Jane Austen Will Make You Laugh More Than You Think

Filled to the brim with sarcasm and witty retorts, Pride and Prejudice is not just a romance. Keep reading for 19 examples from Jane Austen’s comical best-seller.

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A tattered image of Jane Austen with cartoon glasses and a mustache; in the background is a blurry image of a bookshelf.

Since its publication, Pride and Prejudice has been known as the blueprint for romance: The introduction of the classic “miscommunication trope,” the tall-dark-and-brooding love interest, and the kind of chemistry that could burn an entire house down. While all of that is true, it’s also true that Pride and Prejudice is kind of hilarious. Yes, it’s a romance novel, but Jane Austen’s snappy and sarcastic quips will elicit more than a couple barks of laughter from any reader. I’d even say this novel is more of a rom-com than a romance. Don’t believe me? Here are 19 hilarious examples of Jane Austen’s wittiness guaranteed to at least make you chuckle.

When Jane Austen spits facts in the very first paragraph:

It is a truth universally acknowledged, that a single man in possession of a great fortune must be in need of a wife… this truth is so well fixed in the minds of the surrounding families, that he is considered as the rightful property of some one or other of their daughters.

Pride and Prejudice, Chapter One
Five girls (left to right: Jane, Mary, Lydia, Lizzy, and Kitty), one with blonde hair the rest with brown, stand in front of a stone barrier, resting their arms on it. They are all wearing variations of Georgian-style white clothing.
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When Mr. Bennet Subtly Roasts Mrs. Bennet:

‘You mistake me, my dear. I have a high respect for your nerves. They are my old friends. I have heard you mention them with consideration these twenty years at least.’

Chapter One

When not even Mary can think of something smart to say:

‘What say you, Mary? For you are a young lady of deep reflection, I know, and read great books, and make extracts.’
Mary wished to say something very sensible, but knew not how.
‘While Mary is adjusting her ideas,’ he continued, ‘let us return to Mr. Bingley.’

Chapter Two
Four women sit on a couch, the right three are teenagers. The one on the far left (Mrs. Bennet) is older, wearing a purple gown and a sun hat. The two in the middle (Kitty and Lydia) are wearing green and have brown hair, and the one on the far right (Mary) is wearing mostly brown and black.
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When Mrs. Bennet says she wants but one of her daughters to marry rich… and also all the rest of them:

‘If I can but see one of my daughters happily settled at Netherfield,’ said Mrs. Bennet to her husband, ‘and all the others equally well married, I shall have nothing to wish for.’

Chapter Three

When Jane Austen gives the most accurate description of Bingley and Darcy that I’ve ever seen:

Bingley was sure of being liked wherever he appeared; Darcy was continually giving offense.

Chapter Four
Two men look to the right, they are both wearing dark coats and white shirts and scarves. The one on the left (Bingley) is smiling and has red hair, and the one on the right (Darcy) looks stern and has dark hair.
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When Darcy is just like us… an introvert at heart:

‘She asked [Darcy] at last how he liked Netherfield, and he could not help answering her; but she said he seemed very angry at being spoke to.’

Chapter Five
A tall, dark haired man looks stern and uncomfortable in a room of others, happy and dancing.
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When Jane Austen does not think much of Mary:

Mary, who having, in consequence of being the only plain one in the family, worked hard for knowledge and accomplishments… Mary had neither genius nor taste.

Chapter Six

When Jane Austen calls Kitty and Lydia stupid:

The two youngest of the family, Catherine and Lydia, were particularly frequent in these attentions: their minds were more vacant than their sisters…

Chapter Seven
Two light skinned brunette girls (Kitty and Lydia) stand in front of what looks like a green field. They both have pretty neutral expressions, and are wearing sun hats and ruffled dresses, though we can only see from the chest up.
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When Mrs. Bennet hatches her evil plan:

‘Well, my dear,’ said Mr. Bennet, when Elizabeth had read the note aloud, ‘if your daughter should have a dangerous fit of illness—if she should die—it would be a comfort to know that it was all in pursuit of Mr. Bingley, and under your orders.’

Chapter Seven

When Mrs. Bennet is okay with Jane being sick… for just a little longer:

Had she found Jane in any apparent danger, Mrs. Bennet would have been very miserable; but being satisfied on seeing her that her illness was not alarming, she had no wish of her recovering immediately…

Chapter Nine
In an ornate blue bedroom, a woman with brown hair (Elizabeth) sits on a bed and leans slightly over a woman with blonde hair (Jane), who is laying down.
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When Mr. Darcy calls Elizabeth handsome after being pressured to insult her:

Miss Bingley was left to all the satisfaction of having forced him to say what gave no one any pain but herself.

Chapter Forty-Five

When Mr. Collins proposes to Charlotte Lucas:

In as short a time as Mr. Collins’s long speeches would allow, everything was settled between them to the satisfaction of both.

Chapter Twenty-Two
A brunette woman (Elizabeth) looks to the right at a dark haired man (Mr. Collins) wearing a black coat and white undershirt. The woman is wearing a simple green dress, and the pair can be seen from the chest up.
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When being rude means you are in love:

‘I never saw a more promising inclination; [Mr. Bingley] was growing quite inattentive to other people, and wholly engrossed by [Jane]. Every time they met, it was more decided and remarkable. At his own ball he offended two or three young ladies by not asking them to dance; and I spoke to him twice myself without receiving an answer. Could there be finer symptoms? Is not general incivility the very essence of love?’

Chapter Twenty-Five
In a crowded room, a woman (Jane, left) looks at a man (Bingley, right) while holding his hand. They are both smiling, and wearing Georgian-style dress clothes. In between them can be seen a woman (Elizabeth) with bangs and brown hair wearing a green dress, who is also smiling.
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When Mr. Collins is being ridiculous, as per usual:

‘You can hardly doubt the purport of my discourse, however your natural delicacy may lead you to dissemble; my attentions have been too marked to be mistaken. Almost as soon as I entered the house I singled you out as the companion of my future life. But before I am run away with by my feelings on this subject, perhaps it will be advisable for me to state my reasons for marrying—and, moreover, for coming into Hertfordshire with the design of selecting a wife, as I certainly did.’
The idea of Mr. Collins, with all his solemn composure, being run away with by his feelings, made Elizabeth so near laughing that she could not use the short pause he allowed in any attempt to stop him farther, and he continued.

Chapter Nineteen

When Elizabeth says this total zinger after Darcy’s first proposal:

‘You are mistaken, Mr. Darcy, if you suppose that the mode of your declaration affected me in any other way, than as it spared me the concern which I might have felt in refusing you.’

Chapter Thirty-Four
A woman (Elizabeth) with wet brown hair and bangs looks off screen to the left, mid-sentence. She is wearing a thin brown coat and green clothing underneath. Behind her we can see a stone pillar and a river, with trees surrounding it.
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When Mr. Collins (not-so) subtly roasts Lizzy for being poor:

‘Do not make yourself uneasy, my dear cousin, about your apparel. Lady Catherine is far from requiring that elegance of dress in us which becomes herself and daughter… Lady Catherine will not think the worse of you for being simply dressed. She likes to have the distinction of rank preserved.’

Chapter Twenty-Nine

When Lydia (the runaway bride) offers to help the rest of her sisters get husbands:

‘And then when you go away, you may leave one or two of my sisters behind you; and I dare say I shall get husbands for them before the winter is over.’
‘I thank you for my share of the favor,’ said Elizabeth; ‘but I do not particularly like your way of getting husbands.’

Chapter Fifty-One
A girl with brown hair and bangs (Lydia) looks with a slightly furrowed brow off to the right while pulling off a white glove. She is wearing a white and blue dress and a hat with white fabric. Behind her and to the right, out-of-focus, is a man with long dark blonde hair (Wickham) and a blue coat. You can only see the chest up.
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When Elizabeth rebuffs Lady Catherine perfectly:

‘Though I know it must be a scandalous falsehood, though I would not injure him so much as to suppose the truth of it possible, I instantly resolved on setting off for this place, that I might make my sentiments known to you.’
‘If you believed it impossible to be true,’ said Elizabeth, coloring with astonishment and disdain, ‘I wonder you took the trouble of coming so far.’

Chapter Fifty-Six
A close up of an older woman's face as she looks insulted. She is wearing fancy earrings and has grey hair.
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When Darcy knows Elizabeth really, really well:

‘I knew enough of your disposition to be certain that, had you been absolutely, irrevocably decided against me, you would have acknowledged it to Lady Catherine, frankly and openly.’
Elizabeth colored and laughed as she replied, ‘Yes, you know enough of my frankness to believe me capable of that. After abusing you so abominably to your face, I could have no scruple in abusing you to all your relations.’

Chapter Fifty-Eight
A man and a woman touch their foreheads together. Both of them are wearing green and brown and have brown hair, and are standing in a green field.
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Film and miniseries versions of Pride and Prejudice can be incredible ways to watch the magic of Jane Austen’s characters come alive, but there’s so much you miss when you don’t read or listen to the book! Neither the characters nor the narrator hold back when it comes to insults, which is shockingly hilarious in Georgian times.


To learn more about Jane Austen, read our article.

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