags to riches narrative.
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The book’s narrative begins in Land’s late twenties, at a point in life where she was living in a homeless shelter with her infant daughter. At this time, cleaning houses was the only job she could find in Seattle. The memoir depicts poverty in a realistic and grounded way. Land’s situation was not caused by a lack of work ethic or moral compass. She wasn’t some lazy lay-about, undeserving of a solid paycheck. On the contrary, she probably deserved it more than some of the people she cleaned for. Being a maid isn’t glamorous, it’s not the type of job anyone would like to imagine themselves doing. But it is a job. The kind of job people take when their lives have become more about survival and love than dignity.
Before her book, Land’s life as a maid influenced an essay she wrote for Vox about the excessive number of painkillers she found in mansions she cleaned and the ways in which the people she cleaned for treated her, granting her a viral amount of attention. After college Land became a writing fellow with the Washington, DC-based Center for Community Change (which has now arranged a panel on poverty on which Land will appear).
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Stephanie Land is currently touring her memoir, reading sections of her book, defying poverty stereotypes, and inspiring people. Her book outlines the difficulties for those relying on government assistance programs while balancing a family and college life. Maid is being noticed by everyone from Amazon to Neil Gaiman.
My publisher sent an ARC of my book to your agent. I hope it is received well. I know you said the available time to read or comment on it is not of the essence but I would at least hope it’s found a home on your shelf.
Land’s story adds even more legitimacy to the following statement: Moms rock. I’m talking The Beatles on The Ed Sullivan Show, Michael Jackson mooning walking at Motown 25, Mick Jagger still moving with the best of them at seventy-five years young kind of rock. Mothers are motivated by an indestructible and resolute love for her children; their needs, aspirations, and happiness. Every minute of every day is brick used to build the house that is her family. #metaphors They slave over suppers and sometimes starve so that their offspring can eat.
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I, myself, have been fortunate enough to witness a magnificent number of maternal miracles in my lifetime; My mother has also dabbled in the maid life to support her family, hence my particular interest in Land’s story. Mothers like these show us that the limits placed on human beings by secular articulation are a vernacular that doesn’t mean shit. They are driven by love, using it as the needle in their compasses. Women like this can find their way home through an indefinite desert of ambiguity and still have enough gumption to lay a blanket over a freezing child. That’s the only type of work ethic and ambition that matter. While Land was able to come full circle and achieve the seemingly impossible, most unsung heroes—maids, janitors, bus drivers, service industry workers, moms…are not so lucky. Land’s story resonates with the worker, dreamer, and survivor in all of us.
There is a lot of beauty in the world, and NASA has found a way to make it easier to see.
With pictures taken from various NASA satellites, the government agency has released 168 pages of photographs covering various remote landscapes and compiled them into a new book titled Earth.
The main version of this book is interactive and can be found here. There are four sections: atmosphere, water, land, and ice/snow. Clicking on each section will open up a slideshow of photos along with stories about how these locations came to be.
One of the most controversial episodes of Stranger Things was “The Lost Sister”, in which Eleven goes to Chicago to find a woman named Kali who also has special abilities and was a test subject in the same facility Eleven was held in. It was a departure from the norm for the series, one that drew as much praise as it did criticism.
More test subjects are bound to be revealed in the next season, but a new comic-book series might give us a sneak preview!
Entertainment Weekly reports that Dark Horse comics is publishing a new series titled Stranger Things: Six. It will tell the story of Francine, a young girl who can see the future. The evil wants to harness her powers, but Francine can see a future where she is free.
The four-issue series will go on sale May 29th. Here are photos of the covers of the issues.
The Los Angeles Times Festival of Books is the largest literary gathering in the country, attracting over 150,000 people to a massive celebration of culture. Categories include First Fiction, Current Interest, Biography, Fiction, Poetry, Graphic Novel, Thriller, History, Science & Technology, and Young Adult Literature. This year, the nominations are as exciting as they are nerve-wracking—not all of them can win! Here’s the conundrum: they all deserve the prize. Don’t believe it? Let’s take a look at some of our most distinguished nominees.
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Michelle Obama’s Becominghas already become a staggering success. Penguin Random House paid over $65 million for the rights to Michelle and Barack’s autobiographies, making it one of the most expensive book deals of all time. This figure is also unprecedented among other presidential figures: Bill Clinton earned an advance of $15 million for his own autobiography, which, as you might have noticed, is less than half of that sixty-five. Critics have called Barack Obama “that rare politician who can actually write,” and The New York Times reviewed Dreams From My Fatheras a literary masterpiece rather than another ghostwritten memoir. But Michelle isn’t doing so bad—Becoming sold a record-breaking two million copies in only fifteen days, and it went on to become the best-selling book of 2018. (And yes, Barack put his wife’s book on his famous reading list.)
Other titles in the category include Michael Lewis’ incisive The Fifth Risk, which critically examines the Trump administration. Given increased visibility regarding issues of immigration, human rights, and the possible border wall, Francisco Cantú’s The Line Becomes a Riveris also a timely inclusion.
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Though Becoming is a memoir, judges have classified it within the Current Interest category—which means, fortunately, that it isn’t competing against Tara Westover’s Educated, a memoir of triumph, persistence, fanaticism, and violence that earned the world’s attention in 2018. USA Today called it the best memoir in years, and with good reason: it’s been a finalist for just about everything. (Of course, it was also on Barack Obama’s reading list.) The memoir chronicles Tara Westover’s journey from beneath Buck’s Peak, the mountain that looms in her childhood as enormous as the influence of her father’s survivalist views. By the age of seventeen, Westover had never seen a doctor nor set foot in a classroom—in fact, until her teenage years, there was no record of her birth at all. Westover has since received a PhD from Cambridge. While there are other books in this category, this is certainly a contender.
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Other titles in the running for various L.A. Times prizes carry serious weight—Elizabeth Acevedo’s YA novel The Poet Xis up for a prize after having won the National Book Award. Acevedo’s diverse novel explores poetry as means for personal freedom in an immigrant community with traditional (read: sexist) values. Particularly interesting nominations in other categories include Science & Technology’s Dopesick: Dealers, Doctors, and the Drug Company that Addicted Americaby Beth Macy, a notable book in the wake of the opioid epidemic.
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Tayari Jones’ An American Marriage: A Novel, a nomination for the Fiction category, was among Oprah’s 2018 book club picks and also featured on Barack Obama’s 2018 reading list. Of course, it has some fierce competition: Rebecca Makkai’s The Great Believers, an evocative depiction of the AIDS crisis, is also in the running. Renowned comedian Amy Poehler is currently optioning the novel for a TV adaptation—if that’s not good enough, it’s also one of the NYT‘s top ten books for 2018.
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There are too many excellent titles to list: with ten categories and five nominees in each, you could finish reading one by the time we described them all. Take a look at the 2019 finalists, and decide which one would be a winner on your bookshelf.