The Latest Dirt on Jeanine Cummins’ Novel

Jeanine Cummins’ American Dirt has been deemed one of the most anticipated novels of 2020, included in Oprah Winfrey’s book club, and praised by Stephen King and John Grisham. Today, it’s being slated on twitter by literary fans and critics alike. This dichotomy of its reception puts the novel in a precarious position, with one foot on the side of success and the other in very hot water. When it comes to writing about race, sensitivity is one of the most important factors and Cummins’ latest novel is about Mexican immigrant experience, while Jeanine herself is not Mexican. This has set off alarm bells for a lot of people and raised questions about cultural appropriation and “trauma porn”. 

 

 

In a piece in the New York Times, Jeanine identifies herself as white, before going on to pen this novel about a Mexican mother and daughter and their tragic loss of family at the hands of a cartel. The pair must then escape to America. In the novel’s afterword, Cummins describes her motivation to write the novel as an effort to give a story to the “faceless brown mass” that immigrant communities are often seen as. This comment is, in itself, problematic as it raises the question of why Jeanine felt the need to individualize a “mass” of which she is not a part – the notion of the “white savior” comes to mind. 

 

image via slate

 

Fellow writers have shared their own opinions about the novel, either praising Cummins for her work or, more recently, slating it. Writer David Bowles, in a piece on Medium, stipulates that “Latina or no, Cummins certainly isn’t Mexican or Chicana. That’s a problem,”. What this suggests, is that the novel may well be “extraordinary” and well-written but its topic is still controversial and problematic.

 

 

Others have been critical of the plethora of errors and misrepresentations in Cummins’ descriptions of Mexico. This should come as no surprise when an author writes about a group with which they cannot personally or culturally resonate. In an interview with Shelf Awareness, Cummins spoke about her own hesitation to write American Dirt because of this. “I was resistant, initially, to writing from the point of view of a Mexican migrant because, no matter how much research I did, regardless of the fact that I’m Latinx, I didn’t feel qualified to write in that voice,”

If nothing else, this novel has already managed to fully divide readers and critics alike. Plus, the conversation around race and its misrepresentation in literature is one that certainly cannot be contained to American Dirt alone.

Featured image via Bookbub


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